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Author |
Holzbach, Ariane Diniz; Santos, Melina; Evangelista, Simone; Oliveira, Thaiane |
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Title |
Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas |
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Year |
2015 |
Publication |
Cultura pop |
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131-150 |
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Keywords |
Video; Stereotypes; Parody; Quality |
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EDUFBA |
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Salvador |
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Sá, Simone Pereira de; Carreiro, Rodrigo; Ferraz, Rogerio |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2477 |
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Author |
States, Dawn |
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Title |
The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability |
Type |
Book Chapter |
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Year |
2024 |
Publication |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
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Pages |
126-139 |
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Keywords |
Ballet; Disability |
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Intellect |
Place of Publication |
Bristol |
Editor |
Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2563 |
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Author |
Montanero Vico, Luis |
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Title |
The New Wave of British Heavy Metal. Desarrollo, expansión y muerte de un movimiento juvenil |
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Journal Article |
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Year |
2005 |
Publication |
Ex Novo. Revista d'Historia i Humanitats |
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Volume |
2 |
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123-139 |
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NWOBHM; Music History; Sociology; Spain |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2494 |
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Author |
Welles, Petra |
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Title |
Heavy Metal als (Frauen-)Beruf und Bildungsprozess |
Type |
Journal Article |
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Year |
2024 |
Publication |
Magazin erwachsenenbildung.at. Das Fachmedium für Forschung, Praxis und Diskurs |
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Volume |
51 |
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Pages |
123-131 |
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Keywords |
Female musicians; Music training; Management; Networking |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2550 |
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Author |
Krajtl, Ondřej; Puchovský, Michal |
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Title |
Eso-kitsch in Czech Folk Metal: A Case Study of the Band Odraedir |
Type |
Journal Article |
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Year |
2022 |
Publication |
Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura |
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30 |
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Pages |
122-140 |
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Keywords |
Pagan metal; Kitsch; Aesthetic |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2600 |
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Author |
Mattson, Douglas |
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Title |
Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal] |
Type |
Book Chapter |
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Year |
2022 |
Publication |
Blasfemi, heresi, kätteri, apostasi |
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Pages |
119-131 |
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Keywords |
Blasphemy; Turkey; Non-Western scenes; Black metal |
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Svenska Forskningsinstitutet i Istanbul & Föreningen Svenska Istanbulinstitutets Vänner |
Place of Publication |
Istambul |
Editor |
Sorgenfrei, Simon; Mattson, Douglas |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2395 |
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Author |
Scheller, Jörg |
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Title |
Between the Laws: Researching the Aesthetics of Heavy Metal |
Type |
Book Chapter |
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Year |
2024 |
Publication |
The Law of the Metal Scene: An Interdisciplinary Discussion |
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Pages |
119-134 |
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Keywords |
Aesthetics; Legal |
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Kohlhammer |
Place of Publication |
Stuttgart |
Editor |
Pichler, Peter |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2570 |
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Author |
Gregof, Nancy |
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Title |
ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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1 |
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Pages |
118-121 |
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Keywords |
Gender; Feminism; Latin America |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2512 |
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Author |
Castillo Bernal, Stephen |
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Title |
Imágenes, ficción y consumo cultural. El impacto de la pantalla chica en la globalidad del heavy metal. |
Type |
Journal Article |
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Year |
2016 |
Publication |
Dimensión Antropológica |
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Volume |
66 |
Issue |
January-April |
Pages |
117-148 |
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Abstract |
En este trabajo exploraré la construcción de identidades y estereotipos sobre la escena metalera desde la pantalla chica. El cine, así como los programas televisivos, han jugado un papel fundamental en la reproducción del canon metalero.1 Destacan series animadas como Beavis and Butt-Head, transmitidas por el canal mtven la década de los 90, la cual dio paso a series como Metalocalypse, donde se privilegia la vida de los músicos y no tanto la de los fans.Si los productos fílmicos, audiovisuales y televisivos pueden verse como documentos etnográficos que evidencian un contexto cultural al margen de la intencionalidad del autor, entonces las imágenes televisivas asociadas con la escena metalera serán filtradas y re-significadas por cada sujeto y colectividad. Estos imaginarios ficcionales, que pueden o no corresponder con la realidad, generan estigmas, identidades, tabúes, temores y, paradójicamente, la reproducción de la escena metalera mundial mediante diversos consumos culturales. Se analizará la imagen global del heavy metal en las narrativas de Metalocalypse y cómo éstas evidencian el carácter estructural de ese género musical, ello a partir de un ejercicio etnográfico entre los participantes de esa comunidad de sentido en la ciudad de México. Los testimonios etnográficos fueron seleccionados de manera para apuntalar mis interpretaciones. |
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https://revistas.inah.gob.mx/index.php/dimension/index |
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Instituto Nacional de Antropología e Historia de México (INAH) |
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Palacio del Marqués del Apartado, Ciudad de México |
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Subdirector de Publicaciones Periódicas: Benigno Casas |
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español |
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ISSN: 1405776X |
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Revista CuatRimestRal |
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INTech @ brianhickam2019 @ |
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2405 |
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Author |
Vunić, Krešimir |
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Title |
Milton Goes (Progressive-Power) Metal: Symphony X and Milton’s “Paradise Lost” (Critique and Textual Analysis) |
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Year |
2021 |
Publication |
Studia Polensia |
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10 |
Issue |
1 |
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115-139 |
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Paradise Lost (album); John Milton; Paradise List (literature); Symphony X (band); Literature; Intertextuality |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2255 |
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