| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Pichler, Peter (ed) |
The Law of the Metal Scene: An Interdisciplinary Discussion |
2024 |
|
|
|
|
|
|
Pichler, Peter; Béra, Camille F.; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco (eds) |
Meta/Metal: Open Questions in Metal Studies |
2024 |
|
|
|
|
|
|
Scheller, Jörg; Neuffer, Jochen |
Make Metal Small Again |
2023 |
|
|
193 |
|
|
|
Trummer, Manuel |
Highway to Hell: Das Satanische im Heavy Metal |
2024 |
|
|
166 |
|
|
|
Pichler, Peter |
Breaking the Law? Recht, Moral und Klang in der steirischen Heavy Metal-Szene seit 1980 |
2024 |
|
|
399 |
|
|
|
Benefield, Adam J. |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
2020 |
|
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|
|
Stricker, Jake A. |
Ascending the Improbable Heights: An Examination of High-Pitched Male Heroism in Opera and Heavy Metal |
2018 |
|
|
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|
|
Turley, Julie; Jocson-Singh, Joan |
Heavy Music Mothers: Extreme Identities, Narrative Disruptions |
2023 |
|
|
152 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
2022 |
Music, Sound, and Documentary Film in the Global South |
|
89-112 |
|
|
|
Guberman, Daniel |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
2018 |
Tyrannny and Music |
|
183-198 |
|
