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Thomas, Samuel |
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Title |
The Devil's Party. Metal and Literature |
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2022 |
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The Routledge Companion to Music and Modern Literature |
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406-415 |
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Literature |
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Routledge |
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London |
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Durkin, Rachael; Dayan, Peter; Englund, Axel; Clausius, Katharina |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2269 |
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Author |
Andrew Klein |
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Title |
Blood, Frets and Tears |
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Miscellaneous |
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2018 |
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1'15" |
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Documentary film, Dokken, Eddie Van Halen, George Lynch, Jimi Hendrix, Lita Ford, Lynch Mob, Mr. Big, Paul Gilbert, Quiet Riot, Racer X |
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“Blood, Frets and Tears” is the exploration of history's gifted guitar players: our Guitar Heroes. From the swing of Charlie Christian's bebop guitar and the psychedelic rock of Jimi Hendrix, to the majestic fire of Eddie Van Halen, join us for a momentous and joyous musical trip in the most definitive celluloid document ever filmed on the sound and soul of the electric guitar. (Amazon.com) /
Director: Andrew Klein; Writers: Andrew KleinBarry Kolsky(story);
Stars: Michael Angelo Batio, Jennifer Batten, Jack Blades, Carlos, Davazo, Lita Ford, Paul Gilbert, Brad Gillis, Bruce Kulick, George Lynch, Tony MacAlpine, Billy Sheehan, and others. / Production Companies: Cut My Flix; Lucky 13 Cinematic; Velocity Films; Distributors: Cut My Flix (2019) (USA) (video); Velocity Films (2019) (USA) (video). |
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INTech @ brianhickam2019 @ |
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2272 |
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Author |
Barajas, Jhon Edison |
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Title |
Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal |
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2021 |
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Power Metal; Colombia; Identity; Music history |
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Bachelor's thesis |
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Corporación Universitaria Minuto de Dios |
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Bogotá |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2273 |
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Author |
Mudrian, Albert (ed) |
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Title |
The Decibel Hall of Fame Anthology: Volume III |
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2020 |
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364 |
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Judas Priest, Satan, Hellhammer, Kreator, King Diamond, Candlemass, Napalm Death, Tormentor, Judge, Dismember, Ripping Corpse, Entombed, Cynic, Focus, My Dying Bride, Carcass, Cradle of Filth, Deadguy, Cryptopsy, Emperor, Refused, Opeth, Watain, Mastodon, Bloodbath. |
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Decibel Books is proud to announce the publication of The Decibel Hall of Fame Anthology: Volume III. Our latest limited edition, webstore exclusive includes 25 more Hall of Fame stories from our revered monthly series of artist interviews on the making of their classic extreme music albums.
In addition to reintroducing many Hall of Fame pieces from long out-of-print issues of Decibel, The Decibel Hall of Fame Anthology: Volume III also includes a previously unreleased bonus feature on the making of Bloodbath’s death metal classic Nightmares Made Flesh. 364 pages, hardcover. |
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dB Books |
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Mudrian, Albert |
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English |
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INTech @ brianhickam2019 @ |
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2275 |
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Author |
Makkonen, Markus; Strömsholm, Kim |
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Title |
Rotting Ways to Misery: The History of Finnish Death Metal (U.S. Edition) |
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2022 |
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364 |
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Decibel Books proudly presents Rotting Ways to Misery: The History of Finnish Death Metal. The definitive guide to the magical and morbid world of Finnish death metal, has been completely redesigned and edited for a North American release! Authors Markus Makkonen and Kim Strömsholm explore the extreme metal and thrash scenes of late ’80s, the short-lived but explosive scene of the early ’90s and the eventual devastating resurgence of death metal within the country. Limited to 1,000 copies. 364 pages, hardcover. Includes previously unpublished photos and exclusive interviews with artists. |
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dB Books |
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English |
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INTech @ brianhickam2019 @ |
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2276 |
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Author |
Riekki, Matti |
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Title |
North From Here: The Sentenced Story (English edition) |
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2021 |
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262 |
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Founded in 1989, metal band Sentenced was a pioneer of Finnish heavy music. The band’s melancholy tunes had a universal appeal that spoke to audiences far further afield than just in their native North, with more than a million records sold worldwide. Over the course of their sixteen-year long career, Sentenced toured Europe and North America extensively.
The story of these Northern Ostrobothnian (anti)heroes takes them on a wild ride through early teenage bravado to ludicrously absurd and profoundly tragic twists of fate. Along the way you’ll learn their songwriting secrets, experience unforgettable shows and explore the deepest troughs of despair that is life on tour. Deathly disaster and Northern gallows humour; triumphs and squandered opportunities. These heavy-drinking, famously taciturn men in black tell the tale of what it was like to play in the band called Sentenced.
Author Matti Riekki is a music journalist specialising in heavy rock, known as the host of the late national radio show Metalliliitto and the longstanding Editor-in-Chief of Finnish heavy metal magazine Inferno. |
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Svart Records |
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English |
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INTech @ brianhickam2019 @ |
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2277 |
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Author |
Riekki, Matti |
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Title |
Täältä Pohjoiseen: Sentencedin Tarina |
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2014 |
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262 |
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Sentenced, Death Metal, Melodic Death Metal, Gothic Metal, Finland |
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“Sekä puhumiseen että riemuitsemiseen pätee sama perussääntö: näitä tehdään vain kun on oikea tarve. Valittamiseen ja murehtimiseen riittää toki vähempikin.”Vuonna 1989 perustettu Sentenced oli suomalaisen raskaan rockin uranuurtaja. Melankoliasta voimaa puristanut yhtye vetosi muuallakin kuin Pohjolassa, ja sen levymyynti hipoo maailmanlaajuisesti miljoonaa. Kuusitoistavuotisen uransa aikana Sentenced teki lukuisia kiertueita Euroopassa ja Pohjois-Amerikassa. Vankka suosio Keski-Euroopassa teki yhtyeelle tutuksi muun muassa Berliinin ja Dortmundin klubit sekä festivaalit Saksan Rock Hardista Hollannin legendaariseen Dynamo Open Airiin. Euroopan laitoja yhtye kolusi aina Lontoon Astoria-klubilta Roomaan ja Osloon, joista jälkimmäisiä bändi muistaa kiertueuran pahoina paikkoina. Euroopan lisäksi lähinnä Yhdysvalloissa kiertänyt yhtye nousi viimeisellä ulkomaankiertueellaan vuonna 2005 lauteille myös Moskovassa ja Mexico Cityssä, missä mukana laulava yleisömassa sai keikkapaikan seinät tutisemaan ja lopettamispäätöksen tehneen bändin jäsenten silmäkulmat kostumaan.Pohjoispohjalaisten teinipoikien uhosta alkanut tarina on täynnä poskettomia käänteitä ja syvää tragiikkaa. Biisien synnyn salat, ikimuistoiset keikat ja kiertue-elämän alhot. Kuolemanvakavat kohtalot ja pohjoispohjalainen hirtehishuumori, saavutukset ja menetetyt mahdollisuudet. Raskaasti ryyppäävinä, mustiin pukeutuvina tuppisuina tunnetut miehet kertovat, mitä oli soittaa yhtyeessä nimeltä Sentenced. |
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Like Kustannus Oy |
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Finnish |
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INTech @ brianhickam2019 @ |
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2278 |
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Author |
Michalewicz, Aleks |
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Gods amongst us/gods within: the black metal aesthetic |
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2007 |
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Super/heroes: From Hercules to Superman |
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211-222, 385-388 |
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Black metal; Aesthetics |
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New Academia Publishing |
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Washington |
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Haslem, Wendy; Ndalianis, Angela; Mackie, Chris |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2279 |
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Author |
Olavarría Ginocchio, Ricardo |
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Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) |
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2019 |
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153 |
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Música--Perú--Lima--Historia--1983-1989; Música rock--Perú--Lima--Historia--1983-1989; Música popular--Perú--Lima--Historia--1983-1989 |
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La presente tesis tiene como objetivo analizar las razones que llevaron a un grupo de jóvenes limeños varones, en la década de los ochenta, a tocar metal, tanto en la variante de heavy metal tradicional como en la extrema, a la vez que busca explicar de qué manera las circunstancias de la realidad nacional, tanto económicas como sociales y políticas, influyeron en la constitución de dicho género musical como escena. Para ello, parto de dos hipótesis. Por un lado, en un contexto de globalización y desestructuración, estos jóvenes encuentran, en la oscuridad, pesadez y potencia del metal, un espacio en el que construir lazos sociales entre pares y afianzar estructuras paralelas de autonomía y poder. Por otro lado, la formación de la escena metalera se da primero en una etapa (1983-1985) de convivencia entre las bandas de metal y las de otros subgéneros del rock; y luego, en una segunda etapa (1986-1989), esta adquiere carácter independiente y se perfila en dos vertientes: una que busca la profesionalización, que eventualmente pierde terreno ante la crisis económica, y otra underground, que lograr sortear la crisis a partir de sus propios códigos, los cuales marcan el futuro de la escena.
Con el fin de poner a prueba dichas hipótesis, realicé entrevistas a participantes de la escena de la época, consulté diversos periódicos, revistas y fanzines, además de fuentes secundarias. Además de confirmar las hipótesis de investigación, esta tesis muestra, primero, que los códigos musicales (en este caso del metal) influyeron en la realidad de los jóvenes que adoptaron dicho género como seña identitaria; y, segundo, que las particularidades de la escena metalera limeña respondieron a eventos y tendencias sociales, políticas y económicas propias de la realidad peruana. |
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Pontificia Universidad Católica del Perú, https://www.pucp.edu.pe/ |
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Pontificia Universidad Católica del Perú |
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Master's thesis |
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Pontificia Universidad Católica del Perú |
Place of Publication |
Lima, República del Perú |
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Spanish |
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Magíster en Historia. Creative common license: Atribución-NoComercial-CompartirIgual 2.5 Perú |
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INTech @ brianhickam2019 @ |
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2280 |
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Author |
Alarcón Ruiz, Juan Carlos |
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Title |
CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017 |
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2017 |
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316 |
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Youth culture; identity; subculture; cultural construction; metal music |
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This research deals with the origin and development of the culture of Metal music in the city of Lima, and how adolescents of that time began the construction of a musical scene and the construction of an identity as individuals and as a community. The initial development of this urban culture took place during the 1980s, a period that was disastrous for Peru, where there was a chaotic context at the political, social level; economic; terror, suffering and above all uncertainty about the future. Between the bombs, death and destruction – facts generated by armed movements – the culture of Metal began to take shape, having as protagonists this group of adolescents; largely as rebellion and rejection about what they had to live. It was a society they did not want to be in. Based on different cultural manifestations (bands, fanzines, concerts, organizations) they began to build their own world, culture and identity. This identity is revaluated and becomes more powerful today when compared with the new generations of metalheads; who, based on the use of technology and a generally more favorable context, also try to participate in this urban culture. |
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https://web2.unfv.edu.pe/sitio/ |
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Bachelor's thesis |
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Federico Villarreal National University |
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Lima, República del Perú |
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Spanish |
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English |
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Licenciado en Antropología. |
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INTech @ brianhickam2019 @ |
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2281 |
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