| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Herbst, Jan-Peter |
Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives |
2019 |
Metal Music Studies |
5 |
53-69 |
|
|
|
Eischeid, Susanne A.; Kneer, Julia; Englich, Birte |
Peace of mind: The impact of metal gestures on stress and power |
2019 |
Metal Music Studies |
5 |
137-150 |
|
|
|
Salueña, Eduardo G. |
Perfect symmetry: lo «técnico» y lo «progresivo» como paradigmas en la intelectualización del metal |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
111-132 |
|
|
|
Serrano Espejo, Fernando |
Perspectiva gráfica de Heavy -y- Metal |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
271-282 |
|
|
|
Gibson, Dylan Lawrence |
Postmodernism in Lou Reed and Metallica’s collaborative album ”Lulu” : The subjective perception of ”highbrow” and ”lowbrow” |
2019 |
Metal Music Studies |
5 |
187-200 |
|
|
|
Thomas, Niall; King, Andrew |
Production perspectives of heavy metal record producers |
2019 |
Popular Music; Cambridge |
38 |
498-517 |
|
|
|
Wicke, Peter |
Rammstein. 100 Seiten |
2019 |
|
|
|
|
|
|
Okunew, Nikolai |
Red Metal – Heavy Metal als eine Subkultur der DDR |
2019 |
Rundfunk und Geschichte |
45 |
66-67 |
|
|
|
Kieran, James; Walsh, Rex |
Religion and heavy metal music in Indonesia |
2019 |
Popular Music; Cambridge |
38 |
276-297 |
|
|
|
Scott, Niall W.R. |
Revelation of a documentary triptych: ”Some Kind of Monster”, ”Anvil! The Story of Anvil” and ”Beyond the Lighted Stage” |
2019 |
Heavy metal at the movies |
|
|
|
