| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
|
|
|
Armao, Frédéric |
The Contemporary Myth of the Celts in Ireland: from (Mainstream) Enya to (Underground) Cruachan |
2021 |
Revue française de civilisation britannique |
26 |
s.p. |
|
|
|
Kallioniemi, Kari; Kärki, Kimi |
The Kalevala, Popular Music, and National Culture |
2009 |
Popular Music |
13 |
12 |
|
|
|
Hochhauser, Sharon |
The marketing of Anglo-identity in the North American hatecore metal industry |
2011 |
Metal rules the globe: heavy metal music around the world |
|
161-179 |
|
|
|
Scott, Niall (ed) |
The metal void: first gatherings |
2010 |
|
|
|
|
|
|
McGrath, Bill |
The Othering Of Botswanan Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
206-218 |
|
|
|
Boyarin, Shamma; Saguar García, Amaranta; Christensen, Annika; Swinford, Dean |
The Politics and Poetics of Metal’s Medieval Pasts |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
71-80 |
|
|
|
Pichler, Peter |
The power of the imagination of historical distance: Melechesh’ ‘Mesopotamian Metal’ as a musical attempt of solving cultural conflicts in the twenty-first century |
2017 |
Metal Music Studies |
3 |
97-112 |
|
|
|
Tolvanen, Hannu |
The quiet past and the loud present: the Kalevala and heavy metal |
2006 |
Volume! La revue des musiques populaires |
5 |
75-89 |
|
|
|
Saguar García, Amaranta |
The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal |
2019 |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
|
93-106 |
|
