| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Hill, Rosemary Lucy |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
2022 |
Samples. Open Access Journal for Popular Music Studies |
20 |
197-210 |
|
|
|
Hill, Rosemary Lucy |
Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community |
2011 |
Journal for Cultural Research |
15 |
297-313 |
|
|
|
Hill, Rosemary Lucy |
Reconceptualizing hard rock and metal fans as a group: Imaginary community |
2014 |
International Journal of Community Music |
7 |
173-187 |
|
|
|
Hill, Rosemary Lucy |
When love and critique collide: Methodology ontology fandom and standpoint in metal research |
2021 |
Metal Music Studies |
7 |
197-210 |
|
|
|
Hill, Rosemary Lucy |
Metal and sexism |
2018 |
Metal Music Studies |
4 |
265-279 |
|
|
|
Hill, Rosemary Lucy |
‘Power has a penis’: Cost reduction, social exchange and sexism in metal – reviewing the work of Sonia Vasan |
2016 |
Metal Music Studies |
2 |
263-271 |
|
|
|
Hill, Rosemary Lucy; Lucas, Caroline; Riches, Gabby |
Metal and marginalization: Researching at the edges of exteriority |
2015 |
Metal Music Studies |
1 |
295-301 |
|
|
|
Hill, Rosemary Lucy |
Gender, metal and the media: women fans and the gendered experience of music |
2016 |
|
|
|
|
|
|
Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
|
|
|
Hill, Rosemary |
’I’m a metalhead’: the representation of women letter writers in Kerrang! magazine |
2010 |
Heavy fundametalisms: music, metal and politics |
|
79-88 |
|
