| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Castaños, Mikel Peregrina |
Hidden Rituals, Secret Powers And Everlasting Horrors: The Presence Of Lovecraftian Imaginary in Spanish Recent Extreme Metal / Ritos arcanos, poderes ocultos y horrores intemporales: la presencia del imaginario lovecraftiano en el metal extremo español reciente |
2019 |
Brumal : Revista de Investigación sobre lo Fantástico = Research Journal on the Fantastic; Bellaterra |
7 |
81-105 |
|
|
|
Swist, Jeremy J. |
Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal |
2019 |
Metal Music Studies |
5 |
35-51 |
|
|
|
Bolay, Jordan |
‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost |
2019 |
Metal Music Studies |
5 |
5-20 |
|
|
|
Steinken, Woodrow |
Norwegian black metal, transgression and sonic abjection |
2019 |
Metal Music Studies |
5 |
21-33 |
|
|
|
Herbst, Jan-Peter |
Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives |
2019 |
Metal Music Studies |
5 |
53-69 |
|
|
|
Copilaș, Emanuel |
Negative determinations of intellect: A Hegelian critique of Slayer’s phenomenology |
2019 |
Metal Music Studies |
5 |
71-87 |
|
|
|
Zenerian, Eleftherios |
Vinyl records, metal fandom and fan labour: Productions and exchanges at the intersection of the cultural and financial economies |
2019 |
Metal Music Studies |
5 |
89-106 |
|
|
|
Epp, André |
The mosh pit – An area for excess or a place of learning? |
2019 |
Metal Music Studies |
5 |
107-114 |
|
|
|
Mussies, Martine |
A mermaid’s song in distortion: The recreation of ancient myth by a medieval metal band |
2019 |
Metal Music Studies |
5 |
115-125 |
|
|
|
Eischeid, Susanne A.; Kneer, Julia; Englich, Birte |
Peace of mind: The impact of metal gestures on stress and power |
2019 |
Metal Music Studies |
5 |
137-150 |
|
