| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
|
|
|
Burns, Lori |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
2020 |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
|
196–217 |
|
|
|
Burns, Lori |
Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus |
2019 |
The Bloomsbury Handbook to Popular Music Video Analysis |
|
183-200 |
|
|
|
Burns, Lori A.; Armstrong, Patrick |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
2021 |
Metal Music Studies |
7 |
357-382 |
|
|
|
Busey, Sean D. |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
2018 |
|
|
67 |
|
|
|
Büttner, Christoph A.; Wehmeier, Henrik |
Ein Film aus dem Ruhrgebiet? Deindustrialisierungsgeschichte(n) und Körperpolitiken des Metals in “Thrash, Altenessen” |
2022 |
ffk Journal |
7 |
15-36 |
|
|
|
Calandra, Nicole |
Metal health: Measuring depression and anxiety within the heavy metal community |
2016 |
|
|
41 |
|
|
|
Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
|
|
|
Calvo, Manuela |
Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos |
2021 |
Tropos: Comunicação, Sociedade e Cultura |
10 |
s.p. |
|
|
|
Calvo, Manuela |
La escena metálica bonaerense: parias doblemente orgullosos |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
14-15 |
|
