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Author |
Turley, Julie; Jocson-Singh, Joan |
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Title |
Heavy Music Mothers: Extreme Identities, Narrative Disruptions |
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Book Whole |
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Year |
2023 |
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Pages |
152 |
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Abstract |
“Heavy Music Mothers: Extreme Identities, Narrative Disruptions is an exploration of women and heavy music and the ways in which women have historically engaged with musicking as mothers. Julie Turley and Joan Jocson-Singh, musicking mothers themselves, largely employ an ethnographic lens, foregrounded in powerful one-on-one original interviews as vignettes that narrate thematic patterns. Other chapters examine motherhood identity embedded in respective published rock music memoirs, discussions of rock performance as a site of maternal bonding, and themes that arise when heavy music mothers write about motherhood. Autoethnographic portions throughout give the book an intimate and personal tone: one such chapter presents the concept of vigilante motherhood within an auto-ethnographic context.
The authors reference the book’s limitations, meditating on historically marginalized moms the authors predict and hope the focus will be on for the future. Heavy Music Mothers is a robust study of women and motherhood set within a music culture historically inhospitable to both women and mothers. This book, the first scholarly study of this topic, is just the beginning.”
(Source: Rowman & Littlefield) |
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Publisher |
Lexington Books |
Place of Publication |
Lanham, Maryland |
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English |
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Series Title |
Extreme Sounds Studies: Global Socio-Cultural Explorations |
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ISBN |
1666916153; 978-1666916157 |
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Hardback |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2530 |
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Author |
Pichler, Peter; Béra, Camille F.; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco (eds) |
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Title |
Meta/Metal: Open Questions in Metal Studies |
Type |
Book Whole |
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Year |
2024 |
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<<Produktbeschreibung: Metal Studies is a “booming” research field that has gained tremendous momentum in recent years. In this field, Heavy Metal is studied both as a cultural practice and as a musical genre. However, many of the most urgent conceptual questions have remained unanswered – especially those that lie outside the research interests of the founding disciplines of Metal Studies. This first volume of the book series “Meta/Metal” tries to answer some of these questions. The book brings together contributions by leading scholars and young experts, each of which responds to one of the conceptual desiderata that have so far arisen in Metal Studies. All contributions share a commitment to combining basic research with empirical accuracy in this research field.>> |
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Publisher |
Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
Editor |
Pichler, Peter; Béra, Camille F.; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco |
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Language |
English |
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Series Title |
Meta/Metal (Volume 1) |
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ISBN |
9783170434585 |
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Hardback |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2535 |
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Author |
Pichler, Peter (ed) |
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Title |
The Law of the Metal Scene: An Interdisciplinary Discussion |
Type |
Book Whole |
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Year |
2024 |
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<<Produktbeschreibung: Metal Studies is a genuinely interdisciplinary research field. However, different specialist traditions, differing theoretical and methodological approaches, and also terminological “translation difficulties” make collaboration within the field difficult. This volume aims to explore the potential and limitations of interdisciplinary work by examining an example area – the laws of Heavy Metal – from the point of view of central disciplines. Laws are regarded as social conventions – i.e., rules that are made by human beings and are culturally stable. Examples of laws include conventions of musical language, the dress code in the metal scene, behavioural norms, and conventions in writing song lyrics.
The volume includes contributions from the fields of law, social ethics, art history, religious studies, musicology, sociology, linguistics, and cultural history.>> |
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Publisher |
Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
Editor |
Pichler, Peter |
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Language |
English |
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Series Title |
Meta/Metal (Volume 2) |
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ISBN |
9783170434639 |
Medium |
Hardback |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2536 |
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Author |
Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Miranda, D.L. |
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Title |
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling |
Type |
Book Chapter |
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Year |
2024 |
Publication |
HIOL: Hispanic Issues On Line |
Abbreviated Journal |
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Volume |
32 |
Issue |
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Pages |
102–26 |
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Abstract |
“Hispanic Issues On Line (HIOL) is a refereed, open-access scholarly electronic series founded in 2006 and devoted to the study of Hispanic and Lusophone cultures. HIOL is stored at the University of Minnesota's Digital Conservancy as well as the LOCKSS system, which ensures preservation at worldwide research libraries.”
Source: https://cla.umn.edu/hispanic-issues/online-volumes |
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University of Minnesota, College of Liberal Arts |
Place of Publication |
Minneapolis, Minnesota |
Editor |
Castillo, David; Nelson, Bradley |
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Language |
English |
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English |
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Series Title |
HIOL: Hispanic Issues On Line |
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Series Volume |
32 |
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ISSN |
1931-8006 |
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PDF |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2602 |
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Author |
Varas-Díaz, Nelson; Rivera-Segarra, Eliut |
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Title |
Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery |
Type |
Book Chapter |
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Year |
2014 |
Publication |
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music |
Abbreviated Journal |
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Pages |
73-90 |
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Keywords |
Caribbean; Politics; Language |
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Publisher |
Lexington Books |
Place of Publication |
Lanham |
Editor |
Abbey, Eric James; Helb, Colin |
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Language |
en |
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ISBN |
978-0-7391-7606-1 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ abbey_black_2014 |
Serial |
326 |
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Author |
Burke, David |
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Title |
Esoteric Symbolism in Doom Metal |
Type |
Book Whole |
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Year |
2016 |
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Keywords |
Rhetoric; Motifs; Doom metal; Esoterism |
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Abstract |
“By contrast, this study will focus on the way in which (some, but not all) doom metal artistsincorporate three cultural ideas into their works; horror, the occult, and the psychedelic. Whilstmuch of metal focuses on horror and monsters, particularly death metal, doom metal's use of moreesoteric material separates it from much of the larger metal genre, and connects it to an eclecticrange of cultural and musical influences. Doom metal's use of such paradigms has not beenexamined thus far, but there is much to be learned from such study; these cultural trends areintegral to understanding the history of esotericism and countercultural practice. In this study I willdefine each of those three cultural ideas, as well as further considering the cultural discourses thatcompose doom metal, and defining which styles within the genre are of the most interest. I will thenanalyse a range of music, album art and interviews with musicians, aiming to pinpoint how, and forwhat purpose, each band incorporates those elements into their style. Further, I will investigate howthese musicians and their works form part of larger zeitgeists (particularly that of esotericism), andwill consider how these artists, in different times and places, have come to utilise similar symbolsand ideas. These commonalities between musicians, I will argue, shows doom metal to be a 'glocal'musical phenomenon that has the ability to utilise a wide variety of cultural ideas and artifacts invariegated situations.” (from 4th page of introduction) |
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Thesis |
Bachelor's thesis |
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Publisher |
University of Southampton |
Place of Publication |
Southampton |
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Language |
en |
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Notes |
BA (History) Degree |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ burke_esoteric_2016 |
Serial |
442 |
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Author |
Teichert, Matthew |
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Title |
Die Antichristen. Satanistisch-, neugermanische’ Allianzen im Black Metal und ihre Wurzeln in Schwarzer Romantik. Wagnerianismus und (Vulgär-)Nietzscheanismus |
Type |
Book Chapter |
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Year |
2016 |
Publication |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
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Pages |
59-74 |
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Keywords |
Philosophy; Romanticism; Satanism; Black Metal; Aesthetics |
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Nomos |
Place of Publication |
Baden-Baden |
Editor |
Penke, Niels; Teichert, Matthias |
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Language |
Deutsch |
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978-3-8487-1275-5 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ penke_antichristen_2016 |
Serial |
763 |
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Author |
Lopes, Pedro Alvim Leite |
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Title |
Heavy Metal no Rio de Janeiro e Dessacralização de símbolos religiosos: a música do demônio na cidade de São Sebastião das Terras de Vera Cruz |
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Book Whole |
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Year |
2006 |
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Pages |
204 |
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Non-Western scenes; Brazil; REligion |
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Ph.D. thesis |
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Publisher |
Universidade Federal do Rio de Janeiro |
Place of Publication |
Rio de Janeiro |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ lopes_heavy_2006 |
Serial |
986 |
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Journal Article |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ aguirre_politica_2013 |
Serial |
1596 |
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Author |
Jordan, James Boddington |
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Title |
Harmonic Structures of 21st Century Heavy Metal |
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Book Whole |
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Year |
2021 |
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Keywords |
Musicology; Harmony |
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Master's thesis |
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Publisher |
University of Huddersfield |
Place of Publication |
Huddersfield |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2233 |
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