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Author |
Olavarría Ginocchio, Ricardo |
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Title |
Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) |
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Book Whole |
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Year |
2019 |
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153 |
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Música--Perú--Lima--Historia--1983-1989; Música rock--Perú--Lima--Historia--1983-1989; Música popular--Perú--Lima--Historia--1983-1989 |
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La presente tesis tiene como objetivo analizar las razones que llevaron a un grupo de jóvenes limeños varones, en la década de los ochenta, a tocar metal, tanto en la variante de heavy metal tradicional como en la extrema, a la vez que busca explicar de qué manera las circunstancias de la realidad nacional, tanto económicas como sociales y políticas, influyeron en la constitución de dicho género musical como escena. Para ello, parto de dos hipótesis. Por un lado, en un contexto de globalización y desestructuración, estos jóvenes encuentran, en la oscuridad, pesadez y potencia del metal, un espacio en el que construir lazos sociales entre pares y afianzar estructuras paralelas de autonomía y poder. Por otro lado, la formación de la escena metalera se da primero en una etapa (1983-1985) de convivencia entre las bandas de metal y las de otros subgéneros del rock; y luego, en una segunda etapa (1986-1989), esta adquiere carácter independiente y se perfila en dos vertientes: una que busca la profesionalización, que eventualmente pierde terreno ante la crisis económica, y otra underground, que lograr sortear la crisis a partir de sus propios códigos, los cuales marcan el futuro de la escena.
Con el fin de poner a prueba dichas hipótesis, realicé entrevistas a participantes de la escena de la época, consulté diversos periódicos, revistas y fanzines, además de fuentes secundarias. Además de confirmar las hipótesis de investigación, esta tesis muestra, primero, que los códigos musicales (en este caso del metal) influyeron en la realidad de los jóvenes que adoptaron dicho género como seña identitaria; y, segundo, que las particularidades de la escena metalera limeña respondieron a eventos y tendencias sociales, políticas y económicas propias de la realidad peruana. |
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Pontificia Universidad Católica del Perú, https://www.pucp.edu.pe/ |
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Pontificia Universidad Católica del Perú |
Thesis |
Master's thesis |
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Pontificia Universidad Católica del Perú |
Place of Publication |
Lima, República del Perú |
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Spanish |
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Magíster en Historia. Creative common license: Atribución-NoComercial-CompartirIgual 2.5 Perú |
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no |
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INTech @ brianhickam2019 @ |
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2280 |
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Author |
Oliveira, Susane Rodrigues de; Brayner, Thais Nogueira |
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Title |
Feminilidades extremas: gênero, subjetivação e resistência nas letras de autoria de mulheres no metal extremo |
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2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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344-380 |
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Female artists; Extreme metal; Feminity |
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Pimenta Cultural |
Place of Publication |
São Paulo |
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Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2369 |
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Author |
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
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Title |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
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Journal Article |
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Year |
2020 |
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Musicae Scientiae |
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OnlineFirst |
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Extreme Metal; Violence; Emotion; Passion |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2036 |
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Author |
Olsen, Kirk N.; Terry, Josephine; Thompson, William Forde |
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Title |
Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence |
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Year |
2022 |
Publication |
Current Psychology |
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Online first |
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Psychology; Aggression |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2301 |
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Author |
Orálková, Lucie |
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Title |
Hudební analýza alba “Peace Sells... But Who’s Buying?” skupiny Megadeth [Musical analysis of the album “Peace Sells... but Who's Buying?” by Megadeth] |
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Year |
2022 |
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Megadeth (band); Peace Sells... But Who’s Buying? (album); Analysis |
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Bachelor's thesis |
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Univerzita Palackého v Olomouci |
Place of Publication |
Olomouc |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2452 |
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Author |
Ortiz Cora, Laila Erendira |
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Title |
SUJETOS EN EL METAL: SCARICACIOTTOLI Y GALICIA POBLET. ESCRITURAS DESDE EL LABERINTO DEL METAL HISPANO |
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Journal Article |
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Year |
2022 |
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Metal de Habla Hispana |
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1 |
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108-112 |
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Metal Studies; Spanish language |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2510 |
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Author |
Ortiz Cuchivague, Karen |
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Title |
Paroxis Histérica un podcast feminista antirracista y decolonial. |
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Magazine Article |
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Year |
2022 |
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1 |
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1 |
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REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
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Autonomous City of Buenos Aires, Argentine Republic |
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español |
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https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2416 |
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Author |
Overell, Rosemary |
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Title |
Voicing the Real in Extreme Metal |
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Journal Article |
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Year |
2021 |
Publication |
Continental Thought & Theory |
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3 |
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3 |
Pages |
136-163 |
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Keywords |
Extreme metal; Reality; Society |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2241 |
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Author |
Pack, Christian |
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Title |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
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2018 |
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233 |
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Communication and the arts; Culture; El Salvador; Heavy metal; Humor; International law; Language, Latin America; Literature and linguistics; Obscenities; Philosophy; Politics; Social sciences; Spanish |
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Heavy Metal in El Salvador has been a driving force of the underground culture since the Civil War in the 1980s. Over time, it has grown into a large movement that encompasses musicians, producers, promoters, media outlets and the international exchange of music, ideas and live shows. As a music based around discontent with society at large, Heavy Metal attempts to question the status quo through an intellectual exploration of taboo subjects and the presentation of controversial live shows. As an international discourse, Heavy Metal speaks to ideas of both socio-political and individual power based around a Philosophy of Life that exalts personal freedoms and personal responsibility to oneself and their society. As a community, it represents a ‘rage’ group, as defined by Peter Sloterdijk, that questions Western epistemologies and the doctrines of Christian Philosophy. This is done in different ways, by different genres, but at the heart is the changing of macro- (international) discourses into micro- (local) discourses that focus on those issues important to the geographic specificity of the region.
In the case of Black Metal, born in Norway, it is interpreted in El Salvador through the similarities between the doctrines of Hitler and those of the most famous dictator in the country’s history – General Maximiliano Hernandez – and then applied, ironically, to the local phenomena of the Salvadoran Street Gangs (MS-13 and 18s) and their desired extermination. It is also done through the re-interpreting of folk metal in the local phenomenon of tribal metal that reinterprets the indigenous through the lens of modern society and heavy metal’s ideas of power. Finally, the Salvadoran metalhead adapts the genre’s vulgarity and dark humor to fuel their own systems of dealing with harsh repression and existing within a society that seems to have no place for them. At the bottom though, much more than a community, Heavy Metal in El Salvador is a source of fraternalismo that utilizes the Philosophy of Life to bind its members together and to provide them a means by which to express their personal freedoms within a society that would happily see them limited. |
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Thesis |
Ph.D. thesis |
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Publisher |
Johns Hopkins University |
Place of Publication |
Ann Arbor |
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978-1-392-06770-3 |
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Call Number |
INTech @ brianhickam2019 @ |
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2204 |
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Author |
Pack, Christian M. |
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Title |
“Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal |
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2020 |
Publication |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
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39-60 |
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El Salvador; Latin America; Non-Western scenes; Death Metal; Brutal Death Metal; Kabak (band) |
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Lexington Books |
Place of Publication |
Lanham |
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Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2015 |
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