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Author |
Roby, David Allen |
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Title |
Crust Punk: An Anarchist Political Epistemology |
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Year |
2021 |
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204 |
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Keywords |
Affect; Anarchism; Clothing; Cultural anthropology; Crust punk; Heavy Metal Music; Political science; Punk rock music; Reggae; Tattoos; Transiency |
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Abstract |
The Sex Pistols’ 1976 anthem, “Anarchy in the UK,” memorialized an ongoing relationship between anarchism and punk rock music. Although scholars of punk music have long documented the relationship between leftist or progressive politics in punk music scenes, they have not interrogated the content and sources of anarchist politics, often taking for granted the relationship between anarchism and punk. This dissertation examines the anarchist politics of a particular genre of punk, called “crust punk,” which is a blend of punk and heavy metal. Like most music subcultures, the crust punk scene is much more than musical sounds; it is associated with a particular lifestyle as well. Crust punks’ choices to drop out of society and live in squats or on the streets, I argue, are political. This dissertation combines ethnomusicological methods with a field of study called “political epistemology” from political science that seeks to understand the origins and composition of political ideas. I combine these two approaches to examine crust punk political ideas: where they come from, how they are shared within the scene, and in what ways they can be considered “anarchist.” I conclude that crust punk represents a form of what I theorize as “vernacular anarchism” that arises from precarious forms of existence, is formulated in everyday life experiences, and is given substance through affective and emotional responses to the poetics of crust punk song texts. |
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Ph.D. thesis |
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University of California, Davis |
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Ann Arbor |
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INTech @ brianhickam2019 @ |
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2199 |
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Author |
Pichler, Peter |
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Title |
„Breaking the Law…!?“ Zur Rolle von Recht und Rechtsbezug in der Kulturgeschichte der steirischen Heavy Metal-Szene seit 1980 |
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2021 |
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Graz Law Working Paper |
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Law; Austria; Sociology |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2231 |
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Author |
Swiniartzki, Marco |
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Title |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
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Journal Article |
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2021 |
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Archiv für Sozialgeschichte |
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61 |
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445-472 |
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Sociology; Black Metal; Aesthetics; Self-Fashioning |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2232 |
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Author |
Jordan, James Boddington |
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Title |
Harmonic Structures of 21st Century Heavy Metal |
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2021 |
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Musicology; Harmony |
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Master's thesis |
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University of Huddersfield |
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Huddersfield |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2233 |
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Author |
Marstal, Henrik |
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Title |
Mercyful Fate's “Don't Break the Oath” |
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Book Whole |
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2021 |
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Mercyful Fate (band); Periphery; Vocals |
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Bloomsbury |
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New York |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2235 |
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Author |
Radovanović, Bojana |
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Title |
Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies |
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Book Chapter |
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2021 |
Publication |
Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity |
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97-110 |
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Metal Studies; Musicology |
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Institute of Musicology SASA |
Place of Publication |
Belgrade |
Editor |
Radovanović, Bojana; Bralović, Miloš; Radivojević, Maja; Mihajlović, Danka Lajić; Medić, Ivana |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2236 |
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Author |
Swist, Jeremy J. |
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Title |
Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music |
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Book Chapter |
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2021 |
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İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! |
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200-229 |
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Byzantine Empire; History |
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İstanbul Araştırmaları Enstitüsü Yayınları |
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Istanbul |
Editor |
Künyeleri, Eser |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2237 |
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Author |
Verne, Markus |
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Title |
Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar |
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2021 |
Publication |
Die Handlungsmacht ästhetischer Objekte |
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167-196 |
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Non-Western Scenes; Africa; Madagascar |
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De Gruyter |
Place of Publication |
Berlin |
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Schlitte, Annila; Verne, Markus; Wedekind, Gregor |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2244 |
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Author |
Kolesnik, Alexandra S. |
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Title |
Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s] |
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Journal Article |
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Year |
2021 |
Publication |
Художественная культура |
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4 |
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362-381 |
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Keywords |
NWOBHM; Fantay; Machines; Technology; Aesthetics |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2245 |
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Author |
Fredriksson, Daniel |
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Title |
“Not Folk Metal, but...” Online intercultural musicking in “the Grove” |
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Year |
2021 |
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Svensk tidskrift för musikforskning [Swedish Journal of Music Research] |
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103 |
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111-126 |
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Folk Metal; Genres & Styles; On-line Culture; The Folk Metal Grove (Facebook Group) |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2249 |
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