| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Klypchak, Brad |
Memoir-ish reflections on “Please Kill Me: The Uncensored History of Punk” |
2025 |
Metal Music Studies |
11 |
121-125 |
|
|
|
Klypchak, Brad |
”Dio can you hear me?”: kitsch, camp, nostalgia and Tenacious D |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Klypchak, Brad |
Another thing coming: nostalgia and kitsch in mass cultural manifestations of ”metal” |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Klypchak, Brad |
Same as it Never Was: Machinations of Metal and Memory |
2016 |
Heavy Metal Studies and Popular Culture |
|
|
|
|
|
Klypchak, Brad |
‘How you gonna see me now’: Recontextualizing metal artists and moral panics |
2013 |
Heavy metal: controversies and countercultures |
|
36-49 |
|
|
|
Klypchak, Brad |
‘How you gonna see me now’: Recontextualizing metal artists and moral panics |
2011 |
Popular Music History |
6 |
|
|
|
|
Klypchak, Brad |
Performed identity: heavy metal musicians between 1984 and 1991 |
2007 |
|
|
|
|
|
|
Klypchak, Bradpchak, Brad |
Gets me through: Ozzy Osbourne as collaborator |
2026 |
Metal Music Studies |
12 |
343-350 |
|
