| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Brown, Andy R. |
Resistance Through Music: Exploring the Role of Class Fraction Appropriations and Alliances in the Subcultural Formation of Heavy Metal, Classic, Post and Present |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
17-41 |
|
|
|
Brown, Andy R. |
Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
2021 |
Metal Music Studies |
7 |
257-276 |
|
|
|
Brown, Andy R. |
Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980‐91: Part one 1980‐85 |
2021 |
Metal Music Studies |
7 |
61-84 |
|
|
|
Brown, Andy R. |
A manifesto for metal studies: Or putting the ‘politics of metal’ in its place |
2018 |
Metal Music Studies |
4 |
343-363 |
|
|
|
Brown, Andy R. |
Un(su)Stained Class? Figuring Out the Identity-Politics of Heavy Metal’s Class Demographics |
2016 |
Global metal music and culture: current directions in metal studies |
|
190-208 |
|
|
|
Brown, Andy R. |
”Girls like metal, too!” Female reader’s engagement with the masculinist culture of the tabloid metal magazine |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
163-181 |
|
|
|
Brown, Andy R. |
Explaining the naming of heavy metal from rock’s ‘Back Pages’: A dialogue with Deena Weinstein |
2015 |
Metal Music Studies |
1 |
233-261 |
|
|
|
Brown, Andy R. |
metal For The Masses”: Or, Will Metal Ever Be Mainstream Again? (And Why We Should Want It To Be...) |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
454-464 |
|
|
|
Brown, Andy R. |
The Speeding Bullet, the Smoking Gun: Tracing Metal Trajectories, from Sabbath to Satyricon |
2012 |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
|
1-13 |
|
|
|
Brown, Andy R. |
No Method in the Madness? The Problem of the Cultural Reading in Robert Walser’s ”Running with the Devil: Power Madness and Gender in Heavy Metal Music” and Recent Metal Studies |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
63-72 |
|
