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Bardine, Bryan A.; Hale, Jacob |
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Title |
Old and New: Cross-Generational Community in the Dayton Metal Scene |
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Book Chapter |
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Year |
2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Sociology; Dayton (Ohio) |
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Intellect Books |
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Bristol |
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Bardine, Bryan A.; Stueart, Jerome |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2194 |
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Author |
Guibert, Gérome; Turbé, Sophie |
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Title |
La Belle Endormie Awakened by Hellfest Open Air?: A Study of the Nantes Heavy Metal Music Scene |
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2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Nantes (France); Sociology; Hellfest Open Air (festival) |
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Intellect Books |
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Bristol |
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Bardine, Bryan A.; Stueart, Jerome |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2195 |
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Author |
Karjalainen, Toni-Matti |
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Title |
Heavy Metal in Estonia: Cohesions and Divisions, Past and Present |
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Book Chapter |
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Year |
2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Estonia scene; Sociology |
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Intellect Books |
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Bristol |
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Bardine, Bryan A.; Stueart, Jerome |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2196 |
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Author |
Granado, Rui Luiz Ferreira; Valente, Heloisa de Aaujo Duarte |
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Title |
From the Sound of the Lathes to the Noise of the Amplifiers: The Heavy Metal and the Music Scene in the ABC Region of Brazil (1980-1990) |
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2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Non-western scenes; Brazil; History (heavy metal) |
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Intellect Books |
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Bristol |
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Bardine, Bryan A.; Stueart, Jerome |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2197 |
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Author |
Kennedy, Lewis |
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Title |
“This Is the City of Hate”: Surveying the Hull Metal/Hardcore Scene |
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Book Chapter |
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Year |
2021 |
Publication |
Living Metal: Metal Scenes around the World |
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UK scene; Hull; Sociology |
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Intellect Books |
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Bristol |
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Bardine, Bryan A.; Stueart, Jerome |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2198 |
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Author |
Busey, Sean D. |
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Title |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
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Book Whole |
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Year |
2018 |
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67 |
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Activism; American history; Censorship; Children; Communication and the arts; Conservativism; Heavy metal; PMRC; Political science; Social sciences |
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Historians have long overlooked and misunderstood the Parents Music Resource Center, an activist group formed in 1985 to correct perceived excesses in heavy metal music. Scholars have focused their analyses almost exclusively on the First Amendment implications of the group’s actions, largely dismissing the PMRC in the process. This thesis argues that by expanding the historical analysis of the group to include the social and political climate of previous generations and of the 1980s, the self-stated goals of the PMRC, and a musicological discussion of heavy metal and why the group specifically targeted this genre, we can see that the PMRC was in fact an incredibly influential sociopolitical activist group that is representative of the political shift in the United States in the 1980s. |
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University of Nevada |
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Ann Arbor |
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978-0-438-17184-8 |
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INTech @ brianhickam2019 @ |
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2206 |
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Author |
McLaughlin, Adria Ryan |
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Title |
Navigating Gender Inequality in Musical Subgenres |
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Book Whole |
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2015 |
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52 |
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Communication and the arts; Gender inequality; Heavy metal; Individual & family studies; Motherhood; Punk rock; Riot Grrrl; Sociology; Women's studies; Women musicians |
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This study looks at female musicians performing in subcultural rock genres commonly considered non-gender-conforming, such as punk rock, heavy metal, noise, and experimental. Twenty-four interviews were conducted with female musicians who reflected on their experiences as musicians. Themes emerged on women’s patterns of entry into music, barriers they negotiated while playing, and forces that may push them out of the music scene. Once women gained a musician identity, their gender functioned as a master status. They negotiated sexism when people questioned their abilities, assumed men played better, expected them to fail, held them to conventional gender roles, and sexually objectified them. Normative expectations of women as primary caregivers for children, internalization of criticism, and high personal expectations are considered as factors that contribute to women’s exit from musical careers. This research closes with suggestions for how more women and girls can be socialized into rock music. |
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East Tennessee State University |
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Ann Arbor |
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978-1-339-31926-1 |
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INTech @ brianhickam2019 @ |
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2225 |
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Author |
Rekedal, Jacob Eric |
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Title |
Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile |
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Book Whole |
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2015 |
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418 |
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Araucanía; Communication and the arts; Cultural anthropology; Ethnography; Heavy metal; Hip-hop; Latin American history; Mapuche; Multiculturalism; Rock music |
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This dissertation chronicles the cultural, musical and performative fronts during two centuries of struggle and negotiation between Mapuche and Chilean societies. The perspective is mainly ethnomusicological, including two years of fieldwork in the Araucanía region, concerning new genres of Mapuche fusion music such as rock and hip-hop. This writing demonstrates how Mapuche expressions and representations accrued various forms of value during Chile's modernization—including colonization, nation building, the emergence of modern social movements, and the implementation of neoliberal policies—and how artists contend with and subvert those values today.
The opening chapters are historical. Following the invasion of Araucanía in the 1880s, Mapuche political activism eventually gained traction by carefully managing a relationship with the Chilean political establishment, while also cultivating a unique approach to political processes that incorporated preexisting rituals. Concurrently, the Mapuche transitioned from adversaries to objects of study, while concepts such as folklore took root in Chilean society. As popular culture took note of Mapuche sounds and symbols toward the mid-twentieth century, non-Mapuche artists and activists codified their progressive ideologies through their embrace of indigeneity, exemplified in art music, and most famously, nueva canción.
Based directly on fieldwork, the second half of the thesis discusses how Mapuche cultural continuity has involved both the recovery of traditions and the incorporation of non-traditional elements. I describe the conversion of a mingako ritual into a festival of music and poetry in the Mapuche comunidad of Saltapura. This transfer from agriculture to expressive culture demonstrates the diminishing value of Mapuche lands, parallel with the increasing value of their expressions, under neoliberal multiculturalism. Meanwhile, Mapuche heavy metal and hip-hop groups such as Pewmayén and Weichafe Newen build their music around ancestral principles of sound, ritual and language, raising the question as to whether Mapuche musical elements thus become ingredients of popular music, or whether popular music becomes Mapuche for incorporating these elements. Through detailed discussions of this music and its broader contexts, this dissertation issues a critique of the culture concept underpinning neoliberal multiculturalism, inherited from the investigations of the Mapuche during the early republican period. |
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University of California, Riverside |
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Ann Arbor |
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978-1-321-73632-8 |
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INTech @ brianhickam2019 @ |
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2226 |
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Author |
Hosman, Sarah Siltanen |
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Title |
Gender inequality in metal music production (book review) |
Type |
Journal Article |
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Year |
2019 |
Publication |
Gender & Society |
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33 |
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4 |
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652-654 |
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Book review |
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SAGE Publications, Inc. |
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0891-2432 |
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INTech @ brianhickam2019 @ |
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2228 |
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Author |
Johnson, Henry |
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Title |
Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) |
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Year |
2014 |
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Island Studies Journal |
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9 |
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1 |
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176-178 |
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Institute of Island Studies, University of Prince Edward Island |
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Canada |
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Open Access |
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INTech @ brianhickam2019 @ |
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2229 |
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