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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Bühler, Marcus |
Kalevala Metal – Die Musik der Band Amorphis und ihr Bezug zum finnischen National-Epos |
2018 |
SAMPLES. Open Access Journal for Popular Music Studies |
16 |
s.p. |
|
|
|
Connolly, Stephen |
Salvation at Damnation: Autoethnographic reflections of an autistic festival goer through a critical autism studies lens |
2026 |
Metal Music Studies |
12 |
127-142 |
|
|
|
Dillon, Adam Shay |
Transgender transgression: An examination of the experiences of transgender and non-binary performers in Meanjin/Brisbane’s metal music scene |
2026 |
Metal Music Studies |
12 |
109-125 |
|
|
|
Eisenhuth, Kurtis |
Mapping Punk Music and Its Relative Subgenres |
2022 |
|
|
|
|
|
|
Guitar, Joshua; Griffith, Sydney |
Jinjer, Gender, and Genre: Interrogating the Rhetoric of Voiceless Vocals Through Feminist Psychoanalysis |
2026 |
Women's Studies in Communication |
Latest articles |
s.p. |
|
|
|
Hassan, Nedim; Hagen, Ross; González-Martínez, Susana; Banchs, Edward |
Fandom and discomfort |
2026 |
Metal Music Studies |
12 |
101-107 |
|
|
|
Hsiang-Yu Feng, Mark |
Sounding Taiwaneseness: Metal Music and Racial Politics in Postcolonial Taiwan |
2026 |
|
|
|
|
|
|
König, Sydney |
The evil that men remember: German metal and Second World War memory |
2026 |
Metal Music Studies |
12 |
181-197 |
|
|
|
McConnell, Catherine; Poulin, François; Vivier, Olivier |
Trajectories of metal music engagement during adolescence and substance use in adulthood |
2026 |
Journal of Applied Developmental Psychology |
106 |
a101980 |
|
|
|
Rapatskaya, Yanina |
Stay cool, Mister Skeleton: The significance of the accordion in the Russian black metal scene (2014–22) |
2026 |
Metal Music Studies |
12 |
143-159 |
|
