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Silva, Melina Aparecida dos Santos; Sá, Simone Pereira de |
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Title |
Duas pernas, um braço: a banda Katingation e sua apropriação do death metal no cenário pós-guerra civil angolano |
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2014 |
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Comunicação Mídia E Consumo |
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11 |
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31 |
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65-81 |
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Angola; Africa; Death metal; War |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2475 |
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Author |
Eckerström, Pasqualina |
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Title |
Extreme heavy metal and blasphemy in Iran: the case of Confess |
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Journal Article |
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Year |
2022 |
Publication |
Contemporary Islam |
Abbreviated Journal |
Cont Islam |
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Transgression; Resistance; Extreme heavy metal; Blasphemy; Islam; Iran |
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Since the revolution in 1979, the Islamic Republic of Iran has imprisoned musicians, especially punk, hip-hop, and hard rock bands, as well as those playing heavy metal subgenres. Extreme heavy metal artists and fans emerged in the 1990s. The government soon targeted them as Satanists and began a systematic crackdown on metalheads. The metalcore band Confess is the most well-known case. The band was arrested in 2015 on counts of blasphemy, disturbing public opinion through the production of music, participating in interviews with the opposition media and propaganda against the Islamic Republic of Iran, among other charges. The majority of secular countries today do not consider extreme heavy metal to be transgressive. This is not the case in contexts where religious traditions have a significant influence on society. By analysing the narrative of the band Confess, the purpose of this paper is to provide an understanding of how Iranian extreme metal musicians resist religious oppression, challenge their government, religious precepts, and social values through their music. |
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Springer Nature Switzerland AG |
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English |
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Open Access |
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INTech @ brianhickam2019 @ |
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2310 |
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Author |
Overell, Rosemary |
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Title |
Voicing the Real in Extreme Metal |
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Journal Article |
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Year |
2021 |
Publication |
Continental Thought & Theory |
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3 |
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3 |
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136-163 |
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Keywords |
Extreme metal; Reality; Society |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2241 |
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Author |
Koplow Villavicencio, Jan |
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Title |
Aproximación a la relación entre la escena metalera chilena y los pueblos originarios Mapuche, Selk’nam y Kawésqar |
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Journal Article |
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2022 |
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Contrapulso – Revista Latinoamericana De Estudios En Música Popular |
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4 |
Issue |
2 |
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78-93 |
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Native American Studies; Chile; Indigenism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2309 |
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Author |
Heesch, Florian |
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Title |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
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Journal Article |
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2018 |
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Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
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11 |
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1-18 |
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Aggression, Death metal, Gender and music, Vocal practice, vocal sound |
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Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence.
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Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style. |
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https://journals.openedition.org/ |
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OpenEdition Journals (Centre pour l'Édition Électronique Ouverte) |
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Marseille, France |
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English |
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2108-6907 |
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https://en.wikipedia.org/wiki/Centrepourl%27%C3%89dition%C3%89lectroniqueOuverte |
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INTech @ brianhickam2019 @ |
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2320 |
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Author |
Castillo Bernal, Stephen |
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Title |
Exotismo mediático. Notas sobre el Heavy Metal de inspiración prehispánica en México |
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Journal Article |
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Year |
2022 |
Publication |
Cuicuilco. Revista de ciencias antropológicas |
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29 |
Issue |
85 |
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41-72 |
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Folk Metal; Pre-Hispanic Metal; México; Ethnography |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2544 |
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Author |
Holzbach, Ariane Diniz; Santos, Melina; Evangelista, Simone; Oliveira, Thaiane |
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Title |
Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas |
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Book Chapter |
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2015 |
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Cultura pop |
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131-150 |
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Keywords |
Video; Stereotypes; Parody; Quality |
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EDUFBA |
Place of Publication |
Salvador |
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Sá, Simone Pereira de; Carreiro, Rodrigo; Ferraz, Rogerio |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2477 |
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Author |
Muller, Fabien |
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Title |
Cemetery meditations and Morbid Visions: death metal as a spiritual exercise |
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2024 |
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Culture and Religion An Interdisciplinary Journal |
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Latest Articles |
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Death metal; Religion; Buddism; Meditation |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2591 |
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Author |
Forshaw, Juliet |
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Title |
Metal in Three Modes of Enmity: Political, Musical, Cosmic |
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Journal Article |
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2011 |
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Current Musicology |
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91 |
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139-160 |
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Book reviews |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2308 |
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Author |
Olsen, Kirk N.; Terry, Josephine; Thompson, William Forde |
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Title |
Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence |
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Journal Article |
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2022 |
Publication |
Current Psychology |
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Online first |
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Psychology; Aggression |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2301 |
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