| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Tontsch, Katharina |
Reign in Blood Beauty: Eine empirische Studie zum Schönheitsideal im Heavy Metal |
2021 |
|
|
|
|
|
|
Hernando González, Paola |
La tradición clásica en el heavy metal y el rock |
2021 |
|
|
|
|
|
|
Riekki, Matti |
North From Here: The Sentenced Story (English edition) |
2021 |
|
|
262 |
|
|
|
Trafford, Simon |
Amon Amarth Make Mead! Alcohol consumption, masculinity, and the modern Viking |
2021 |
Middle Ages without borders: A conversation on Medievalism |
|
|
|
|
|
Hagen, Katharina |
“If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen |
2021 |
Blake / an Illustrated Quarterly |
54 |
n.p. |
|
|
|
Miller, Jason |
What Makes Heavy Metal “Heavy”? |
2021 |
The Journal of Aesthetics and Art Criticism |
80 |
70-82 |
|
|
|
Lucas, Olivia R. |
Light Shows as Public, Vernacular Music Theory |
2021 |
The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory |
|
s.p. |
|
|
|
Reis Alecrim, Thales |
The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987) |
2021 |
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|
|
Raditya, Ardhie |
Membunuh Tradisi‘: Adegan Musik Metal Dan Subkultur Madura [Killing Tradition: Metal Music Scenes And Madurese Subcultures] |
2021 |
Sosial : Jurnal Penelitian Ilmu-Ilmu Sosial [Social: Journal of Social Sciences Research] |
22 |
31-42 |
|
|
|
Cárdenas Azuaje, Diana María |
MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ |
2021 |
Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad |
|
355-393 |
|
