| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Mendoza, Boris |
El underground Boliviano de los Andes y su resonancia identitaria en la política pública de del siglo XXI |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
33-56 |
|
|
|
Migeon-Lambert, Camille |
Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann |
2021 |
Identités de l'artiste – Pratiques, représentations, valeurs |
|
63-82 |
|
|
|
Miranda Bonilla, Sergio |
La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
69-92 |
|
|
|
Mulvany, Aaron P. |
”Reawakening pride once lost”: indigeneity and European folk metal |
2000 |
|
|
|
|
|
|
Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
|
|
|
Norman, Joseph |
From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity |
2018 |
Sounds of origin in heavy metal music |
|
117-140 |
|
|
|
Olson, Benjamin Hedge |
Within the perpetual pentagram: Religious discourse in the Hawai‘i metal scene |
2017 |
Metal Music Studies |
3 |
47-62 |
|
|
|
Olson, Benjamin Hedge |
I am the Black Wizards: Multiplicity, Mysticism and Identity in Black Metal Music and Culture |
2008 |
|
|
|
|
|
|
Overell, Rosemary |
‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others |
2019 |
Australian Metal Music |
|
71-90 |
|
|
|
Pack, Christian |
Salvadoran Metal and the Questioning of National Identity |
2015 |
|
|
|
|
