| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Guibert, Gérome; Turbé, Sophie |
La Belle Endormie Awakened by Hellfest Open Air?: A Study of the Nantes Heavy Metal Music Scene |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Karjalainen, Toni-Matti |
Heavy Metal in Estonia: Cohesions and Divisions, Past and Present |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Granado, Rui Luiz Ferreira; Valente, Heloisa de Aaujo Duarte |
From the Sound of the Lathes to the Noise of the Amplifiers: The Heavy Metal and the Music Scene in the ABC Region of Brazil (1980-1990) |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Kennedy, Lewis |
“This Is the City of Hate”: Surveying the Hull Metal/Hardcore Scene |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Roby, David Allen |
Crust Punk: An Anarchist Political Epistemology |
2021 |
|
|
204 |
|
|
|
Yang, Zixuan |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
2019 |
|
|
179 |
|
|
|
Simms, Bekah |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
2019 |
|
|
64 |
|
|
|
Hudson, Stephen S. |
Feeling Beats and Experiencing Motion: A Construction-based Theory of Meter |
2019 |
|
|
334 |
|
|
|
Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
|
|
|
Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
|
