| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Annan, Rawan Mohamed |
Satanic panic: Discourse on metal and morality in Lebanese television’ |
2015 |
|
|
|
|
|
|
Banchs, Edward |
Never say die: Metal confronts mortality |
2026 |
Metal Music Studies |
12 |
223-230 |
|
|
|
Bock, Margaret; Hall, Joshua C.; Sobel, Russell S. |
Bulls on parade: Do economic policies explain preferences for heavy metal? |
2026 |
Metal Music Studies |
12 |
303-315 |
|
|
|
Burke, David |
The normalizing hagiography of Ozzy Osbourne |
2026 |
Metal Music Studies |
12 |
361-368 |
|
|
|
Capuzzo, Guy |
Spiritual transformations in two songs by Sunn O))) |
2026 |
Metal Music Studies |
12 |
279-302 |
|
|
|
Da Silva Rodrigues, André Luís |
A Cultura das Imagens nas Décadas de 60, 70 E 80 do Século XX:Caras de Lps e Cds de Musica Rock [The Culture of Images in the 60s, 70s and 80s of the 20th Century: Guys from Lps and Rock Music Cds] |
2015 |
|
|
|
|
|
|
higuera-Angulo, Felipe; Peña-Galindo, Andrés |
Rethinking globalization from the perspective of Colombian extreme metal |
2026 |
Metal Music Studies |
12 |
231-254 |
|
|
|
Julliot, Jason |
Le heavy metal au cinéma : influence, intégration et reconfigurations sémiotiques, de Birmingham à Hollywood (1970-2020) |
2025 |
|
|
|
|
|
|
Julliot, Jason |
Le cas du metal symphonique : entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance |
2018 |
Criminocorpus : histoire de la justice, des crimes et des peines |
11 |
s.p. |
|
|
|
Klypchak, Bradpchak, Brad |
Gets me through: Ozzy Osbourne as collaborator |
2026 |
Metal Music Studies |
12 |
343-350 |
|
