| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
|
|
|
Birnie-Smith, Jess; Robertson, Wesley C. |
Superdiversity and translocal brutality in Asian extreme metal lyrics |
2021 |
Language & Communication |
81 |
48-63 |
|
|
|
Núñez, María de la Luz |
Florecimiento extremo como reivindicación de género: mujeres que hacen metal en Lima |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
48-56 |
|
|
|
Rapatskaya, Yanina Olegovna |
“ТРАДИЦИОННАЯ РУССКАЯ ДРАМА”: ПРАКТИКИ САМОРЕПРЕЗЕНТАЦИИ РОССИЙСКИХ ЭКСТРИМ-МЕТАЛ ГРУПП НА ПРИМЕРЕ SECOND TO SUN И L'HOMME ABSURDE [“Traditional Russian Drama”: Practices of self-representation of Russian extreme metal bands on the example of Second to Sun and L'Homme Absurde] |
2022 |
Артикульт [Articult] |
2 |
44-66 |
|
|
|
Radovanović, Bojana |
Extreme Sound, “Extreme” Lifestyle? Investigating Cattle Decapitation’s Stance on the Human Impact on the Environment and Animal Rights |
2021 |
Studia Polensia |
10 |
43-58 |
|
|
|
Paganus, Arilson |
Quando o Diabo veste verde: o vegetarianismo e a natureza ecoando no underground |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
38-74 |
|
|
|
Vallen, Sam |
’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage |
2019 |
Australian Metal Music |
|
37-54 |
|
|
|
Fejes, János |
Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music |
2017 |
Acta Universitatis Sapientiae, Communicatio |
4 |
37-60 |
|
|
|
Swist, Jeremy J. |
Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal |
2019 |
Metal Music Studies |
5 |
35-51 |
|
|
|
Helden, Imke von |
Scandinavian metal attack: the power of Northern Europe in extreme metal |
2010 |
Heavy fundametalisms: music, metal and politics |
|
31-41 |
|
