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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Brown, Andy R., Niall W. R. |
From class disgust to indie art-house accolades and fan celebrity: the strange cultural journey of ”Heavy Metal Parking Lot” |
2019 |
Heavy metal at the movies |
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|
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|
|
Christol, Florent |
Heavy metal carnival: ”Trick or Treat” and the cultural figure of the foolkiller |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Gulgas, Sarah; Hassam, Nedim |
Inviting vampires into the home: MTV aesthetics and the portrayal of youth and heavy metal culture in ”The Lost Boys” and ”Queen of the Damned” |
2019 |
Heavy metal at the movies |
|
|
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|
|
Klypchak, Brad |
”Dio can you hear me?”: kitsch, camp, nostalgia and Tenacious D |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Neilson, Tai; Neil, Clare L. |
A band of ”Northmen” |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Savigny, Heather; Sleight, Sam |
”Bück Dich”: Rammstein in Amerika and the subversion of masculinized sexuality |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Schlotterbeck, Jesse |
A different kind of rock doc: performance, persona and stardom in ”Anvil! The Story of Anvil and Last Days Here” |
2019 |
Heavy metal at the movies |
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|
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|
Scott, Niall W.R. |
Revelation of a documentary triptych: ”Some Kind of Monster”, ”Anvil! The Story of Anvil” and ”Beyond the Lighted Stage” |
2019 |
Heavy metal at the movies |
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|
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|
|
Scott, Niall W.R. |
From ”Parking Lot to Baghdad”: documentary film and global metal discourse |
2019 |
Heavy metal at the movies |
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|
Weinstein, Deena |
”This is Spinal Tap” mocks metal and more, a lot more |
2019 |
Heavy metal at the movies |
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