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Rowe, Paula |
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Title  |
Youth Activism and Decolonial Metal: Voice of Baceprot and Alien Weaponry as Case Studies |
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2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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137-162 |
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Decolonialism; Alien Weaponry (band); Voice of Baceprot (band) |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2428 |
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Author |
Benefield, Adam J. |
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Title |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
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2020 |
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Meshuggah (band); Music composition; Musicology |
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Master's thesis |
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Stephen F. Austin State University |
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Nacogdoches |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2582 |
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Author |
Swiniartzki, Marco |
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Title |
Working metal musicians: A case of transition in the long 1980s |
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Journal Article |
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Year |
2023 |
Publication |
Metal Music Studies |
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9 |
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1 |
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59-75 |
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Extreme metal; Working class |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2450 |
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Author |
Swiniartzki, Marco |
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Title |
Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) |
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Year |
2021 |
Publication |
Journal of Popular Music Studies |
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33 |
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3 |
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168-193 |
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Keywords |
US Scene (Florida); Death metal; Sociology |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2125 |
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Author |
Brown, Andy R. (ed) |
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Title |
Who Do We Think They Are? Deep Purple and Metal Studies |
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Year |
2024 |
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Deep Purple (band) |
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Equinox |
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Brown, Andy R. |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2304 |
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Author |
Rosa, Hartmut |
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Title |
When Monsters Roar and Angels Sing: Eine kleine Soziologie des Heavy Metal |
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Book Whole |
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Year |
2023 |
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187 |
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<<Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln – und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören – und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.>>
[Once the music of young socialites and outlaws, heavy metal has now become more and more mainstream in society: more than 10 million Germans listen to heavy metal. But why do they do this? What are they looking for and what do they find in this music, which outsiders often perceive as pure noise? Why is heavy metal so full of monsters and devils – and why don't the gods and angels stay silent either? What do metal fans experience when they listen to their music – and what experience drives them to go to concert again and again? Why do they keep reading music magazines and don't stop buying CDs? How can we explain the fact that 40 percent of metal fans claim that music saved their lives? And why is heavy metal stronger than the music industry? What is heavy metal really about? Hartmut Rosa answers these questions and more in this little sociology of heavy metal.]
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<< Der Soziologe Hartmut Rosa überträgt in „When Monsters Roar and Angels Sing. Eine kleine Soziologie des Heavy Metal“ seine vieldiskutierte Resonanztheorie ganz konkret auf das praktische Beispiel Heavy Metal. Was suchen und was finden Menschen in dieser Musik? Und was kann die Gesellschaft von der Kulturströmung Heavy Metal lernen? “Heavy Metal ist für mich ein troziges 'Trotzdem!'”, so Hartmut Rosa. Wir haben mit dem bekennenden Metalfan zu seinem neuen Buch gesprochen.“ >>
[In “When Monsters Roar and Angels Sing. A Short Sociology of Heavy Metal,” the sociologist Hartmut Rosa specifically transfers his much-discussed resonance theory to the practical example of heavy metal. What are people looking for and what do they find in this music? And what can society learn from the heavy metal cultural movement? ”For me, heavy metal is a defiant 'Nevertheless!'" says Hartmut Rosa. We spoke to the self-confessed metal fan about his new book.]
(Source: https://shop.kohlhammer.de/) |
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Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
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German |
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MetalBook (Volume 1) |
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9783170426481 |
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Hardback |
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Print; PDF eBook; ePub eBook; Sonstiges Hörbuch/Audio-CD |
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INTech @ brianhickam2019 @ |
Serial |
2531 |
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Author |
Hill, Rosemary Lucy |
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Title |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
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Journal Article |
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Year |
2022 |
Publication |
Samples. Open Access Journal for Popular Music Studies |
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20 |
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Pages |
197-210 |
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Keywords |
Methodology |
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This article is a slightly updated version of the article of the same name published in Metal Music Studies 7 (2), 197-210 (2021), with permission from the editor. |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2348 |
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Author |
Miller, Jason |
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Title |
What Makes Heavy Metal “Heavy”? |
Type |
Journal Article |
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Year |
2021 |
Publication |
The Journal of Aesthetics and Art Criticism |
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80 |
Issue |
1 |
Pages |
70-82 |
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Keywords |
Aesthetics; Heaviness |
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0021-8529 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2258 |
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Author |
Herbst, Jan-Peter; Mynett, Mark |
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Title |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
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2022 |
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Popular Music and Society |
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t.b.c. |
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t.b.c. |
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Music Production; Sound; Heaviness |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2311 |
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Author |
Norman, Joseph |
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Title |
Weirdrone Tales |
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Year |
2017 |
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Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
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214-273 |
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Drone metal |
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Void Front Press |
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St. Louis |
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Coggins, Owen; Harris, James |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2185 |
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