| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Busey, Sean D. |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
2018 |
|
|
67 |
|
|
|
Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
|
|
|
Carew, Francis |
The Guitar Voice of Randy Rhoads |
2018 |
|
|
186 |
|
|
|
Gencarelli, Thomas Frank |
Reading ”heavy metal” music: an interpretive communities approach to popular music as communication |
1993 |
|
|
|
|
|
|
Hereld, Diana Christine |
Musical Intensity in Affect Regulation: Uncovering Hope and Resilience Through Heavy Music |
2016 |
|
|
141 |
|
|
|
Iuama, Tadeu Rodrigues |
O que acontece no palco é pretexto: Ecologia da Comunicação e capilaridades comunicacionais visitam o submundo musical |
2021 |
|
|
247-263 |
|
|
|
Kloeppel, Mark |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities |
|
|
|
136 |
|
|
|
McDowell, Michael A., II |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
2016 |
|
|
80 |
|
|
|
McLaughlin, Adria Ryan |
Navigating Gender Inequality in Musical Subgenres |
2015 |
|
|
52 |
|
|
|
Miller, Michael Brian |
Nicodemus! The beds are burning again: The ascension of Gorgomath |
2016 |
|
|
163 |
|
