| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Hoffin, Kevin |
”Sans compassion nor will to answer whoever asketh the why”: Personal sovereignty within black metal |
2019 |
Metal Music Studies |
5 |
151-162 |
|
|
|
Skelchy, Russell P. |
Worshippers of the sugarcane fields: Agrarian politics, symbolic inversion and black metal in Indonesia |
2019 |
Metal Music Studies |
5 |
163-186 |
|
|
|
Gibson, Dylan Lawrence |
Postmodernism in Lou Reed and Metallica’s collaborative album ”Lulu” : The subjective perception of ”highbrow” and ”lowbrow” |
2019 |
Metal Music Studies |
5 |
187-200 |
|
|
|
Herbst, Jan-Peter |
The formation of the West German power metal scene and the question of a ‘Teutonic’ sound |
2019 |
Metal Music Studies |
5 |
201-223 |
|
|
|
Norman, Joseph |
‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins |
2019 |
Metal Music Studies |
5 |
225-242 |
|
|
|
Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
|
|
|
Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
|
|
|
Kennedy, Lewis F.; Yavuz, M.Selim |
Metal and Musicology |
2019 |
Metal Music Studies |
5 |
293-296 |
|
|
|
Mynett, Mark |
Defining contemporary metal music: Performance, sounds and practices |
2019 |
Metal Music Studies |
5 |
297-313 |
|
|
|
Ribaldini, Paolo |
Terminology issues with the poïetic aspect of vocals in heavy metal studies: A suggestion for a multidisciplinary approach |
2019 |
Metal Music Studies |
5 |
315-335 |
|
