| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
|
|
|
Epp, André |
Gemeinsamkeiten im politischen Heavy Metal? Eine regionale Gegenüberstellung der politischen Dimension von Heavy Metal in der MENA-Staaten und on westlichen Ländern |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
151-165 |
|
|
|
Epp, André |
Heavy Metal und Islam – ein Antagonismus? Zur Rezeption und Verbreitung des Heavy Metals in Staaten der MENA |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
343-356 |
|
|
|
Fellezs, Kevin |
The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
235-158 |
|
|
|
Juszczyk, Andrzej |
The Global and Local Dimension of Metal Music |
2018 |
Annales Universitatis Paedagogicae Cracoviensis | Studia De Cultura |
14 |
63-71 |
|
|
|
LeVine, Mark |
Headbanging Against Repressive Regimes: Censorship of Heavy Metal in the Middle East, North Africa, Southeast Asia and China |
2009 |
|
|
|
|
|
|
Spracklen, Karl |
Throat singing as extreme Other: An exploration of Mongolian and Central Asian style in extreme metal |
2018 |
Metal Music Studies |
4 |
61-80 |
|
|
|
Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
|
|
|
Wallach, Jeremy |
Distortion drenched dystopias: metal and modernity in Southeast Asia |
2012 |
Reflections in the Metal Void |
|
89-100 |
|
|
|
Wallach, Jeremy |
Distortion drenched dystopias: metal and modernity in Southeast Asia |
2010 |
The metal void: first gatherings |
|
357-366 |
|
