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Author |
Cárdenas Azuaje, Diana María |
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Title |
MUJERES Y SUS REPRESENTACIONES SOCIALES DENTRO DEL METAL EN BOGOTÁ |
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Book Chapter |
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Year |
2021 |
Publication |
Representaciones Sociales e Imaginarios Colectivos del Género, el Cuerpo y la Sexualidad |
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Pages |
355-393 |
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Keywords |
Bogotá; música Metal; mujeres; representaciones sociales |
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Abstract |
El presente texto muestra los hallazgos de la investigación “Representaciones sociales de la mujer en la cultura del Metal en Bogotá”, tesis de maestría presentada en la Universidad Distrital Francisco José de Caldas en 2012. Dicha investigación fue de corte cualitativo y abordó la perspectiva teórica estructural de las Representaciones Sociales (RS) de Jean Claude Abric (2001). Con ese constructo se determinaron el núcleo central (idea estable y organizadora) y los elementos periféricos (idea flexible auxiliar del núcleo) para las categorías: Mujer y Metal.
Para el estudio, se recurrió a la recolección e interpretación de 19 entrevistas semiestructuradas que se realizaron en Bogotá – Colombia. Las participantes son mujeres escuchas e intérpretes de música Metal con diversas características. En el análisis de instrumentos, se identificaron varios términos con alta frecuencia de reiteración (fuerza, vida, valentía y música), que se agruparon por semejanza, contigüidad o contraste, relacionados con la vivencia de la música Metal desde la perspectiva de las mujeres.
Los hallazgos se presentan relacionados a las categorías: 1. Mujer, asociada a cuatro núcleos: superficialidad, espiritualidad, liberación, pautas restrictivas. 2. Metal, que tiene como núcleos cultura/contracultura, machismo, Identidad/gusto, música, ritmo e interpretación. Así mismo se encontró (entre otras cuestiones) que las entrevistadas definen al Metal, como cultura en tanto genera elementos identitarios a partir de preferencias musicales, rituales, territorios, lenguajes, indumentarias y significados. Las mujeres del medio realizan una “transformación” frente a algunos parámetros de feminidad difundidos tradicionalmente consolidando una especie de feminidad transgresora. |
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https://imaginariosyrepresentaciones.com/miembros/diana-maria-cardenas-azuaje/ |
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Red Iberoamericana de Academias de Investigación, A.C. (978-607-99621) |
Place of Publication |
XALAPA, VERACRUZ, MÉXICO |
Editor |
ELIZABETH BALLÉN GUACHETÁ; LUIS ENRIQUE PÉREZ MÉNDEZ; SINDY PAOLA DÍAZ BETTER; DIANA MARÍA CÁRDENAS AZUAJE |
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Language |
Spanish |
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Colección Imaginarios y Representaciones |
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First |
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978-607-99388-5-7 |
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Notes |
See also INTRODUCCIÓN, pages 1-19. www.redibai.org; redibai@hotmail.com |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2288 |
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Author |
García Castiblanco, Norma; Cáceres Parra, Jórge |
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Title |
Voces Resonantes Memoria y Resistencia. Metal en Colombia: Memorias de violencia y resistencia para la No Repetición. |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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Volume |
1 |
Issue |
1 |
Pages |
48-49 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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2953-3805 |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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INTech @ brianhickam2019 @ |
Serial |
2407 |
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Author |
Migeon-Lambert, Camille |
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Title |
Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Identités de l'artiste – Pratiques, représentations, valeurs |
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Pages |
63-82 |
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Keywords |
Identity; Neoromanticism |
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EU de Dijon |
Place of Publication |
Dijon |
Editor |
Plana, Muriel; Sounac, Frédéric |
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Language |
French |
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978-2-36441-413-6 |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2239 |
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Author |
Raditya, Ardhie |
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Title |
Membunuh Tradisi‘: Adegan Musik Metal Dan Subkultur Madura [Killing Tradition: Metal Music Scenes And Madurese Subcultures] |
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Journal Article |
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Year |
2021 |
Publication |
Sosial : Jurnal Penelitian Ilmu-Ilmu Sosial [Social: Journal of Social Sciences Research] |
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Volume |
22 |
Issue |
1 |
Pages |
31-42 |
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Keywords |
Non-Westen Scenes; Indonesia; Sociology |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2085 |
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Author |
Varas-Díaz, Nelson |
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Title |
Decolonial Metal Music in Latin America |
Type |
Book Whole |
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Year |
2021 |
Publication |
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Keywords |
Non-Westen Scenes; Latin America; Colonialism; Protest; Politics |
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Publisher |
Intellect Books |
Place of Publication |
Bristol |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2086 |
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Author |
Wallach, Jeremy |
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Title |
Global Rock as Postcolonial Soundtrack |
Type |
Book Chapter |
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Year |
2020 |
Publication |
The Bloomsbury Handbook of Rock Music Research |
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Volume |
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Pages |
469-485 |
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Keywords |
Colonialism; Sociology |
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Bloomsbury |
Place of Publication |
New York |
Editor |
Moore, Allan; Carr, Paul |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2087 |
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Author |
Wallach, Jeremy |
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Title |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
Type |
Book Chapter |
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Year |
2003 |
Publication |
Global Pop, Local Language |
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Pages |
53-86 |
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Keywords |
Non-Westen Scenes; Indonesia; Politics; Rhetoric |
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University Press of Mississippi |
Place of Publication |
Jackson |
Editor |
Berger, Harris M.; Carroll, Michael T. |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2088 |
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Author |
Coggins, Owen |
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Title |
Sarcastic Turbulence: Irony, Seriousness, and Ambiguity in Black Metal Music Culture |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Isn't it Ironic? Irony in Contemporary Popular Culture |
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Keywords |
Black Metal; Irony; Humour; Ambiguity; Authenticity |
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Routledge |
Place of Publication |
Abingdon & New York |
Editor |
Kinane, Ian |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2089 |
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Author |
Messick, Kyle J. |
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Title |
Metal for the masses: How indie metal labels have adapted for the digital era |
Type |
Book Chapter |
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Year |
2021 |
Publication |
La route vers l'indépendance. L'industrie musicale en transition |
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Labels; Music Industry |
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Presses de l'Université Toulouse 1 Capitole |
Place of Publication |
Toulouse |
Editor |
Sarafian, Victor |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2090 |
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Author |
Coggins, Owen |
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Title |
Ritual Sacrifice in the Music and Noise of a Metal Festival |
Type |
Journal Article |
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Year |
2019 |
Publication |
Riffs: Experimental Writing on Popular Music Studies |
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Volume |
3 |
Issue |
2 |
Pages |
85-109 |
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Keywords |
Festivals |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2091 |
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