| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Adamo, Noelia |
“In Black We Are Seen”. Heavy Metal Music in Argentina |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
67-72 |
|
|
|
Aguilar Miranda, Jackeline Nohelia |
Identidad y estética punk en Cochabamba |
2023 |
Perspectivas y Resistencias Musicales |
1 |
169-198 |
|
|
|
Aguilar Mirandas, Jackeline Nohelia |
La presencia de las chicas en la escena hardcore punk cochabambino |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
209-226 |
|
|
|
Alasia, Ezequiel |
The Reason Behind My Writing: Another Day of Being |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
72-83 |
|
|
|
Aquino Ruiz, Frank |
Radicalizing the Resistance: The Representation of Political Identities in the Heavy Metal Community of Puerto Rico Via the Production of Radio Shows |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
88-94 |
|
|
|
Araste, Lii |
Communication function in the Estonian metal subculture |
2010 |
Heavy fundametalisms: music, metal and politics |
|
103-109 |
|
|
|
Arboleda, Juan Camilo |
Narrar o mal para compreender a tragédia na Colômbia: a banda Masacre e a violência |
2016 |
Líbero |
19 |
81-92 |
|
|
|
Ardrey, Caroline |
Baudelaire and Black Metal: Performing Poetry under Perestroika |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
27-45 |
|
|
|
Avelar, Idelber |
Otherwise national: locality and power in the art of Sepultura |
2011 |
Metal rules the globe: heavy metal music around the world |
|
135-160 |
|
|
|
Avelar, Idelber |
Genealogías y Contrastes en el Heavy Metal Brasileño |
2009 |
TodaVÍA |
21 |
62-67 |
|
