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Author |
Herbst, Jan-Peter |
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Title  |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
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Year |
2021 |
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Rock Music Studies |
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t.b.c. |
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Recording; Music Industry; Music Production |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2122 |
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Author |
Bleile, MaryLena; Luedeker, Bianca; Patterson, Charles B. |
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Title |
A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West |
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Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
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Volume |
8 |
Issue |
3 |
Pages |
327-350 |
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Ethnography; Sociology; Genres & Styles; Preference |
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2052-3998 |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2351 |
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Author |
Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Miranda, D.L. |
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Title |
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling |
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Book Chapter |
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Year |
2024 |
Publication |
HIOL: Hispanic Issues On Line |
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32 |
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102–26 |
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“Hispanic Issues On Line (HIOL) is a refereed, open-access scholarly electronic series founded in 2006 and devoted to the study of Hispanic and Lusophone cultures. HIOL is stored at the University of Minnesota's Digital Conservancy as well as the LOCKSS system, which ensures preservation at worldwide research libraries.”
Source: https://cla.umn.edu/hispanic-issues/online-volumes |
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University of Minnesota, College of Liberal Arts |
Place of Publication |
Minneapolis, Minnesota |
Editor |
Castillo, David; Nelson, Bradley |
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English |
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English |
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HIOL: Hispanic Issues On Line |
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32 |
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ISSN |
1931-8006 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2602 |
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Author |
Friconnet, Guillaume |
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Title |
A k-means clustering and histogram-based colorimetric analysis of metal album artworks: The colour palette of metal music |
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Year |
2023 |
Publication |
Metal Music Studies |
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9 |
Issue |
1 |
Pages |
77-100 |
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Keywords |
Album covers; Colour; Aesthetics |
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2052-3998 |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2446 |
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Author |
Stašová, Gabriela; Vrzal, Miroslav; Nenadalová, Jana |
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Title |
A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences |
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Journal Article |
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Year |
2022 |
Publication |
Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura |
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14 |
Issue |
3 |
Pages |
101-121 |
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“The term “female metalhead” may sound rather abstract. What does she look like and what does she think? Is there a typical female metalhead? This article summarizes qualitative research on woman’s motivational resources for participation in the contemporary Czech metal subculture. It discusses factors related to why women listen to metal and the role of men in this process. The research is based on seventeen semi-structured interviews with women in Czech metal. Respective research questions focus on female metalheads’ understanding of their position inside the subculture, their visual appearance, reasons for inclination to metal (e.g., partner’s influence or an attraction to the metal community), the issue of sex symbols in the metal industry, and issues of elitism and exclusivity. Results show that women within the metal subculture strike a balance between masculinity and femininity and often judge their surroundings from the perspective on these two poles. However, the primary inspiration still drives from the male perspective with its typical visual and musical characteristics.”
“This article is a reworked version of Gabriela Stašová’s paper Za vším hledej muže? Motivační zdroje poslechu metalu u ženského publika (A man behind everything? Motivational sources of metal listening among female audiences) presented at the 5th Czech Conference about Metal (Brno, 2021) on the theme scenes, gender, identities. Due to its topic, the conference (with Stašová’s contribution in particular) received a broad response from the public and aroused controversy within a sector of Czech metal subculture. The controversy centered on the perception that the study of gender problematics (gender studies) and metal studies – as well as the social sciences and humanities in general-–are useless pursuits (see Miroslav Vrzal’s article in this issue)” (Source for both: this article) |
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ul. Podchorążych 2, 30-084 Kraków, Poland; https://www.uken.krakow.pl/en/ |
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Department of Media and Cultural Research, Institute of Polish Philology, University of the National Education Commission, Krakow |
Place of Publication |
Kraków, Republic of Poland |
Editor |
Kosek, Jakub; Vrzal, Miroslav |
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English |
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Polish |
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2083-7275; 2391-4432 |
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Notes |
A themed issue on metal. Journal title in English: Annals of the Pedagogical University of Cracow: Studies on Culture |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2529 |
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Author |
Nenadalová, Jana; Stašová, Gabriela; Vrzal, Miroslav |
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Title |
A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences |
Type |
Journal Article |
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Year |
2022 |
Publication |
Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura |
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30 |
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Pages |
101-121 |
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Keywords |
Female fans; Sociology; Masculinity; Feminity |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2599 |
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Author |
Odell, Grace Kate |
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Title |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
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Book Whole |
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Year |
2019 |
Publication |
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Volume |
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Issue |
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Pages |
174 |
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Keywords |
David Bowie; Communication and the arts; Ethnicity; Gender; Heavy metal; Nationality; Queen (band); Rock music; Sexuality; Theatricality |
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Abstract |
Many discussions of the rock band Queen (vocalist Freddie Mercury, guitarist Brian May, drummer Roger Taylor, and bassist John Deacon) reference their theatricality, yet few analyze what makes Queen’s music and performances theatrical. Through examining Queen’s theatricality from different angles, this thesis shows the different layers of Queen’s performativity and its relationship to identity.
After an introductory chapter that surveys the literature about Queen, the second chapter of the thesis analyzes the theatricality of Queen’s music from a stylistic basis. The chapter begins by addressing Queen’s camp theatricality through their use of music hall, operetta, and musical theatre styles. It then addresses their drama-based theatricality through their use of opera and film music styles. The third chapter analyzes Queen’s performance of gender and sexuality through their use of different genres. It first discusses Queen’s participation in the genre of glam rock, in which they performed a more feminine persona, but were still understood as heterosexual. Then it explores Queen’s disco and funk influenced music and Mercury’s “castro clone” image as simultaneously a more masculine and more homosexual performance. Finally the chapter analyzes the various rock genres Queen used throughout their career in order to perform heterosexual masculinity, including hard rock, stadium rock, and heavy metal.
The fourth chapter focuses primarily on Mercury’s performance of ethnicity and nationality through his music. Taking into account his history as a first-generation Parsi Zanzibarian who immigrated to London, it first looks at his and Queen’s expressions of “Britishness” through the figure of the British pop dandy and their use of the British national anthem. Then it turns to discussing the influence of Mercury’s Persian and African heritage on select songs. Finally, it examines religion as it relates to cultural identity, specifically Mercury’s Zoroastrian heritage and the ways he used the aesthetics of heavy metal to articulate his place within that religion. The fifth chapter concludes the thesis by taking a holistic view of how all of these layers of performativity operated simultaneously, endowing Queen’s music with a deep and complex sense of theatricality. |
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Master's thesis |
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Publisher |
University of Missouri |
Place of Publication |
Ann Arbor |
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978-1-392-27237-4 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2203 |
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Author |
Souza, Renan Marchesini de Quadros |
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Title |
A performance dialógica da música extrema |
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Book Chapter |
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Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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298-313 |
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Extreme Metal; Performance |
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Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2367 |
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Author |
Khalil, Lucas Martins Gama (UNIR) |
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Title |
A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. |
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Journal Article |
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Year |
2017 |
Publication |
Miguilim: Revista Eletrônica do Netlli. |
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Volume |
6 |
Issue |
2 |
Pages |
198-218 |
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Keywords |
Qualidade de voz, Gutural, Death metal; Voice quality, Guttural, Death metal. |
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Abstract |
O gênero musical death metal, subdivisão do heavy metal, tem como característica o emprego de uma voz urrada, distorcida e pouco compreensível. No âmbito da música, essa qualidade de voz é denominada “gutural”, nomenclatura que faz referência, de maneira ampla, a perceptíveis tensões na região da garganta (por isso, “gutural”) observadas por falantes que empregam essa técnica. Tendo em vista que, em estudos sobre qualidade de voz, não existem muitas descrições que abordam tal produção, objetivamos realizar alguns apontamentos que contribuam para a caracterização acústica e articulatória da voz gutural. Para isso, apresentaremos alguns aspectos introdutórios do conceito de qualidade de voz (LAVER, 1980) e, adicionalmente, referências a estudos que possam contribuir para a nossa proposta, como os de Sakakibara et al. (2004) e de Smialek et al. (2012). Além disso, analisaremos espectrogramas da voz empregada nas canções Crucifier Avenged e Hammer Smashed Face, ambas da banda Cannibal Corpse, com o objetivo de descrever as peculiaridades acústicas da voz gutural. |
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http://periodicos.urca.br/ojs/index.php/MigREN/issue/view/84 |
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Núcleo de Estudos de Teoria Linguística e Literária (NETLLI) [Linguistics and Literary Theory Research Group] at Universidade Regional do Cariri, Brazil. |
Place of Publication |
http://periodicos.urca.br/ojs/index.php/MigREN |
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español |
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ISSN |
2317-0433 |
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PDF (no longer available) |
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Open access: https://creativecommons.org/licenses/by/3.0/ |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2402 |
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Author |
Draut, Easton Daniel |
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Title |
A Sonic Intervention into Authenticity and Black Metal |
Type |
Book Whole |
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Year |
2023 |
Publication |
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Keywords |
Black metal; Authenticity; Trueness; Development |
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Master's thesis |
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Syracuse University |
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Syracuse |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2540 |
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