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Banchs, Edward; Bardine, Bryan A.; Chilewska, Anna; Cintrón-Gutiérrez, Luis Javier; Hagen, Ross; Madera, Sheilla R.; Nelson, Bradley J.; Podoshen, Jeffrey; Purves, Robin; Ramos-Pibernus, Alixida; Shadrack, Jasmine Hazel; Scott, Niall W.R.; Varas-Díaz, Nelson; Venkatesh, Vivek; & Wallin, Jason |
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Title |
On Extremity: From Music to Images, Words, and Experiences |
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2023 |
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290 |
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“On Extremity: From Music to Images, Words, and Experiences brings together transdisciplinary scholarship on sounds, images, words, and experiences (human and non-human) to reflect on the polysemic and polymorphic characteristics of extremity and the category of the extreme. The editors and authors aim to contribute to a living, breathing, and expanding definition of extremity that helps us understand what we gain, or lose, when we interact with it, create it, and share it with, or force it upon, others. The volume calls for the emergence of “extremity studies” as an area of perusal to help us navigate our current global condition.”
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https://rowman.com/Page/Lexington |
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Lexington Books |
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Varas-Díaz, Nelson; Bardine, Bryan; Scott, & Niall W.R. |
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English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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1666905208, 978-1666905205 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2520 |
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Author |
Pérez Pelayo, Marisol |
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Title |
The Legacy of the Sun: Cemican, Mesoamerican instruments, and their materiality in metal music |
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2023 |
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Riffs: Experimental Writing on Popular Music |
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7 |
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1 |
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7-21 |
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Cemican (band); Performance; Indigenous instruments; Relation to the past |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2592 |
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Author |
Coggins, Owen |
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Title |
Ritual Sacrifice in the Music and Noise of a Metal Festival |
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Journal Article |
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Year |
2019 |
Publication |
Riffs: Experimental Writing on Popular Music Studies |
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3 |
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2 |
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85-109 |
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Festivals |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2091 |
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Author |
Yepes Aguirre, Jimmy Renzo |
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Title |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
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Journal Article |
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Year |
2013 |
Publication |
Investigaciones Sociales |
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Volume |
17 |
Issue |
30 |
Pages |
279-290 |
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Keywords |
Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú |
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Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. |
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https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 |
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Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales |
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Lima, República del Perú |
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Print: 1560-9073 / Online: 1818-4758 |
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INTech @ brianhickam2019 @ |
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2284 |
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Author |
Yépez Aguirre, Jimmy Renzo |
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Title |
La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014 |
Type |
Journal Article |
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Year |
2019 |
Publication |
Pluriversidad, the academic journal of Vicerrectorado Académico de la Universidad Ricardo Palma |
Abbreviated Journal |
Pluriversidad |
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3 |
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21 |
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Individualism; mercantilism; fetichism; rock music; habitus-field |
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This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out. |
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Av. Benavides 5440 – Santiago de Surco Lima 33 Perú | postal section 1801 | ( 0511 ) 708 0000 | Email: helpdesk@urp.edu.pe |
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Universidad Ricardo Palma |
Place of Publication |
Lima, República del Perú |
Editor |
Martínez Llaque, José |
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Spanish |
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English |
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Print: 2617-6254 / Online: 2617-6262 |
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Creative Commons 4.0 (CC BY-NC) |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
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2282 |
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Author |
Yépez, Jimmy |
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Title |
Vivir adentro y en contra. Metaleros de las ciudades de Lima (2016) y Huánuco (2010) Perú. |
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Journal Article |
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Year |
2022 |
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PLURIVERSIDAD |
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10 |
Issue |
n/a |
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73-100 |
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Keywords |
Jóvenes, Metaleros, colonialidad del poder, modernidad, globalización; Young people, metalheads, coloniality of power, modernity, globalization |
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RESUMEN
El siguiente trabajo de investigación tuvo como objetivo el análisis de dos trabajos de campo de mi autoría en dos momentos diferentes 2016 (Lima) y 2010 (Huánuco). “En ambos trabajos se hizo uso de la encuesta y la entrevista a profundidad a una muestra no probabilística de 23 personas en el caso de Lima y 30 personas en el caso de Huánuco” (Yépez, J.2011; Yépez, J. 2017b). En el análisis comparativo de ambas investigaciones podemos concluir que la reproducción de la colonialidad del poder y el nudo arguediano (identidad-modernidad-democracia) son las trabas para el desarrollo de las comunidades juveniles en el Perú.
[The following research work had as objective the analyze two field works of my authorship at two different times: 2016 (Lima) and 2010 (Huánuco). “In both works, the survey and the in-depth interview were used with a non-probabilistic sample of 23 people in the case of Lima and 30 people in the case of Huánuco” (Yépez, J. 2011; Yépez, J. 2017b) In the comparative analysis of both investigations we can conclude that the reproduction of the coloniality of power and the argued knot (identity-modernity-democracy) are the obstacles for the development of youth communities in Peru.] |
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jyepez@lamolina.edu.pe |
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Corporate Author |
Universidad Nacional Agraria la Molina, Lima, Perú |
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Universidad Ricardo Palma |
Place of Publication |
Lima, República del Perú |
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español |
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English |
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Online: 2617-6262 |
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open access |
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no |
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INTech @ brianhickam2019 @ |
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2400 |
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Author |
Yépez Aguirre, Jimmy Renzo |
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Title |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
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Journal Article |
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Year |
2017 |
Publication |
Anales Científicos |
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78 |
Issue |
2 |
Pages |
80-91 |
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Keywords |
Individualization; commodification; fetishization; rock; metal; habitus; field; consumer Society |
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Abstract |
This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research. |
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https://revistas.lamolina.edu.pe/index.php/acu/issue/view/70 |
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Universidad Nacional Agraria La Molina, Lima - Perú |
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Lima, República del Perú |
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Spanish |
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English |
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Print: 0255-0407 / Online: 2519-7398 |
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INTech @ brianhickam2019 @ |
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2283 |
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Author |
Castillo Bernal, Stephen |
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Title |
Imágenes, ficción y consumo cultural. El impacto de la pantalla chica en la globalidad del heavy metal. |
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Journal Article |
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Year |
2016 |
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Dimensión Antropológica |
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66 |
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January-April |
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117-148 |
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En este trabajo exploraré la construcción de identidades y estereotipos sobre la escena metalera desde la pantalla chica. El cine, así como los programas televisivos, han jugado un papel fundamental en la reproducción del canon metalero.1 Destacan series animadas como Beavis and Butt-Head, transmitidas por el canal mtven la década de los 90, la cual dio paso a series como Metalocalypse, donde se privilegia la vida de los músicos y no tanto la de los fans.Si los productos fílmicos, audiovisuales y televisivos pueden verse como documentos etnográficos que evidencian un contexto cultural al margen de la intencionalidad del autor, entonces las imágenes televisivas asociadas con la escena metalera serán filtradas y re-significadas por cada sujeto y colectividad. Estos imaginarios ficcionales, que pueden o no corresponder con la realidad, generan estigmas, identidades, tabúes, temores y, paradójicamente, la reproducción de la escena metalera mundial mediante diversos consumos culturales. Se analizará la imagen global del heavy metal en las narrativas de Metalocalypse y cómo éstas evidencian el carácter estructural de ese género musical, ello a partir de un ejercicio etnográfico entre los participantes de esa comunidad de sentido en la ciudad de México. Los testimonios etnográficos fueron seleccionados de manera para apuntalar mis interpretaciones. |
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https://revistas.inah.gob.mx/index.php/dimension/index |
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Instituto Nacional de Antropología e Historia de México (INAH) |
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Palacio del Marqués del Apartado, Ciudad de México |
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Subdirector de Publicaciones Periódicas: Benigno Casas |
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español |
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ISSN: 1405776X |
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Revista CuatRimestRal |
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INTech @ brianhickam2019 @ |
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2405 |
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Author |
Pascuchelli, María Natalia |
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Title |
Las performance de rock como ámbito de construcción de identidades. Los seguidores de V8 en el área metropolitana de Buenos Aires. |
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Journal Article |
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Year |
2012 |
Publication |
Revista Lindes: Estudios Sociales del Arte y la Cultura |
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Octubre |
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3 |
Pages |
17 |
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A través del presente artículo nos proponemos enfatizar sobre la performance del grupo V8 , agrupación de Heavy Metal argentino, entendida está como una manifestación artística – cultural, donde aparecen como disparadores , diversos códigos estético – ideológicos, a través de los cuales comienza a vislumbrarse una conformación de sentido de pertenencia y construcción de identidad entre los jóvenes seguidores. Esto revela la importancia de esta manifestación para los actores sociales, quienes van generando pautas que les permiten diferenciarse de otros grupos juveniles de la época. El contexto político que vivía el país, saliendo de la dictadura militar y entrando en la democracia, marco en todo el movimiento rockero y en el naciente Heavy Metal nacional, una postura contestaría y de resistencia cultural. |
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https://www.revistalindes.com.ar/indice.html |
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Ciudad Autónoma de Buenos Aires, República Argentina |
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Spanish |
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Spanish |
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1853-5798 |
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María Natalia Pascuchelli, Licenciada en folklore por Instituto Universitario Nacional del Arte. Maestranda en Cultura y Sociedad. Instituto Universitario Nacional del Arte- Centro Argentino de Etnología Americana. Argentina |
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INTech @ brianhickam2019 @ |
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2292 |
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Silva, Melina Aparecida dos Santos; Sá, Simone Pereira de |
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Title |
Duas pernas, um braço: a banda Katingation e sua apropriação do death metal no cenário pós-guerra civil angolano |
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Journal Article |
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Year |
2014 |
Publication |
Comunicação Mídia E Consumo |
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11 |
Issue |
31 |
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65-81 |
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Angola; Africa; Death metal; War |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2475 |
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