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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Bashe, Philip |
Heavy Metal Thunder: The Music, Its History, Its Heroes |
1985 |
|
|
|
|
|
|
Baulch, Emma |
Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene |
2003 |
Popular Music; Cambridge |
22 |
195-215 |
|
|
|
Beauchamp, Caroline |
Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework |
2021 |
|
|
|
|
|
|
Beauguitte, Laurent; Pecout, Hugues |
Les mondes du metal d’après l’Encylopedia Metallum |
2019 |
Volume! La revue des musiques populaires |
15:2 |
57-69 |
|
|
|
Beccassino, Angel |
M-19, el heavy metal latinoamericano |
1989 |
|
|
|
|
|
|
Becker, Tobias |
Die Musikrichtung Heavy Metal. Entstehung und Arten am Beispiel von Bands |
2001 |
|
|
|
|
|
|
Beckwith, Karl |
”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene |
2002 |
Colour |
5 |
n.-p. |
|
|
|
Bellemare, Luc |
Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
193-208 |
|
|
|
Bénard-Goutouly, Nadège |
Le métal folklorique, entre tradition et modernité: sources d’inspiration, rites et postures idéologiques |
2013 |
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|
|
|
|
|
Berelian, Essi |
The rough guide to heavy metal |
2005 |
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