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Author |
Saito, Kei |
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Title  |
Heavy Metal Scene in Osaka: Localness Now and Then |
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Year |
2021 |
Publication |
Living Metal: Metal Scenes around the World |
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Non-western scenes; Japan; History (metal music); Sociology |
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Intellect Books |
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Bristol |
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Bardine, Bryan A.; Stueart, Jerome |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2191 |
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Author |
Holzbach, Ariane Diniz; Santos, Melina; Evangelista, Simone; Oliveira, Thaiane |
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Title |
Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas |
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Year |
2015 |
Publication |
Cultura pop |
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131-150 |
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Keywords |
Video; Stereotypes; Parody; Quality |
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EDUFBA |
Place of Publication |
Salvador |
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Sá, Simone Pereira de; Carreiro, Rodrigo; Ferraz, Rogerio |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2477 |
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Author |
Rafanelli, Cristina |
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Title |
Heavy metal y folklore. |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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Volume |
1 |
Issue |
1 |
Pages |
38-39 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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2953-3805 |
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PDF |
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https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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INTech @ brianhickam2019 @ |
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2412 |
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Author |
Muniesa, Mariano |
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Title |
HEAVY METAL. UNA GUERRA QUE NO GANAREMOS SOLOS |
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Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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1 |
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23-29 |
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Music History |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2499 |
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Author |
Gracyk, Theodore |
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Title |
Heavy Metal: Genre? Style? Subculture? |
Type |
Journal Article |
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Year |
2016 |
Publication |
Philosophy Compass |
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11 |
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775-785 |
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Sociology; Genre; Subculture |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2333 |
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Author |
Turley, Julie; Jocson-Singh, Joan |
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Title |
Heavy Music Mothers: Extreme Identities, Narrative Disruptions |
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Book Whole |
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Year |
2023 |
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Pages |
152 |
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Abstract |
“Heavy Music Mothers: Extreme Identities, Narrative Disruptions is an exploration of women and heavy music and the ways in which women have historically engaged with musicking as mothers. Julie Turley and Joan Jocson-Singh, musicking mothers themselves, largely employ an ethnographic lens, foregrounded in powerful one-on-one original interviews as vignettes that narrate thematic patterns. Other chapters examine motherhood identity embedded in respective published rock music memoirs, discussions of rock performance as a site of maternal bonding, and themes that arise when heavy music mothers write about motherhood. Autoethnographic portions throughout give the book an intimate and personal tone: one such chapter presents the concept of vigilante motherhood within an auto-ethnographic context.
The authors reference the book’s limitations, meditating on historically marginalized moms the authors predict and hope the focus will be on for the future. Heavy Music Mothers is a robust study of women and motherhood set within a music culture historically inhospitable to both women and mothers. This book, the first scholarly study of this topic, is just the beginning.”
(Source: Rowman & Littlefield) |
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Lexington Books |
Place of Publication |
Lanham, Maryland |
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English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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ISBN |
1666916153; 978-1666916157 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2530 |
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Author |
McDowell, Michael A., II |
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Title |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
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Book Whole |
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2016 |
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80 |
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American south; American studies; Communication and the arts; Film studies; Heavy metal; Musicology; Popular music; Subculture |
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Abstract |
The Southern Metal scene depends heavily on the performance of a Southern Identity. While considerable research has been done on other musical genres and scenes from the American South (country music, blues, gospel music), less attention has been given to the extreme metal scene of Southern Metal. Using scholarship of Nadine Hubbs, Philip Auslander, Jefferey C. Alexander, and Keith Kahn Harris, among others, I analyze two films, Slow Southern Steel (2010) and NOLA: Life, Death, and Heavy Blues from the Bayou (2014), and one song, Down’s “Eyes of the South” as cultural productions of this Southern Metal scene. In this project, I define the musical elements and scene ethos of Southern Metal as they relate to a wider, more mainstream American audience and describe how these identities and cultural forms are produced, negotiated, and embodied. |
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Master's thesis |
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University of South Florida |
Place of Publication |
Ann Arbor |
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978-1-369-00899-9 |
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INTech @ brianhickam2019 @ |
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2220 |
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Author |
Soares Espindola, Mariana |
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Title |
Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers |
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Book Whole |
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Year |
2023 |
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Visual Culture; Religion; Aesthetics; Album covers |
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Master's thesis |
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University of Alberta |
Place of Publication |
Alberta |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2457 |
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Author |
Pack, Christian |
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Title |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
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Book Whole |
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2018 |
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233 |
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Communication and the arts; Culture; El Salvador; Heavy metal; Humor; International law; Language, Latin America; Literature and linguistics; Obscenities; Philosophy; Politics; Social sciences; Spanish |
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Abstract |
Heavy Metal in El Salvador has been a driving force of the underground culture since the Civil War in the 1980s. Over time, it has grown into a large movement that encompasses musicians, producers, promoters, media outlets and the international exchange of music, ideas and live shows. As a music based around discontent with society at large, Heavy Metal attempts to question the status quo through an intellectual exploration of taboo subjects and the presentation of controversial live shows. As an international discourse, Heavy Metal speaks to ideas of both socio-political and individual power based around a Philosophy of Life that exalts personal freedoms and personal responsibility to oneself and their society. As a community, it represents a ‘rage’ group, as defined by Peter Sloterdijk, that questions Western epistemologies and the doctrines of Christian Philosophy. This is done in different ways, by different genres, but at the heart is the changing of macro- (international) discourses into micro- (local) discourses that focus on those issues important to the geographic specificity of the region.
In the case of Black Metal, born in Norway, it is interpreted in El Salvador through the similarities between the doctrines of Hitler and those of the most famous dictator in the country’s history – General Maximiliano Hernandez – and then applied, ironically, to the local phenomena of the Salvadoran Street Gangs (MS-13 and 18s) and their desired extermination. It is also done through the re-interpreting of folk metal in the local phenomenon of tribal metal that reinterprets the indigenous through the lens of modern society and heavy metal’s ideas of power. Finally, the Salvadoran metalhead adapts the genre’s vulgarity and dark humor to fuel their own systems of dealing with harsh repression and existing within a society that seems to have no place for them. At the bottom though, much more than a community, Heavy Metal in El Salvador is a source of fraternalismo that utilizes the Philosophy of Life to bind its members together and to provide them a means by which to express their personal freedoms within a society that would happily see them limited. |
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Ph.D. thesis |
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Johns Hopkins University |
Place of Publication |
Ann Arbor |
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978-1-392-06770-3 |
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INTech @ brianhickam2019 @ |
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2204 |
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Author |
Anesiadis, Alexandros; Scarpelos, Yiannis |
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Title |
Heroes of the Metal Underground: The Definitive Guide to 1980s American Independent Metal Bands |
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Book Whole |
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Year |
2023 |
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Underground; United States |
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Feral House |
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Port Townsend |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2372 |
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