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Author |
Baez, Christian |
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Title |
Metal Andino Guitarras, Bajo y Batería en los Andes (Proyecto documental). |
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Miscellaneous |
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52'24" |
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Keywords |
el heavy metal; la música andina |
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Abstract |
Proyecto documental dirigido por Christian Baez que indaga en los cruces sonoros entre el heavy metal y la música andina. Financiado por el Centro de Estudios Interculturales e Indígenas (CIIR) y producido por el Laboratorio de Antropología Visual (LAV UC). |
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Financiado por el Centro de Estudios Interculturales e Indígenas (CIIR) y producido por el Laboratorio de Antropología Visual (LAV UC) |
Place of Publication |
Cordillera de los Andes |
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Spanish |
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YouTube |
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Notes |
Subtitles in Spanish available. |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2290 |
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Author |
Baltazar, Lídia Maria Ferrão |
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Title |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
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Book Whole |
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Year |
2013 |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
216 |
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Keywords |
Heavy Metal Music, Music Industry, Band Management, Entrepreneurship, Artistic Integrity |
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Abstract |
“The Music Industry is a very complex world that embraces different and broad segments needing of academic exploration. The big majority of studies and/or academic approaches to this unique business world have been focusing greatly on the record labels side but have failed to address the role of those who make the music – the musicians/artists. This is exactly what the present study aimed to understand: What is the role of the musicians in the music business? Aren’t they one of the key elements, essential players, within the whole industry, if not the most important elements ever?
The industry of music includes a large number of creative and wise musicians/bands behind one of the most discriminated music genres in the music history – Heavy Metal Music. However, diverse studies have demonstrated that Heavy Metal is recognized as a music genre that generates profit, with an increasing legion of fans all over the world hence, also considered popular music. Therefore, the purpose of this study is to understand how Heavy Metal Music bands and musicians succeed and how they manage to conciliate artistic creativity and commercial demands. By making a multiple case study analysis within two different settings – Portugal versus Finland – it will be shown that Heavy Metal bands / musicians possess business skills that allow them to manage and conduct both the artistic and business activities of their music business. In some of the cases, it will also be raised their entrepreneurial skills in innovating and finding new ways of reaching the audience and becoming more successful whilst doing what they love the most – making music and playing it live.”
(Source: ProQuest Dissertations Publishing)
Ciências Sociais e Humanas (Social Sciences and Humanities). |
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Thesis |
Doctoral thesis |
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Publisher |
Universidade da Beira Interior |
Place of Publication |
Covilhã, Portugal |
Editor |
Anabela Dinis |
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Language |
English |
Summary Language |
Portuguese |
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Notes |
ProQuest order number 28761469 |
Approved |
yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2517 |
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Author |
Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica |
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Title |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal |
Type |
Journal Article |
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Year |
2022 |
Publication |
Trans: Revista Transcultural de Música |
Abbreviated Journal |
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Volume |
26 |
Issue |
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Pages |
1-16 |
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Keywords |
Metal, violencia, género, protocolo, Nuestra Abya Yala, Nuestra Afroamérica; Gender; Violence; Metal music, GBV, protocol, Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM) |
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Abstract |
El objetivo de este artículo es narrar la experiencia de construcción de un protocolo contra violencias por motivos de género en las prácticas del metal dentro de la región de Nuestra Abya Yala y Nuestra Afroamérica, por parte de la Comisión de Género de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM). Para ello se dará cuenta de las diferentes etapas que componen este proceso, las cuales van desde las necesidades iniciales surgidas a partir de diversos ataques de violencia epistémica hacia integrantes de la REEHM, hasta la elaboración colectiva mediante métodos colaborativos. Esto implica la lectura, la reflexión y la escucha cuidada y grupal en la Primera Ronda de Brujxs. Hacia el final se comentan algunas conclusiones y proyecciones futuras vinculadas al metal y las problemáticas de género.
[The aim of this article is to recount the experience of building a protocol against gender-based violence (GBV) within metal music practices in the region of Nuestra Afroamerica, by the Gender Commission of the Heavy Metal Studies and Experiences Network (REEHM). The different stages that make up this process will be described, ranging from the initial needs arising from various attacks of epistemic violence against REEHM members, to the collective elaboration through collaborative methods. This involves group reading, reflection, and careful listening in the Primera Ronda de Brujxs (First Circle of Witches). Towards the end some conclusions and future projections related to metal and gender issues are discussed.] |
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Publisher |
SIBE: Sociedad de Etnomusicología |
Place of Publication |
Barcelona, España |
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Language |
español |
Summary Language |
English |
Original Title |
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Series Editor |
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ISSN |
1697-0101 |
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Medium |
PDF |
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Notes |
Open access: Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Spain license. |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2387 |
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Author |
Morton, Mark; Opipari, Ben |
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Title |
Desolation: A Heavy Metal Memoir |
Type |
Book Whole |
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Year |
2024 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
320 |
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Keywords |
Lamb of God; autobiography; biography; New wave of American heavy metal |
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Abstract |
“A gritty, revealing heavy metal memoir by Lamb of God’s lead guitarist and co-lyricist, which explores both his life in music and his tumultuous path through addiction and into recovery.
DESOLATION is the story of Morton's lifelong quest for clarity and self-acceptance, and shows how the pressures of career success and personal battles eventually came into conflict with Morton's dedication to the creative process. Intertwined with addiction, self-destruction, and the path to eventual surrender and recovery, Morton also reveals the greatest personal tragedy of his life: the death of his two-day old daughter, plunging Morton further into hopelessness. Surrounded by bandmates living their wildest dreams, Morton wanted nothing more than to disappear, ingesting potentially lethal cocktails of drugs and alcohol into his system on a daily basis.
And yet, amidst the harrowing heartbreak, there were moments of triumph, hope, and incredible personal connection. Morton developed close relationships with his bandmates and crew members, sharing experiences that have made for some strange and hilarious tales. He's also gained a greater sense of purpose through interactions with his fans, who remind him that his work reaches people on a deeply personal level. Through the highs and the lows, Morton learns how to find presence and gratitude where he once found fear and resentment, a process that he considers a gift of spiritual awakening.
DESOLATION is, at its core, about Morton's journey as a musician navigating self doubt, anxiety and the progressive disease of addiction, and ultimately finding relative serenity. Perfect for fans, new and old, as well as anyone who has ever been tested and brought to their limits, DESOLATION is a highly-satisfying, full-throttle investigation of the human experience. ”
(source: Hachette Book Group) |
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Publisher |
Hachette Books |
Place of Publication |
New York City |
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Language |
English |
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ISBN |
0306830981, 978-0306830983 |
Medium |
Hardback |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2523 |
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Author |
Herbst, Jan-Peter (ed) |
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Title |
The Cambridge Companion to Metal Music |
Type |
Book Whole |
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Year |
2023 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
320 |
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Keywords |
Heavy metal; Twentieth-Century and Contemporary music; Music: General interest; Music performance |
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Abstract |
“Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com).
“Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/).
Collection: The Cambridge Companions to Music. |
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Publisher |
Cambridge University Press |
Place of Publication |
Cambridge, England |
Editor |
Herbst, Jan-Peter |
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Language |
English |
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Series Title |
Cambridge Companions to Music |
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ISBN |
978-1108845861; 978-1108993982; eBook: 9781108991162 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2463 |
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Author |
Sabbath, Juan |
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Title |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
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Book Whole |
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Year |
2021 |
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Pages |
312 |
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Keywords |
Music Genres & Styles; Heavy Metal; Literary Criticism; Semiotics & Theory; Essays; Interviews; Ethnomusicology; Blues music; Jazz; Punk; Rock music; Cultural & Social Anthropology; Sociology |
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Abstract |
El libro 'Bienvenidos al Sabbath' ofrece reflexiones en torno a la apreciación de la música metal y la vigencia del underground que contribuyen a la construcción de una teoría del metal. Además, recopila ensayos inéditos junto a una antología de las entrevistas, crónicas y reseñas sobre rock & metal hechas por el autor durante los últimos 20 años. |
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Address |
jcmendozacol@unal.edu.co |
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Publisher |
Nixx Editores |
Place of Publication |
Sogamoso, Boyacá, Republic of Colombia |
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español |
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ISBN |
9584944851, 9789584944856 |
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print |
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Notes |
Copyright owner: Juan Mendoza-Collazos; diseño de la portada: Nadia Jiménez B.; prólogo por Carlos Reina; prólogo por Manfred Navarro |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2373 |
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Author |
Castillo Bernal, Stephen |
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Title |
Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México |
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Book Whole |
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Year |
2015 |
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Pages |
343 |
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Keywords |
Ritual Theory; Imaginarios sociales; Mexico City; Antropología; Heavy Metal Music; Satanism; Mexico; Sociology; Non-Western scenes; Imaginary; Aspectos sociales – México (Ciudad); Heavy metal (Música)–México–Historia; Tribus urbanas – Aspectos simbólicos – México (Ciudad); Conciertos (Heavy metal); Aspectos socioculturales–México (Ciudad). |
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Publisher |
Instituto Nacional de Antropología e Historia |
Place of Publication |
Mexico |
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Language |
Spanish |
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Colección Etnología y Antropología Social |
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978-607-484-709-3 |
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Notes |
https://worldcat.org/title/953587169?oclcNum=953587169 |
Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ castillo_bernal_musica_2015 |
Serial |
1578 |
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Author |
Yepes Aguirre, Jimmy Renzo |
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Title |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
Type |
Journal Article |
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Year |
2013 |
Publication |
Investigaciones Sociales |
Abbreviated Journal |
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Volume |
17 |
Issue |
30 |
Pages |
279-290 |
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Keywords |
Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú |
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Abstract |
Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. |
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Address |
https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 |
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Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales |
Place of Publication |
Lima, República del Perú |
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Print: 1560-9073 / Online: 1818-4758 |
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PDF |
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Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2284 |
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Author |
Núñez, María de la Luz |
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Title |
De Conan a símbolo de raza y nación : desarrollo e implicancias de la masculinidad de protesta de la figura del guerrero vikingo en los inicios del metal vikingo nórdico. |
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Book Whole |
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Year |
2022 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
103 |
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Keywords |
Heavy metal (Música); Masculinidad en arte; Vikingos |
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Abstract |
Esta tesis trata acerca del desarrollo que sigue la masculinidad de la figura del vikingo del metal, desde que aparece dentro del metal del norte global, hasta que se convierte en la figura paradigmática del metal vikingo nórdico. La hipótesis que sostengo es que el vikingo del metal vikingo nórdico representa una masculinidad de protesta del metal (siguiendo el sentido que Connell le da a la masculinidad de protesta). Por ello, se trata de una construcción de género que contiene elementos que van surgiendo y se vuelven parte de la cultura metalera, así como otros elementos más que le permiten mostrar su oposición o protesta hacia masculinidades diferentes a la que presenta el vikingo, sobre todo hacia la masculinidad hegemónica local. No obstante, la expresión de dicha oposición termina presentando varias similitudes con discursos de odio ligados al patriarcado, a la raza y a la nacionalidad. |
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Address |
https://www.uc.cl/ |
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Corporate Author |
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Thesis |
Master's thesis |
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Publisher |
Pontificia Universidad Católica de Chile |
Place of Publication |
Santiago de Chile, Republic of Chile |
Editor |
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Language |
Spanish |
Summary Language |
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Notes |
Magíster en Artes con mención en Musicología vía investigación; Open Access |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ 781.66 |
Serial |
2296 |
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Author |
Eckerström, Pasqualina |
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Title |
Extreme heavy metal and blasphemy in Iran: the case of Confess |
Type |
Journal Article |
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Year |
2022 |
Publication |
Contemporary Islam |
Abbreviated Journal |
Cont Islam |
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Volume |
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Issue |
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Pages |
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Keywords |
Transgression; Resistance; Extreme heavy metal; Blasphemy; Islam; Iran |
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Abstract |
Since the revolution in 1979, the Islamic Republic of Iran has imprisoned musicians, especially punk, hip-hop, and hard rock bands, as well as those playing heavy metal subgenres. Extreme heavy metal artists and fans emerged in the 1990s. The government soon targeted them as Satanists and began a systematic crackdown on metalheads. The metalcore band Confess is the most well-known case. The band was arrested in 2015 on counts of blasphemy, disturbing public opinion through the production of music, participating in interviews with the opposition media and propaganda against the Islamic Republic of Iran, among other charges. The majority of secular countries today do not consider extreme heavy metal to be transgressive. This is not the case in contexts where religious traditions have a significant influence on society. By analysing the narrative of the band Confess, the purpose of this paper is to provide an understanding of how Iranian extreme metal musicians resist religious oppression, challenge their government, religious precepts, and social values through their music. |
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Publisher |
Springer Nature Switzerland AG |
Place of Publication |
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Language |
English |
Summary Language |
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Notes |
Open Access |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2310 |
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| Permanent link to this record |
