| |
Records |
Links |
|
Author |
Herbst, Jan-Peter (ed) |
|
| |
Title |
The Cambridge Companion to Metal Music |
Type |
Book Whole |
| |
Year |
2023 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
320 |
|
| |
Keywords |
Heavy metal; Twentieth-Century and Contemporary music; Music: General interest; Music performance |
|
| |
Abstract |
“Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com).
“Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/).
Collection: The Cambridge Companions to Music. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Cambridge University Press |
Place of Publication  |
Cambridge, England |
Editor |
Herbst, Jan-Peter |
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
Cambridge Companions to Music |
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1108845861; 978-1108993982; eBook: 9781108991162 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2463 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Johnson, Henry |
|
| |
Title |
Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) |
Type |
Journal Article |
| |
Year |
2014 |
Publication |
Island Studies Journal |
Abbreviated Journal |
|
|
| |
Volume |
9 |
Issue |
1 |
Pages |
176-178 |
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Institute of Island Studies, University of Prince Edward Island |
Place of Publication |
Canada |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Open Access |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2229 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Hassan, Nedim |
|
| |
Title |
Metal on Merseyside: Music Scenes, Community and Locality |
Type |
Book Whole |
| |
Year |
2021 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
UK scene; Sociology |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Palgrave Macmillan |
Place of Publication |
Cham |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-3-030-77681-7 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2120 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Mora-Rioja, Arturo |
|
| |
Title |
Poetry in English and Metal Music. Adaptation and Appropriation Across Media |
Type |
Book Whole |
| |
Year |
2023 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Literature; English Literature; Intertextuality; Poetry |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Palgrave Macmillan |
Place of Publication |
Cham |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2445 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Varas-Díaz, Nelson; Scaricaciottoli, Emiliano; Nevárez Araujo, Daniel |
|
| |
Title |
Introduction: A Window into Heavy Metal Scholarship in the Global South |
Type |
Book Chapter |
| |
Year |
2020 |
Publication |
Heavy Metal Music In Argentina: in black we are seen |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Latin America; Non-Western scenes; Argentina; Global South |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
University of Chicago Press |
Place of Publication |
Chicago |
Editor |
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel |
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-78938-299-0 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ scaricaciottoli_introduction_2020 |
Serial |
733 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Pascuchelli, María Natalia |
|
| |
Title |
Las performance de rock como ámbito de construcción de identidades. Los seguidores de V8 en el área metropolitana de Buenos Aires. |
Type |
Journal Article |
| |
Year |
2012 |
Publication |
Revista Lindes: Estudios Sociales del Arte y la Cultura |
Abbreviated Journal |
|
|
| |
Volume |
Octubre |
Issue |
3 |
Pages |
17 |
|
| |
Keywords |
|
|
| |
Abstract |
A través del presente artículo nos proponemos enfatizar sobre la performance del grupo V8 , agrupación de Heavy Metal argentino, entendida está como una manifestación artística – cultural, donde aparecen como disparadores , diversos códigos estético – ideológicos, a través de los cuales comienza a vislumbrarse una conformación de sentido de pertenencia y construcción de identidad entre los jóvenes seguidores. Esto revela la importancia de esta manifestación para los actores sociales, quienes van generando pautas que les permiten diferenciarse de otros grupos juveniles de la época. El contexto político que vivía el país, saliendo de la dictadura militar y entrando en la democracia, marco en todo el movimiento rockero y en el naciente Heavy Metal nacional, una postura contestaría y de resistencia cultural. |
|
| |
Address |
https://www.revistalindes.com.ar/indice.html |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
Ciudad Autónoma de Buenos Aires, República Argentina |
Editor |
|
|
| |
Language |
Spanish |
Summary Language |
Spanish |
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
1853-5798 |
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
María Natalia Pascuchelli, Licenciada en folklore por Instituto Universitario Nacional del Arte. Maestranda en Cultura y Sociedad. Instituto Universitario Nacional del Arte- Centro Argentino de Etnología Americana. Argentina |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2292 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
López Ramírez Gastón, José Ignacio |
|
| |
Title |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
Type |
Journal Article |
| |
Year |
2020 |
Publication |
Antec: Revista Peruana de Investigación Musical |
Abbreviated Journal |
|
|
| |
Volume |
4 |
Issue |
1 |
Pages |
60-85 |
|
| |
Keywords |
Rock; música popular; música peruana; rock nacional; translocalidad; nacionalismo |
|
| |
Abstract |
La participación del rock en el desarrollo de comunidades musicales en el Perú es un tema no explorado dentro del ámbito académico. En la construcción de los modelos nacionales y regionales de una musicalidad propia, las músicas populares urbanas de origen extranjero no han sido consideradas; tampoco lo han sido como elementos en la formación de una identidad regida por los parámetros del discurso del Estado-nación. En este trabajo, exploramos las confrontaciones y dicotomías que mantienen el tema del rock como ajeno y a las comunidades musicales del rock nacional, como lejanas. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
La Universidad Nacional de Música (UNM) (Perú) |
Place of Publication |
Ciudad de Lima, la República del Perú |
Editor |
|
|
| |
Language |
español |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
2616-681X (electrónico); 2521-8565 (impreso) |
ISBN |
|
Medium |
PDF, XML, EPUB, HTML |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Open Access: Esta obra está bajo una licencia internacional: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2379 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Castillo Bernal, Stephen |
|
| |
Title |
EL CUERPO HUMANO COMO INSTRUMENTO SUBCULTURAL DE LOS INICIOS DEL HEAVY METAL AL SIMBOLISMO RITUAL DEL BLACK METAL. |
Type |
Journal Article |
| |
Year |
2007 |
Publication |
Fuentes Humanísticas |
Abbreviated Journal |
|
|
| |
Volume |
19 |
Issue |
34 |
Pages |
43-57 |
|
| |
Keywords |
sociocultural, instrumento, heavy metal, simbolismo, black metal, Alice Cooper; instrument, symbolism |
|
| |
Abstract |
En el caso que aquí nos atañe, las manifestaciones corpóreas cargan un lenguajesimbólico que puede ser leído por los integrantes de una subcultura y, en consecuencia, puede ser diseccionado a partir de un ejercicio interpretativo. Decimos lo anterior en función de que la misma cultura, siguiendo a Millán (2001: 23), puede considerarse como un sistema de lenguaje articulado. Sobra decir que las significaciones corporales son una construcción social, por lo que su edificación varía de acuerdo con los ritmos históricos de aparición del saber y las tradiciones singulares de la cultura (Fournier y Jiménez, en prensa; Foucault, 1999). |
|
| |
Address |
Prolongación Canal de Miramontes 3855, colonia Ex-Hacienda de San Juan de Dios, delegación Tlalpan, c.p. 14387, Ciudad de México, y Av. San Pablo 180, colonia Reynosa Tamaulipas, delegación Azcapotzalco, c.p. 02200, Ciudad de México • Tel. 5318-9125 y 5318-9441 |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
la Universidad Autónoma Metropolitana a través de la Unidad Azcapotzalco, División de Ciencias Sociales y Humanidades, Departamento de Humanidades. |
Place of Publication |
Ciudad de México |
Editor |
|
|
| |
Language |
español |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
eISSN 2007-5618, ISSN 0188-8900 |
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Open access: Licencia Creative Commons Atribución 4.0 Internacional. IMÁGENES CORPORALES Y CULTURA DE MASAS (Enero-Junio) |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2403 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Castillo Bernal, Stephen |
|
| |
Title |
El mundo del Heavy Metal en la Ciudad de México: Radiografías imaginarias y rituales. |
Type |
Book Chapter |
| |
Year |
2016 |
Publication |
Atlas Etnográfico de los Mundos Contemporáneos |
Abbreviated Journal |
|
|
| |
Volume |
1 |
Issue |
|
Pages |
83-117 |
|
| |
Keywords |
|
|
| |
Abstract |
La finalidad de este trabajo es delinear las características fundamentales de la escena metalera de la Ciudad de México, así como los cimientos simbólicos, imaginarios y rituales que sustentan a los partidarios de esta comunidad de sentido. Para lograr este cometido dividí el ensayo en tres segmentos. En el primero se definirán las características angulares e ideológicas del Heavy Metal así como las de la escena metalera mexicana; en el segundo apartado repasaré algunos de los constructos teóricos de Turner tocantes a la teoría del ritual. En el último bloque pondré a prueba las categorías analíticas para darle luz a las prácticas metaleras gestadas en los conciertos. Este último apartado me permitirá avanzar algunas hipótesis referidas al imaginario estructural de la escena cultural metalera. |
|
| |
Address |
www.edicionesnavarra.com |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Escuela Nacional de Antropología e Historia, ENAH: Ediciones Navarra |
Place of Publication |
Ciudad de México |
Editor |
de la Peña Martínez, Francisco |
|
| |
Language |
español |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-607-9497-08-8 |
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Primera edición |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2404 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Kloeppel, Mark |
|
| |
Title |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities |
Type |
Book Whole |
| |
Year |
|
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
136 |
|
| |
Keywords |
Communication and the arts; Social sciences; Extreme metal; Festivals; Narrative identity; Narrative inquiry; Tourism; Cultural resources management; Sociology; Labor relations |
|
| |
Abstract |
“Extreme Metal is a form of dark tourism and leisure activity whose artistic radicalism and underground scenes invoke intense debates from musicians as well as audiences. Traditional cultural studies have assumed that its disenfranchised and transgressive music expressions are an ideological resistance to increasing homogeneities of industrialized society. As such, considering the nature of festivals as a mechanism where culture is created and transmitted, the operations and promotions of Extreme Metal festivals are inevitably engaged in the wider cultural politics of Extreme Metal. The roles of festival producers thus must be emphasized, who act as powerful agents in engaging artists, developing audiences, arranging programs, and so forth. Indeed, no festivals can be simply described as improvised events – they are carefully programmed, planned, and constructed for audiences to hear and see. With this in mind, this study serves to explore the experiential predicament of these culturally embedded event producers.
In particular, the identities of the festival producers compose the focus of investigation for this research. That is, considering the contested contexts that are at play in shaping the very existence of Extreme Metal, the producers are constantly acting as intermediaries between these contexts. The discursive practice by which they give meaning to their festival production practices, contain profound dissonance between 'what they imagine their selves to be' and 'what they actually are’ as related to their turbulent ‘referential world’ of Extreme Metal festival production.
With this in mind, this study employs the theoretical framework of narrative identity in the examination of the ‘referential world’ by which identities are related. Narrative identity is considered as an approach to understand how people resolve themselves, life events, actions, and other forces in their life. Considering that a self, in narrative, is given meaning through the narrator’s relation of the self to their referential world, analyzing the narrative moments where conflicting contexts are at play provides a sensitization to the struggle of Extreme Metal cultural transgression within festival production. Specifically, it is learned how this tourism is considered ‘dark’. In doing so, three main research questions are asked: 1). How can we understand the festival producers’ identities as negotiated and emerged from the interview narratives? 2). In regards to the festival producers’ identities, what socio-cultural forces in relation to the apparatus of Extreme Metal are involved? 3). How do such findings illuminate the makings of tourism festivals at large?”
(Source: ProQuest Dissertations Publishing) |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Master's thesis |
|
| |
Publisher |
University of Missouri-Columbia, Parks, Recreation, and Tourism Department |
Place of Publication |
Columbia, Missouri |
Editor |
Grace Yan |
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
ProQuest publication number 11015334 |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2518 |
|
| Permanent link to this record |
