| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Soria, Fernando |
Fuerte y claro: historia del metal en Uruguay |
2018 |
|
|
|
|
|
|
Pack, Christian |
Invocando a las Tinieblas – Hitler, Heavy Metal and Contemporary Death Sqauds in El Salvador.pdf |
2017 |
|
|
|
|
|
|
Rios, Emiliano |
Música, resistencia e hibridación en las jóvenes generaciones de mapuches urbanos. Mapurbes, mapunkies y mapuheavies |
2012 |
|
|
|
|
|
|
Pack, Christian |
Salvadoran Metal and the Questioning of National Identity |
2015 |
|
|
|
|
|
|
Hecker, Pierre |
Turkish metal: music, meaning, and morality in a Muslim society |
2012 |
|
|
|
|
|
|
Overell, Rosemary |
Affective intensities in extreme music scenes: cases from Australia and Japan |
2014 |
|
|
|
|
|
|
Zaddach, Wolf-Georg |
Heavy Metal in der DDR: Szene, Akteure, Praktiken |
2018 |
|
|
|
|
|
|
Pérez Pelayo, Marisol |
The role of Musicking and the body in the Metal community of Guadalajara México. How does bonding through Metal music enable new kinship and friendship structures |
2019 |
|
|
|
|
|
|
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel (eds) |
Heavy Metal Music In Argentina: in black we are seen |
2020 |
|
|
|
|
|
|
Crowcroft, Orlando |
Rock in a Hard Place: Music and Mayhem in the Middle East |
2017 |
|
|
|
|
