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Author |
Dinali, Wescley |
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Title |
Uma aliança: a morte... ...uma bricolagem morte/vida/vida/morte e e e |
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Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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381-393 |
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Keywords |
Punk; Philosophy |
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Pimenta Cultural |
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São Paulo |
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Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2370 |
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Author |
Teichert, Matthew |
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Title |
Die Antichristen. Satanistisch-, neugermanische’ Allianzen im Black Metal und ihre Wurzeln in Schwarzer Romantik. Wagnerianismus und (Vulgär-)Nietzscheanismus |
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Book Chapter |
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Year |
2016 |
Publication |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
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Pages |
59-74 |
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Keywords |
Philosophy; Romanticism; Satanism; Black Metal; Aesthetics |
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Nomos |
Place of Publication |
Baden-Baden |
Editor |
Penke, Niels; Teichert, Matthias |
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Deutsch |
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978-3-8487-1275-5 |
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UCM - CAM @ amaranta.saguar.garcia @ penke_antichristen_2016 |
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763 |
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Author |
Coggins, Owen; Harris, James (eds) |
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Title |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
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Year |
2017 |
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Mysticism; Drone Metal; Philosophy |
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Void Front Press |
Place of Publication |
St. Louis |
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Coggins, Owen; Harris, James |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2097 |
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Author |
Carmona Campo, Andrés |
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Title |
Filosofía y heavy metal |
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Year |
2021 |
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Philosophy |
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Laetoli |
Place of Publication |
Pamplona |
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Spanish |
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978-84-121856-9-0 |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2104 |
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Author |
Scaricaciottoli, Emiliano; Minore, Gito (eds) |
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Title |
Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
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Book Whole |
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Year |
2021 |
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Keywords |
Non-Western Scenes; Latin America; Sociology; Rhetoric; Aesthetics; Music Industry; Gender; Politics; Identity; Postcolonialism; Philosophy; Theology |
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Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
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Scaricaciottoli, Emiliano; Minore, Gito |
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sp |
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978-987-4167-76-7 |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2113 |
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Author |
Volák, Vojtěch |
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Title |
Stávání se tíhou: Filozofie diference a metalová hudba [Becoming Heaviness: Philosophy of Difference and Metal Music] |
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Book Whole |
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Year |
2021 |
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Philosophy |
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Diploma thesis |
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Univerzita Karlova, Fakulta humanitních studií |
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Praha |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2137 |
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Author |
Evangelista Ávila, José Luis |
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Title |
Lo infernal y lo demoníaco como formas de subjetividad. Una lectura de las composiciones de Luzbel a partir de Kierkegaard y Sartre |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
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121-127 |
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Keywords |
Luzbel (band); Philosophy; Hell; Demon; Existentialism |
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Clara Beter Ediciones |
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Buenos Aires |
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Scaricaciottoli, Emiliano; Minore, Gito |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2157 |
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Author |
dos Passos, Cristiano |
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Title |
Do noisecore ao noise : a tradução do precário em “The Hermeneutics of Fear of God” |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Diálogos com a música extrema |
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Pages |
29-66 |
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Keywords |
Fear of God (band); Philosophy |
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Publisher |
editorafi.org |
Place of Publication |
Porto Alegre |
Editor |
Barchi, Rodrigo |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2159 |
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Author |
Pack, Christian |
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Title |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
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Book Whole |
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Year |
2018 |
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233 |
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Keywords |
Communication and the arts; Culture; El Salvador; Heavy metal; Humor; International law; Language, Latin America; Literature and linguistics; Obscenities; Philosophy; Politics; Social sciences; Spanish |
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Abstract |
Heavy Metal in El Salvador has been a driving force of the underground culture since the Civil War in the 1980s. Over time, it has grown into a large movement that encompasses musicians, producers, promoters, media outlets and the international exchange of music, ideas and live shows. As a music based around discontent with society at large, Heavy Metal attempts to question the status quo through an intellectual exploration of taboo subjects and the presentation of controversial live shows. As an international discourse, Heavy Metal speaks to ideas of both socio-political and individual power based around a Philosophy of Life that exalts personal freedoms and personal responsibility to oneself and their society. As a community, it represents a ‘rage’ group, as defined by Peter Sloterdijk, that questions Western epistemologies and the doctrines of Christian Philosophy. This is done in different ways, by different genres, but at the heart is the changing of macro- (international) discourses into micro- (local) discourses that focus on those issues important to the geographic specificity of the region.
In the case of Black Metal, born in Norway, it is interpreted in El Salvador through the similarities between the doctrines of Hitler and those of the most famous dictator in the country’s history – General Maximiliano Hernandez – and then applied, ironically, to the local phenomena of the Salvadoran Street Gangs (MS-13 and 18s) and their desired extermination. It is also done through the re-interpreting of folk metal in the local phenomenon of tribal metal that reinterprets the indigenous through the lens of modern society and heavy metal’s ideas of power. Finally, the Salvadoran metalhead adapts the genre’s vulgarity and dark humor to fuel their own systems of dealing with harsh repression and existing within a society that seems to have no place for them. At the bottom though, much more than a community, Heavy Metal in El Salvador is a source of fraternalismo that utilizes the Philosophy of Life to bind its members together and to provide them a means by which to express their personal freedoms within a society that would happily see them limited. |
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Ph.D. thesis |
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Johns Hopkins University |
Place of Publication |
Ann Arbor |
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978-1-392-06770-3 |
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INTech @ brianhickam2019 @ |
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2204 |
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Author |
Baďurová, Barbora |
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Title |
Philosophical Poetry in Metal Music (with Focus on Bands From Central Slovakia) |
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Journal Article |
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Year |
2021 |
Publication |
Studia Polensia |
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10 |
Issue |
1 |
Pages |
23-42 |
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Keywords |
Slovakian scene; European scenes; Slovakia; Philosophy |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2250 |
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