| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Bardine, Bryan A. |
Elements of the gothic in heavy metal: a match made in Hell |
2009 |
Heavy metal music in Britain |
|
125-139 |
|
|
|
Bayer, Gerd |
Rocking the nation: one global audience, one flag? |
2009 |
Heavy metal music in Britain |
|
181-194 |
|
|
|
Campbell, Iain |
From Achilles to Alexander: the Classical world and the world of metal |
2009 |
Heavy metal music in Britain |
|
111-124 |
|
|
|
Earl, Benjamin |
Metal goes ’pop’: the explosion of heavy metal into the mainstream |
2009 |
Heavy metal music in Britain |
|
33-52 |
|
|
|
Farley, Helen |
Demons, devils, and witches: the occult in heavy metal music |
2009 |
Heavy metal music in Britain |
|
73-88 |
|
|
|
Lee, Liam |
The brutal truth: Grindcore as the extreme realism of heavy metal |
2009 |
Heavy metal music in Britain |
|
53-70 |
|
|
|
Moore, Ryan M. |
The unmaking of the English working class: deindustralization, reification, and the origins of heavy metal |
2009 |
Heavy metal music in Britain |
|
143-160 |
|
|
|
Nilsson, Magnus |
No class? Class and class politics in British heavy metal |
2009 |
Heavy metal music in Britain |
|
161-180 |
|
|
|
Taylor, Laura Wiebe |
Images of human-wrought despair and destruction: social critique in Briitish apocalyptic and dystopian metal |
2009 |
Heavy metal music in Britain |
|
89-110 |
|
|
|
Weinstein, Deena |
The empowering masculinity of British heavy metal |
2009 |
Heavy metal music in Britain |
|
17-32 |
|
