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Author |
Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
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Title |
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes |
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Year |
2023 |
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Poetics |
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99 |
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101803 |
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Sociology; Social relations |
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0304422X |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2460 |
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Author |
Kjellander Hellqvist, Eva |
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Title |
”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
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Journal Article |
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Year |
2023 |
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HumaNetten |
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50 |
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76-91 |
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Gender; Women |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2461 |
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Author |
Barski, Kamil Sławomir |
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Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre] |
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Journal Article |
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Year |
2023 |
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Świat i Słowo [World and Word] |
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41 |
Issue |
2 |
Pages |
325-345 |
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Romanticism; Black metal; Ecocriticism; Art; Nature |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2549 |
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Author |
Davis, Amanda Blake; Sangster, Matthew |
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Title |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
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Journal Article |
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Year |
2023 |
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European Romantic Review |
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34 |
Issue |
3 |
Pages |
291-302 |
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Keywords |
Romanticism (literature); Literature; Epic poetry; Intertextuality |
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1050-9585 |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2420 |
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Author |
Mokrý, Matouš |
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Title |
The conference “Metal and Religion”, 7-8 September 2022, Brno |
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Journal Article |
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Year |
2023 |
Publication |
Religio |
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Volume |
31 |
Issue |
1 |
Pages |
153-156 |
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Report; Conference |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2539 |
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Author |
Kruk, Jessica; Robertson, Wesley C. |
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Title |
An annotated interview with Beastwars: Language, identity and place in New Zealand metal |
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Journal Article |
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Year |
2023 |
Publication |
Perfect Beat |
Abbreviated Journal |
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22 |
Issue |
1 |
Pages |
s. p. |
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Keywords |
Interview; Beastwars (band); Sociolinguistics; Language; Identity; New Zealand |
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1038-2909 |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2456 |
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Author |
Balíková, Nela |
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Title |
Zpráva z mezinárodní konference Metal and Religion [Report from the Metal and Religion International Conference] |
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Journal Article |
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Year |
2023 |
Publication |
Sacra |
Abbreviated Journal |
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Volume |
21 |
Issue |
1 |
Pages |
58-61 |
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Keywords |
Repor; Conference |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2542 |
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Author |
Koplow Villavicencio, Jan |
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Title |
More than Screams and Distortion: Chilean Metal Against the Ecological Crises and the Extractivist Economic Model |
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Journal Article |
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Year |
2023 |
Publication |
SEM Student News |
Abbreviated Journal |
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Volume |
19 |
Issue |
1 |
Pages |
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Keywords |
Ecometal; Ecology; Chile; Environmentalism; Decolonialism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2547 |
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Author |
Yildirim, Yavuz |
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Title |
Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s |
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Journal Article |
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Year |
2023 |
Publication |
Sociology Compass |
Abbreviated Journal |
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Volume |
17 |
Issue |
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Pages |
e13122 |
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Keywords |
Turkey; Democracy; Politics |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2538 |
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Author |
Pichler, Peter |
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Title |
To the sources! On historical source criticism in metal studies |
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Journal Article |
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Year |
2023 |
Publication |
Popular Music History |
Abbreviated Journal |
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Volume |
15 |
Issue |
1 |
Pages |
54–77 |
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Keywords |
Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes |
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Abstract |
Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research. |
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15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom |
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Equinox Publishing Ltd |
Place of Publication |
United Kingdom |
Editor |
Catherine Strong; Shane Homan |
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Language |
English |
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1740-7133 (Print); 1743-1646 (Online) |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2469 |
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