| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Barratt-Peacock, Ruth; Hagen, Ross; Gardenour Walter, Brenda S. |
Finding the Past in the Present and the Present in the Past |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
137-144 |
|
|
|
Hagen, Ross |
Obsequiae: Reconciling ’Authentic’ Medieval Musical Styles with Metal |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
145-156 |
|
|
|
Barratt-Peacock, Ruth |
The Villon that Never Was |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
157-170 |
|
|
|
Gardenour Walter, Brenda S. |
Satanic Bowels: Medieval Inversion and the Black Metal Grotesque |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
171-180 |
|
|
|
Hoad, Catherine (ed) |
Australian Metal Music |
2019 |
|
|
|
|
|
|
Hoad, Catherine |
Critical Introduction: What is ‘Australian’ about Australian Heavy Metal? |
2019 |
Australian Metal Music |
|
1-18 |
|
|
|
Oldham, Paul ’Nazz’ |
Heavy Metal Kids: A Historiographical Exploration of Australian Proto-Heavy Metal in the 1960s–1970s |
2019 |
Australian Metal Music |
|
19-36 |
|
|
|
Vallen, Sam |
’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage |
2019 |
Australian Metal Music |
|
37-54 |
|
|
|
Whitting, Samuel; Klimentou, Paige; Rogers, Ian |
‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive |
2019 |
Australian Metal Music |
|
55-70 |
|
|
|
Overell, Rosemary |
‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others |
2019 |
Australian Metal Music |
|
71-90 |
|
