| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Maclachlan, Heather |
(Mis)representation of Burmese metal music in the western media |
2016 |
Metal Music Studies |
2 |
395-404 |
|
|
|
Olson, Benjamin Hedge |
Within the perpetual pentagram: Religious discourse in the Hawai‘i metal scene |
2017 |
Metal Music Studies |
3 |
47-62 |
|
|
|
Pichler, Peter |
The power of the imagination of historical distance: Melechesh’ ‘Mesopotamian Metal’ as a musical attempt of solving cultural conflicts in the twenty-first century |
2017 |
Metal Music Studies |
3 |
97-112 |
|
|
|
Williams, Duncan; Da Rocha, Marcio Alves |
Decoding cultural signifiers of Brazilian identity and the African diaspora from the music of Sepultura |
2017 |
Metal Music Studies |
3 |
145-152 |
|
|
|
Grant, Sam |
Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts |
2017 |
Metal Music Studies |
3 |
175-200 |
|
|
|
Chiu, Hsiang; de Seta, Gabriele |
Headbanging in Taiwan |
2017 |
Metal Music Studies |
3 |
335-343 |
|
|
|
Spracklen, Karl |
Throat singing as extreme Other: An exploration of Mongolian and Central Asian style in extreme metal |
2018 |
Metal Music Studies |
4 |
61-80 |
|
|
|
Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
|
|
|
Lee, Dennis William |
‘Negeri Seribu Bangsa’: Musical hybridization in contemporary Indonesian death metal |
2018 |
Metal Music Studies |
4 |
531-548 |
|
|
|
Skelchy, Russell P. |
Worshippers of the sugarcane fields: Agrarian politics, symbolic inversion and black metal in Indonesia |
2019 |
Metal Music Studies |
5 |
163-186 |
|
