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Author |
Valijärvi, Riitta-Liisa |
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Title  |
The Laws of the Metal Scene from the Perspective of Linguistics |
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Year |
2024 |
Publication |
The Law of the Metal Scene: An Interdisciplinary Discussion |
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99-118 |
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Linguistics; Law |
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Kohlhammer |
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Stuttgart |
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Pichler, Peter |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2577 |
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Author |
Kahn-Harris, Keith |
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Title |
The Laws of Metal: A Sociological Perspective |
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Year |
2024 |
Publication |
The Law of the Metal Scene: An Interdisciplinary Discussion |
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29-42 |
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Law; Sociology |
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Kohlhammer |
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Stuttgart |
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Pichler, Peter |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2572 |
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Author |
Efthymiou, Charalampos |
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Title |
The Laws of Metal and Music Analysis |
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The Law of the Metal Scene: An Interdisciplinary Discussion |
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69-84 |
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Music Analysis; Law |
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Kohlhammer |
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Stuttgart |
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Pichler, Peter |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2575 |
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Author |
Pichler, Peter (ed) |
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Title |
The Law of the Metal Scene: An Interdisciplinary Discussion |
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Book Whole |
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Year |
2024 |
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<<Produktbeschreibung: Metal Studies is a genuinely interdisciplinary research field. However, different specialist traditions, differing theoretical and methodological approaches, and also terminological “translation difficulties” make collaboration within the field difficult. This volume aims to explore the potential and limitations of interdisciplinary work by examining an example area – the laws of Heavy Metal – from the point of view of central disciplines. Laws are regarded as social conventions – i.e., rules that are made by human beings and are culturally stable. Examples of laws include conventions of musical language, the dress code in the metal scene, behavioural norms, and conventions in writing song lyrics.
The volume includes contributions from the fields of law, social ethics, art history, religious studies, musicology, sociology, linguistics, and cultural history.>> |
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Kohlhammer Verlag |
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Stuttgart, Baden-Württemberg, Germany |
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Pichler, Peter |
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English |
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Meta/Metal (Volume 2) |
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9783170434639 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2536 |
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Author |
Coggins, Owen |
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Title |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
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Year |
2015 |
Publication |
Journal of Implicit Religion |
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18 |
Issue |
2 |
Pages |
209-231 |
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Keywords |
Religion; Spirituality; Mysticism; Drone Metal |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2093 |
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Author |
Coggins, Owen |
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Title |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
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Year |
2017 |
Publication |
Religion and Media |
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s.p. |
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Spirituality; Religion; Drone Metal; Mysticism |
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Routledge |
Place of Publication |
London |
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Kirby, Danielle L.; Cusack, Carole M. |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2094 |
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Author |
Eckerström, Pasqualina |
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Title |
The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Satanic Panic; Egypt; Iran; Syria |
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Lexington Books |
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London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2437 |
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Author |
Carew, Francis |
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Title |
The Guitar Voice of Randy Rhoads |
Type |
Book Whole |
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Year |
2018 |
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Pages |
186 |
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Keywords |
Communication and the arts; Classical guitar; Guitar voice; Heavy metal; Music history; Musonia music; Osbourne, Ozzy; Rhoads, Randy |
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Abstract |
Randy Rhoads was an influential rock guitarist whose synthesis of musical influences had an impact on heavy metal. He developed a classically influenced guitar style that inspired new developments in the guitar’s virtuosic technique and harmonic and melodic language. The sound of heavy metal can be traced directly to his guitar style. Yet no definitive studies have been conducted on his guitar voice, synthesis of musical influences, or contribution to heavy metal music. This thesis is the first study to define the musical influences that make up Rhoads’s innovative guitar voice and playing style. It examines his early childhood, formal training, and influences, honing his skills in Quiet Riot, mastering his skills on Blizzard of Ozz , and mastering his skills on Diary of a Madman . It provides a look at his guitar voice through his adaptation, synthesis, and implementation of musical influences by conducting a detailed musical analysis of the formal, harmonic, rhythmic, and melodic aspects of the songs on Blizzard of Ozz and Diary of a Madman.
The examination of his guitar voice and playing style is provided by the following materials: CDs, DVDs, books, scholarly journals, master’s theses and doctoral dissertations, and transcriptions of songs on Blizzard of Ozz and Diary of a Madman. The aim of this thesis is to demonstrate that Rhoads’s guitar voice and playing style are classically influenced and a synthesis of different musical styles. It advocates that his playing style pushed the hard rock music envelope create a new approach to guitar playing that led to a more refined version of the music. It suggests that Rhoads’s musical approach and mindset in the 1980s: classical-style virtuosity, harmony and melody, and acoustic guitar was important to the development of the heavy metal sound, therefore placing him in the historical annals of popular music. |
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Master's thesis |
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Wayne State University |
Place of Publication |
Ann Arbor |
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978-0-438-01846-4 |
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INTech @ brianhickam2019 @ |
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2207 |
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Author |
Špoljarić, Bernard |
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Title |
The Goat-God Motif in Heavy Metal Music: The Relevance and Meaning of the God Pan in the Black Metal Project – Arckanum |
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Year |
2021 |
Publication |
Studia Polensia |
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10 |
Issue |
1 |
Pages |
87-114 |
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Aesthetics; Motifs; Pan (god); Pan (mythos); Arckanum (band) |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2254 |
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Author |
Juszczyk, Andrzej |
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Title |
The Global and Local Dimension of Metal Music |
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Journal Article |
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Year |
2018 |
Publication |
Annales Universitatis Paedagogicae Cracoviensis | Studia De Cultura |
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14 |
Issue |
3 |
Pages |
63-71 |
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Africa; Asia; Non-Western Scenes |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2584 |
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