| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Emms, Rachel; Crossley, Nick |
Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom |
2018 |
The Canadian Review of Sociology; Montreal |
55 |
111-135 |
|
|
|
Glasper, Ian |
Trapped in a scene: UK hardcore 1985-1989 |
2009 |
|
|
|
|
|
|
Hay, Alexander |
Phew – What a blizzard! Black metal and the UK popular press |
2018 |
Metal Music Studies |
4 |
329-341 |
|
|
|
Heley, Jesse; Welsh, Marc |
Regions rock : heavy metal and the role of music in the construction of regional identity for the British Midlands |
2017 |
Reanimating regions: culture, politics and performance |
|
26-45 |
|
|
|
Riches, Gabby |
Use Your Mind? Embodiments of Protest, Transgression, and Grotesque Realism in British Grindcore |
2016 |
Global metal music and culture: current directions in metal studies |
|
125-144 |
|
|
|
Riches, Gabby; Lashua, Brett |
Mapping the underground: An ethnographic cartography of the Leeds extreme metal scene |
2014 |
International Journal of Community Music |
7 |
223-242 |
|
|
|
Riches, Gabrielle; Lashua, Brett; Spracklen, Karl |
Female, Mosher, Transgressor: A ’Moshography’ of Transgressive Practices within the Leeds Extreme Metal Scene |
2013 |
IASPM Journal |
4 |
87-100 |
|
|
|
Savigny, Heather; Sleight, Sam |
Postfeminism and heavy metal in the United Kingdom: Sexy or sexist? |
2015 |
Metal Music Studies |
1 |
341-357 |
|
|
|
Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
|
