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Barski, Kamil Sławomir |
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Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre] |
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2023 |
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Świat i Słowo [World and Word] |
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41 |
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2 |
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325-345 |
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Romanticism; Black metal; Ecocriticism; Art; Nature |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2549 |
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Author |
Lukes, Daniel; Panayotov, Stanimir (eds) |
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Black Metal Rainbows |
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Book Whole |
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2021 |
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400 |
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Designer: Jaci Raia |
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PM Press |
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Lukes, Daniel; Panayotov, Stanimir |
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9781629638812, 9781629638829 |
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INTech @ brianhickam2019 @ |
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2271 |
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Andrew Klein |
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Blood, Frets and Tears |
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Miscellaneous |
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2018 |
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1'15" |
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Documentary film, Dokken, Eddie Van Halen, George Lynch, Jimi Hendrix, Lita Ford, Lynch Mob, Mr. Big, Paul Gilbert, Quiet Riot, Racer X |
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“Blood, Frets and Tears” is the exploration of history's gifted guitar players: our Guitar Heroes. From the swing of Charlie Christian's bebop guitar and the psychedelic rock of Jimi Hendrix, to the majestic fire of Eddie Van Halen, join us for a momentous and joyous musical trip in the most definitive celluloid document ever filmed on the sound and soul of the electric guitar. (Amazon.com) /
Director: Andrew Klein; Writers: Andrew KleinBarry Kolsky(story);
Stars: Michael Angelo Batio, Jennifer Batten, Jack Blades, Carlos, Davazo, Lita Ford, Paul Gilbert, Brad Gillis, Bruce Kulick, George Lynch, Tony MacAlpine, Billy Sheehan, and others. / Production Companies: Cut My Flix; Lucky 13 Cinematic; Velocity Films; Distributors: Cut My Flix (2019) (USA) (video); Velocity Films (2019) (USA) (video). |
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INTech @ brianhickam2019 @ |
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2272 |
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Author |
Pichler, Peter |
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Title |
Breaking the Law? Recht, Moral und Klang in der steirischen Heavy Metal-Szene seit 1980 |
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2024 |
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399 |
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<<
Produktbeschreibung: Im Heavy Metal wird seit jeher der Mythos gepflegt, die gesamte Szene bewege sich außerhalb aller gesellschaftlicher und kultureller Normen. Paradigmatisch wird dieses Ideal in dem Klassiker “Breaking the Law” von Judas Priest zum Ausdruck gebracht. Obwohl sich diese Vorstellung als wichtiger Teil des Identitätsfundaments der Metal-Szene etablierte, gibt es bis heute keine Forschungen, die nach dem Zusammenhang von Rechtsbezug, Szene-Ethos und Sound im Heavy Metal fragen.
In der vorliegenden Pionierstudie untersucht der Kulturhistoriker Peter Pichler, wie die lokale Metal-Szene in Graz und der Steiermark in den letzten 40 Jahren durch diese Aspekte geprägt wurde. Dem Autor gelingt der Nachweis, dass man die Entstehung der individuellen “Klanglichkeit” des steirischen Metals durch das kulturelle Zusammenspiel von Recht, Moral und Sound erklären kann.>>
[Product description: In heavy metal, the myth has always been maintained that the entire scene operates outside of all social and cultural norms. This ideal is paradigmatically expressed in the classic “Breaking the Law” by Judas Priest. Although this idea established itself as an important part of the metal scene's foundation of identity, to date there is no research that asks about the connection between legal reference, scene ethos and sound in heavy metal.
In this pioneering study, cultural historian Peter Pichler examines how the local metal scene in Graz and Styria has been shaped by these aspects over the last 40 years. The author succeeds in proving that the emergence of the individual “sound” of Styrian metal can be explained by the cultural interplay of law, morals and sound.] |
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Kohlhammer Verlag |
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Stuttgart, Baden-Württemberg, Germany |
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German |
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Meta/Metal (Volume 3) |
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9783170434653 |
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Hardback |
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no |
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INTech @ brianhickam2019 @ |
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2534 |
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Author |
Garrett, Ryan D. |
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Title |
Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995 |
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2023 |
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Masculinty; History |
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Ph.D. thesis |
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Ohio University |
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Athens |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2459 |
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Author |
Yang, Zixuan |
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Title |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
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Book Whole |
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2019 |
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179 |
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Service design; Subculture; Music; Heavy metal; Marketing; Business strategy |
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Since the first album that Black Sabbath released in 1970, the 50-year-long history of heavy metal music makes it has developed into a diversified but controversial subculture all over the world. Even though several big names, such as Metallica, Iron Maiden or Judas Priest, have gained commercial success and mainstream exposure, most of the heavy metal bands, fans and communities are still far from a stable status. The market scale is threatened by poor social acceptance and incorrect stereotypes and is too limited to develop an operational model for heavy metal music communities as mature as mainstream music production in this current state. The goal of this thesis is to: 1) explore the core value of heavy metal subculture and design an organizational strategy to strengthen the connection between various roles within the community. The research was divided into three parts. The first part is the quantitative research on the development of heavy metal music in different regions, shows the regional trends of heavy metal subculture. The second part is the qualitative evaluation of heavy metal albums’ covers and lyrics, and documentary films about heavy metal music. The third part is the interviews with record shop owners. The first part Borrowing the CIS (Corporation Identity System) from the business field, the data collected during the second stage could be categorized into visual identities, communication identities, and behavior identities. The data collected from interviews are organized into a system map to show the current organizational strategy. The conclusion, this thesis proposes a new type of organizational strategy that supports the local heavy metal subculture community, in order to help stabilize the market and strengthen connections of community members through participation in it. Furthermore, inspired by the proposed strategy, more universal strategies and guidelines for other types of subculture are discussed. |
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Master's thesis |
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University of Cincinnati |
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Ann Arbor |
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9781687936882 |
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no |
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INTech @ brianhickam2019 @ |
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2200 |
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Author |
Beach, James R.; Naron, Brian L.; Heaton, Brian J. |
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Building An Empire: The Story of Queensrÿche |
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“Building An Empire: The Story of Queensrÿche examines how the five original members of the band came together in the eastern suburbs of Seattle to create some of the most influential heavy metal albums of the 1980s, including the conceptual masterpiece Operation: Mindcrime.
Discover how the band weathered the loss of key members, a changing industry at the turn of the century, a bitter lawsuit and numerous obstacles to continue a career that has spanned four decades and counting...
Written by James R. Beach, with Brian L. Naron and Brian J. Heaton, Building An Empire: The Story of Queensrÿche examines how the band evolved from album to album, weaving interviews with the band members, managers, producers, peers, family and friends to help tell this honest, riveting tale of how five guys from Seattle's Eastside overcame the odds to become one of the most respected bands in hard rock and heavy metal.
Paul Suter, the acclaimed writer from Kerrang! who broke the story on Queensrÿche in early 1983, penned the book's Foreword. Includes hundreds of rare photos and images throughout the band's career.”
(source: https://nwmetalworxmusic.com/) |
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NW Metalworx Music |
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Puyallup, WA |
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English |
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Hardback |
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INTech @ brianhickam2019 @ |
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2527 |
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Author |
Coulombe, Alexander Paul |
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Title |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
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2018 |
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110 |
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Asian Studies; Black metal; Community; Cultural anthropology; Globalization; Heavy metal; Japan; Localization; Social transgression |
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This thesis will demonstrate how Black Metal music became established in Japan, how it evolved, and how musicians situate themselves in a globalized form of community. It is a study of how Japanese Black Metal functions in the tensions between globalization and localization, a term called “glocalization” (Victor Roudometof 10). Japanese Black Metal is globalized around a set of rules and ideas, a term Deena Weinstein uses to describe Heavy Metal music called “codes” (Heavy Metal the Music 100). Additionally, as this music is localized, it reveals how many Japanese musicians express uniquely cynical viewpoints of religion and established authority using these globalized codes. Due to its anti-Christian and brutal history in other countries, Black Metal is seen as transgressive against mainstream society. Through electronic ethnographic research with Japanese Black Metal artists, this thesis finally examines how Black Metal is at once desirable yet also transgressive in Japanese society, a country with a comparatively low population of Christians. |
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Master's thesis |
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University of Arizona |
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Ann Arbor |
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978-0-438-33093-1 |
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INTech @ brianhickam2019 @ |
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2205 |
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Author |
Yépez Aguirre, Jimmy Renzo |
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Title |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
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Journal Article |
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2017 |
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Anales Científicos |
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78 |
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2 |
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80-91 |
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Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society |
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This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. |
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https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 |
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Universidad Nacional Agraria La Molina, Lima - Perú |
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Lima, República del Perú |
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Spanish |
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English |
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Print: 0255-0407 / Online: 2519-7398 |
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INTech @ brianhickam2019 @ |
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2283 |
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Tarazona Elvino, Luis Manuel |
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Title |
Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo |
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Book Whole |
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2009 |
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150 |
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Música Rock-Metal |
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En el Perú y los países de América Latina, se suceden los testimonios de búsqueda de una sociedad más inclusiva y democrática, sin embargo persisten problemas estructurales como el creciente deterioro económico, la corrupción en las esferas de poder, el descrédito de las instituciones políticas, el debilitamiento de los mecanismos de integración tradicional (la comunidad), generando una problemática compleja en el cual parecen ganar terreno la conformidad y la desesperanza. En este contexto, surgen formas organizativas y de expresión juveniles; una de estas es el espacio donde se congregan los jóvenes alrededor de la música rock metal, operando como punto de referencia, expresión y construcción de identidades. Sin embargo, no existe mucha información acerca de esta música y mucho menos tesis que hablen acerca de los jóvenes que lo practican. ' Por esta razón, el presente estudio está destinado a conocer como se convocan, organizan y construyen su identidad los jóvenes que se reúnen en torno a la música rock metal en la Ciudad de Huancayo. Para efecto de esta tesis, se recoge la información desde la observación participante y entrevistas a jóvenes varones y mujeres cultores de la música rock metal, así también a organizadores de conciertos y propietarios de discotiendas de música, salas de ensayo y centros donde realizan tatuajes. |
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Bachelor's thesis |
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Universidad Nacional del Centro del Perú |
Place of Publication |
Huancayo, República del Perú |
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Spanish |
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Spanish |
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Licenciado en Antropología |
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INTech @ brianhickam2019 @ |
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2285 |
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