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Author |
Yépez Aguirre, Jimmy Renzo |
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Title |
La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014 |
Type |
Journal Article |
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Year |
2019 |
Publication |
Pluriversidad, the academic journal of Vicerrectorado Académico de la Universidad Ricardo Palma |
Abbreviated Journal |
Pluriversidad |
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Volume |
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Issue |
3 |
Pages |
21 |
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Keywords |
Individualism; mercantilism; fetichism; rock music; habitus-field |
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Abstract |
This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out. |
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Address |
Av. Benavides 5440 – Santiago de Surco Lima 33 Perú | postal section 1801 | ( 0511 ) 708 0000 | Email: helpdesk@urp.edu.pe |
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Publisher |
Universidad Ricardo Palma |
Place of Publication |
Lima, República del Perú |
Editor |
Martínez Llaque, José |
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Language |
Spanish |
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English |
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Print: 2617-6254 / Online: 2617-6262 |
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Creative Commons 4.0 (CC BY-NC) |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2282 |
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Author |
Sabbath, Juan |
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Title |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
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Book Whole |
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Year |
2021 |
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Pages |
312 |
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Keywords |
Music Genres & Styles; Heavy Metal; Literary Criticism; Semiotics & Theory; Essays; Interviews; Ethnomusicology; Blues music; Jazz; Punk; Rock music; Cultural & Social Anthropology; Sociology |
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Abstract |
El libro 'Bienvenidos al Sabbath' ofrece reflexiones en torno a la apreciación de la música metal y la vigencia del underground que contribuyen a la construcción de una teoría del metal. Además, recopila ensayos inéditos junto a una antología de las entrevistas, crónicas y reseñas sobre rock & metal hechas por el autor durante los últimos 20 años. |
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Address |
jcmendozacol@unal.edu.co |
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Publisher |
Nixx Editores |
Place of Publication |
Sogamoso, Boyacá, Republic of Colombia |
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Language |
español |
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ISBN |
9584944851, 9789584944856 |
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print |
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Notes |
Copyright owner: Juan Mendoza-Collazos; diseño de la portada: Nadia Jiménez B.; prólogo por Carlos Reina; prólogo por Manfred Navarro |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2373 |
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Author |
Zapata, Alex |
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Title |
La voz en los ochenta. Nuevos estilos al baile. |
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Journal Article |
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Year |
2003 |
Publication |
Pensamiento Crítico: Revista Electrónica de Historia |
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3 |
Pages |
1-63 |
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Abstract |
Rock in Chile (1983 – 1992). Authors, styles, its industry, social function of its lyrics among others. Period studied is one in which this musical movement was revised and recast after a long period of marginalization in Chile. |
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eJournal that is No longer available online. |
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Publisher |
Pensamiento Crítico |
Place of Publication |
Santiago de Chile |
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Language |
Spanish |
Summary Language |
English |
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ISSN |
0717-7224 |
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Article/issue is available online. |
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INTech @ brianhickam2019 @ |
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2291 |
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Author |
Stašová, Gabriela; Vrzal, Miroslav; Nenadalová, Jana |
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Title |
A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences |
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Journal Article |
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Year |
2022 |
Publication |
Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura |
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Volume |
14 |
Issue |
3 |
Pages |
101-121 |
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Abstract |
“The term “female metalhead” may sound rather abstract. What does she look like and what does she think? Is there a typical female metalhead? This article summarizes qualitative research on woman’s motivational resources for participation in the contemporary Czech metal subculture. It discusses factors related to why women listen to metal and the role of men in this process. The research is based on seventeen semi-structured interviews with women in Czech metal. Respective research questions focus on female metalheads’ understanding of their position inside the subculture, their visual appearance, reasons for inclination to metal (e.g., partner’s influence or an attraction to the metal community), the issue of sex symbols in the metal industry, and issues of elitism and exclusivity. Results show that women within the metal subculture strike a balance between masculinity and femininity and often judge their surroundings from the perspective on these two poles. However, the primary inspiration still drives from the male perspective with its typical visual and musical characteristics.”
“This article is a reworked version of Gabriela Stašová’s paper Za vším hledej muže? Motivační zdroje poslechu metalu u ženského publika (A man behind everything? Motivational sources of metal listening among female audiences) presented at the 5th Czech Conference about Metal (Brno, 2021) on the theme scenes, gender, identities. Due to its topic, the conference (with Stašová’s contribution in particular) received a broad response from the public and aroused controversy within a sector of Czech metal subculture. The controversy centered on the perception that the study of gender problematics (gender studies) and metal studies – as well as the social sciences and humanities in general-–are useless pursuits (see Miroslav Vrzal’s article in this issue)” (Source for both: this article) |
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Address |
ul. Podchorążych 2, 30-084 Kraków, Poland; https://www.uken.krakow.pl/en/ |
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Department of Media and Cultural Research, Institute of Polish Philology, University of the National Education Commission, Krakow |
Place of Publication |
Kraków, Republic of Poland |
Editor |
Kosek, Jakub; Vrzal, Miroslav |
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English |
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Polish |
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ISSN |
2083-7275; 2391-4432 |
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Notes |
A themed issue on metal. Journal title in English: Annals of the Pedagogical University of Cracow: Studies on Culture |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2529 |
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Author |
Migeon-Lambert, Camille |
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Title |
Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Identités de l'artiste – Pratiques, représentations, valeurs |
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Pages |
63-82 |
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Keywords |
Identity; Neoromanticism |
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Publisher |
EU de Dijon |
Place of Publication |
Dijon |
Editor |
Plana, Muriel; Sounac, Frédéric |
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Language |
French |
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978-2-36441-413-6 |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2239 |
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Author |
Raditya, Ardhie |
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Title |
Membunuh Tradisi‘: Adegan Musik Metal Dan Subkultur Madura [Killing Tradition: Metal Music Scenes And Madurese Subcultures] |
Type |
Journal Article |
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Year |
2021 |
Publication |
Sosial : Jurnal Penelitian Ilmu-Ilmu Sosial [Social: Journal of Social Sciences Research] |
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Volume |
22 |
Issue |
1 |
Pages |
31-42 |
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Keywords |
Non-Westen Scenes; Indonesia; Sociology |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2085 |
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Author |
Varas-Díaz, Nelson |
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Title |
Decolonial Metal Music in Latin America |
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Book Whole |
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Year |
2021 |
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Keywords |
Non-Westen Scenes; Latin America; Colonialism; Protest; Politics |
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Publisher |
Intellect Books |
Place of Publication |
Bristol |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2086 |
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Author |
Wallach, Jeremy |
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Title |
Global Rock as Postcolonial Soundtrack |
Type |
Book Chapter |
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Year |
2020 |
Publication |
The Bloomsbury Handbook of Rock Music Research |
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Volume |
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Pages |
469-485 |
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Keywords |
Colonialism; Sociology |
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Publisher |
Bloomsbury |
Place of Publication |
New York |
Editor |
Moore, Allan; Carr, Paul |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2087 |
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Author |
Wallach, Jeremy |
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Title |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
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Book Chapter |
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Year |
2003 |
Publication |
Global Pop, Local Language |
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Pages |
53-86 |
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Keywords |
Non-Westen Scenes; Indonesia; Politics; Rhetoric |
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University Press of Mississippi |
Place of Publication |
Jackson |
Editor |
Berger, Harris M.; Carroll, Michael T. |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2088 |
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Author |
Coggins, Owen |
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Title |
Sarcastic Turbulence: Irony, Seriousness, and Ambiguity in Black Metal Music Culture |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Isn't it Ironic? Irony in Contemporary Popular Culture |
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Black Metal; Irony; Humour; Ambiguity; Authenticity |
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Routledge |
Place of Publication |
Abingdon & New York |
Editor |
Kinane, Ian |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2089 |
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