| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Yang, Zixuan |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
2019 |
|
|
179 |
|
|
|
Simms, Bekah |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
2019 |
|
|
64 |
|
|
|
Hudson, Stephen S. |
Feeling Beats and Experiencing Motion: A Construction-based Theory of Meter |
2019 |
|
|
334 |
|
|
|
Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
|
|
|
Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
|
|
|
Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
|
|
|
Busey, Sean D. |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
2018 |
|
|
67 |
|
|
|
Carew, Francis |
The Guitar Voice of Randy Rhoads |
2018 |
|
|
186 |
|
|
|
Sikes, Laura |
In the Groove: American Rock Criticism, 1966-1978 |
2017 |
|
|
390 |
|
|
|
Polzer, Evan |
Mosh Pits and Mental Health: Metal Communities and Emerging Adults' Well-Being |
2017 |
|
|
122 |
|
