| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
|
|
|
Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
|
|
|
Spracklen, Karl |
True Norwegian Black Metal — The Globalized, Mythological Reconstruction of the Second Wave of Black Metal in 1990s Oslo |
2014 |
Sounds and the City: Popular Music, Place and Globalization |
|
183-195 |
|
|
|
Wright, Robert |
’I’d Sell You Suicide’: Pop Music and Moral Panic in the Age of Marilyn Manson |
2000 |
Popular Music |
19 |
365-385 |
|
|
|
Tsitsos, William |
Rules of Rebellion: Slamdancing, Moshing, and the American Alternative Scene |
1999 |
Popular Music |
18 |
397-414 |
|
|
|
Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
|
|
|
Kahn-Harris, Keith |
‘Roots’? the relationship between the global and the local within the Extreme Metal scene |
2000 |
Popular Music |
19 |
13-30 |
|
|
|
Greene, Paul |
Mixed messages: unsettled cosmopolitanisms in Nepali pop |
2001 |
Popular Music |
20 |
169-187 |
|
|
|
Berger, Harris M. |
Death metal tonality and the act of listening |
1999 |
Popular Music |
18 |
161-178 |
|
|
|
Coggins, Owen |
Ritual Sacrifice in the Music and Noise of a Metal Festival |
2019 |
Riffs: Experimental Writing on Popular Music Studies |
3 |
85-109 |
|
