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Author  |
Vidal Vargas, Pablo Andrés |
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Title |
Notas preliminares: Por una antropología histórica del metal extremo en el Gran Buenos Aires |
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Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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1 |
Issue |
1 |
Pages |
12-13 |
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Abstract |
Pablo Andrés Vidal Vargas, nacido en Santiago de Chile en 1988, estudiante avanzado de Licenciatura en Ciencias Antropológicas, Facultad de Filosofía y Letras, Universidad de Buenos Aires. Autor de publicaciones sobre metal extremo y festividades religiosas bolivianas. Integrante de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM).
Contacto: pvidalv@gmail.com
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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ISSN |
2953-3805 |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2375 |
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Author |
Verne, Markus |
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Title |
Die Grenzen des Kontextualismus: Madagassischer Heavy Metal, ”satanische” Ästhetik und die ethnologische Erforschung populärer Musik |
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Journal Article |
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Year |
2012 |
Publication |
Zeitschrift für Ethnologie |
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Volume |
137 |
Issue |
2 |
Pages |
187-206 |
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Keywords |
Satanism; Sociology; Non-Western scenes; Aesthetics; Madagascar |
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German |
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ISSN |
0044-2666 |
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Notes |
The Limits of contextualization. Malagasy Heavy Metal ”satanic” aesthetics, and the study of popular music |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ verne_grenzen_2012 |
Serial |
861 |
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Author |
Verne, Markus |
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Title |
Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Die Handlungsmacht ästhetischer Objekte |
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Pages |
167-196 |
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Keywords |
Non-Western Scenes; Africa; Madagascar |
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Publisher |
De Gruyter |
Place of Publication |
Berlin |
Editor |
Schlitte, Annila; Verne, Markus; Wedekind, Gregor |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2244 |
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Author |
Venegas Marín, María Paula |
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Title |
Análisis del impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. |
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Journal Article |
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Keywords |
Ultra metal, Contracultura, Década de los 80s, Violencia, Juventud, Medellín; Ultra metal, Counterculture, 1980s, Violence, Youth, Medellín. |
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Abstract |
Este trabajo investigativo y de carácter cualitativo busca centrarse en las posturas que han derivado desde la comunicación, con aportes de la sociología y las ciencias sociales, a través de un recorrido teórico e histórico de los sucesos más importantes del espectro de tiempo, así como de sus principales aportes y limitaciones de las expresiones artísticas y musicales asociados al movimiento de “Ultra Metal” y la importancia de éste en las transformaciones de la sociedad producto de las dinámicas de violencia asociadas a las disputas de narcotraficantes. Dichas disciplinas han brindado diferentes conceptos al fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles, las cuales han surgido con visiones muy diferentes y diversas. Esta investigación tiene por objetivo analizar el impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. Esto se sustenta en cuatro factores: las condiciones del contexto histórico en la creación del movimiento contracultural contestatario “Ultra Metal”; los imaginarios que se configuran a través de la música y grupos juveniles contestarios que permiten la concepción del mismo como contracultura; los contextos sociales dinamizadores expresados a través de la música, la individualidad, las tribus urbanas en los escenarios de respuesta contra la violencia generada en el tiempo y los conceptos del fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles. Bajo esta perspectiva, esta investigación contribuye a las ciencias sociales porque al conocer los impactos que la música tiene en las transformaciones de la sociedad puede servir como base para construir estrategias que permitan a los y las jóvenes encontrar un sentido de vida a través del arte y, de esta manera, convertirse en agentes significativos dentro de una sociedad más justa y equitativa.
[ This investigative and qualitative paper seeks to focus on the positions that have derived from communication, with contributions from sociology and social sciences, through a theoretical and historical journey of the most important events of the spectrum of time, as well as of its main contributions and limitations of the artistic and musical expressions associated with the “Ultra Metal” movement and its importance in the transformations of society as a result of the dynamics of violence associated with drug traffickers' disputes. These disciplines have provided different concepts to the phenomenon of the search for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures, which have emerged with very different and diverse visions. This study aims to analyze the impact on society of the “Ultra Metal” protest movement as an alternative to the violence experienced by young people in the city of Medellin during the 1980s. This is based on four factors: the conditions of the historical context in the creation of the protesting countercultural movement “Ultra Metal”; the imaginaries that are configured through music and rebellious youth groups that allow the conception of it as a counterculture; the dynamic social contexts expressed through music, individuality, urban tribes in response scenarios against violence generated over time and the concepts of the phenomenon of searching for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures.] |
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Address |
https://www.unicundi.edu.co/ |
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Corporate Author |
Universidad de Cundinamarca, Facultad de Educación |
Thesis |
Bachelor's thesis |
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Publisher |
Universidad de Cundinamarca |
Place of Publication |
Fusagasugá, Cundinamarca, Republic of Colombia. |
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Language |
español |
Summary Language |
English |
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PDF, 1.169Mb |
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Notes |
Open access. Trabajo de grado, Licenciatura en Educación Básica con Énfasis en Ciencias Sociales [127]. |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2401 |
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Author |
Vaughn, Erin M. |
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Title |
Harmonic resources in 1980s hard rock and heavy metal music |
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Book Whole |
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Year |
2015 |
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Pages |
94 |
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Keywords |
Communication and the arts; Guns N' Roses; Hard rock; Harmony; Heavy metal; Malmsteen, Yngwie; Metallica; Music theory |
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Abstract |
The first objective of this work was to review the existing literature relating to popular music analysis to determine if standards of harmonic practice within hard rock and heavy metal music have been considered and established. This led to the review of the analytical methods of Guy Capuzzo, Christopher Doll, Walter Everett, Allen Moore, and Ken Stephenson. For the needs of this study, Everett's work (and to a lesser degree, Stephenson's work) is primary as it best summarizes the harmonic schemes used in the pieces analyzed.
Three songs were selected within different subgenres of hard rock and heavy metal: thrash metal (Metallica, “Master of Puppets”), neo-classical metal (Yngwie Malmsteen, “Far Beyond the Sun”), and commercial hard rock (Guns-N-Roses, “Welcome to the Jungle”). These pieces were analyzed extensively to understand the primary harmonic resources that are at work in each. Additionally, the three pieces were compared with regard to their formal elements, melodic materials, texture, and dynamics to draw conclusions about what similarities they share and also how they differ. Depending on the piece and the section under consideration, these three examples exhibited a reliance on modal structures, blues-based materials, and common-practice influences. |
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Thesis |
Master's thesis |
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Publisher |
Kent State University |
Place of Publication |
Ann Arbor |
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ISBN |
978-1-339-41655-7 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2224 |
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Author |
Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
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Title |
Defiant Sounds: Heavy Metal Music in the Global South |
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Book Whole |
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Year |
2023 |
Publication |
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Keywords |
Global South; Non-Westen Scenes; Latin America; Asia; Africa; Colonialism; Politics; Violence |
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Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel |
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ISBN |
9781793651860 |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2421 |
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Author |
Varas-Díaz, Nelson; Scaricaciottoli, Emiliano; Nevárez Araujo, Daniel |
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Title |
Introduction: A Window into Heavy Metal Scholarship in the Global South |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Heavy Metal Music In Argentina: in black we are seen |
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Latin America; Non-Western scenes; Argentina; Global South |
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University of Chicago Press |
Place of Publication |
Chicago |
Editor |
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel |
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English |
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978-1-78938-299-0 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ scaricaciottoli_introduction_2020 |
Serial |
733 |
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Author |
Varas-Díaz, Nelson; Rivera-Segarra, Eliut |
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Title |
Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery |
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Book Chapter |
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Year |
2014 |
Publication |
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music |
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Pages |
73-90 |
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Keywords |
Caribbean; Politics; Language |
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Lexington Books |
Place of Publication |
Lanham |
Editor |
Abbey, Eric James; Helb, Colin |
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Language |
en |
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978-0-7391-7606-1 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ abbey_black_2014 |
Serial |
326 |
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Author |
Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
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Title |
Conceptualizing the Distorted South: How to Understand Metal Music and Its Scholarship in Latin America |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
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Pages |
7-36 |
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Non-Western Scenes; Latin America |
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Lexington Books |
Place of Publication |
Lanham |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2014 |
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Author |
Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
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Title |
Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music |
Type |
Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Volume |
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Pages |
327-350 |
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Keywords |
Decolonialism; Caribbean scenes |
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Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2438 |
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