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Author |
Coggins, Owen |
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Title |
Citation and Recitation in Mystical Scholarship and Om’s Drone Metal |
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2014 |
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Diskus, Journal of the British Association for the Study of Religion |
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16 |
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1 |
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30-47 |
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Om (band); Drone Metal; Mysticism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2095 |
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Author |
Coggins, Owen |
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Title |
Nationalist Black Metal, Black Metal Nation |
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Book Chapter |
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Year |
2014 |
Publication |
Writing Difference: Literature, Identity and Nationalism |
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Pages |
460-481 |
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Keywords |
Nationalism; Black Metal; NSBM |
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Atlantic |
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London |
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Ray, Girinda; Sarkar, Jaydeep; Bhattacharya, Anindya |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2100 |
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Author |
Johnson, Henry |
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Title |
Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) |
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Journal Article |
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Year |
2014 |
Publication |
Island Studies Journal |
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Volume |
9 |
Issue |
1 |
Pages |
176-178 |
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Institute of Island Studies, University of Prince Edward Island |
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Canada |
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Open Access |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2229 |
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Author |
Marjenin, Peter A. |
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Title |
The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani |
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Book Whole |
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2014 |
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Korpiklaani (band); Nationalism; Folk Metal |
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Master's thesis |
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Kent State University |
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Kent |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2259 |
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Author |
Hofer, Dave |
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Title |
PERPETUAL CONVERSION: 30 Years and Counting in the Life of Metal Veteran Dan Lilker |
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Book Whole |
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Year |
2014 |
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Anthrax, Brutal Truth, Nuclear Assault, S.O.D. |
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Handshake Inc. |
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English |
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1634438000, 978-1634438001 |
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no |
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INTech @ brianhickam2019 @ |
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2270 |
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Author |
Riekki, Matti |
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Title |
Täältä Pohjoiseen: Sentencedin Tarina |
Type |
Book Whole |
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Year |
2014 |
Publication |
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Pages |
262 |
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Keywords |
Sentenced, Death Metal, Melodic Death Metal, Gothic Metal, Finland |
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“Sekä puhumiseen että riemuitsemiseen pätee sama perussääntö: näitä tehdään vain kun on oikea tarve. Valittamiseen ja murehtimiseen riittää toki vähempikin.”Vuonna 1989 perustettu Sentenced oli suomalaisen raskaan rockin uranuurtaja. Melankoliasta voimaa puristanut yhtye vetosi muuallakin kuin Pohjolassa, ja sen levymyynti hipoo maailmanlaajuisesti miljoonaa. Kuusitoistavuotisen uransa aikana Sentenced teki lukuisia kiertueita Euroopassa ja Pohjois-Amerikassa. Vankka suosio Keski-Euroopassa teki yhtyeelle tutuksi muun muassa Berliinin ja Dortmundin klubit sekä festivaalit Saksan Rock Hardista Hollannin legendaariseen Dynamo Open Airiin. Euroopan laitoja yhtye kolusi aina Lontoon Astoria-klubilta Roomaan ja Osloon, joista jälkimmäisiä bändi muistaa kiertueuran pahoina paikkoina. Euroopan lisäksi lähinnä Yhdysvalloissa kiertänyt yhtye nousi viimeisellä ulkomaankiertueellaan vuonna 2005 lauteille myös Moskovassa ja Mexico Cityssä, missä mukana laulava yleisömassa sai keikkapaikan seinät tutisemaan ja lopettamispäätöksen tehneen bändin jäsenten silmäkulmat kostumaan.Pohjoispohjalaisten teinipoikien uhosta alkanut tarina on täynnä poskettomia käänteitä ja syvää tragiikkaa. Biisien synnyn salat, ikimuistoiset keikat ja kiertue-elämän alhot. Kuolemanvakavat kohtalot ja pohjoispohjalainen hirtehishuumori, saavutukset ja menetetyt mahdollisuudet. Raskaasti ryyppäävinä, mustiin pukeutuvina tuppisuina tunnetut miehet kertovat, mitä oli soittaa yhtyeessä nimeltä Sentenced. |
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Like Kustannus Oy |
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Finnish |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2278 |
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Author |
McFerran, Katrina |
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Title |
Metal Made Me Who I Am: Seven Adult Men Reflect on Their Engagement with Metal Music During Adolescence |
Type |
Journal Article |
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Year |
2014 |
Publication |
International Journal of Community Music |
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Volume |
7 |
Issue |
2 |
Pages |
205-222 |
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Keywords |
Sociology |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2331 |
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Author |
Silva, Melina Aparecida dos Santos; Sá, Simone Pereira de |
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Title |
Duas pernas, um braço: a banda Katingation e sua apropriação do death metal no cenário pós-guerra civil angolano |
Type |
Journal Article |
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Year |
2014 |
Publication |
Comunicação Mídia E Consumo |
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Volume |
11 |
Issue |
31 |
Pages |
65-81 |
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Keywords |
Angola; Africa; Death metal; War |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2475 |
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Author |
Coggins, Owen |
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Title |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
Type |
Journal Article |
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Year |
2015 |
Publication |
Journal of Implicit Religion |
Abbreviated Journal |
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Volume |
18 |
Issue |
2 |
Pages |
209-231 |
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Keywords |
Religion; Spirituality; Mysticism; Drone Metal |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2093 |
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Author |
Vaughn, Erin M. |
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Title |
Harmonic resources in 1980s hard rock and heavy metal music |
Type |
Book Whole |
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Year |
2015 |
Publication |
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94 |
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Keywords |
Communication and the arts; Guns N' Roses; Hard rock; Harmony; Heavy metal; Malmsteen, Yngwie; Metallica; Music theory |
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Abstract |
The first objective of this work was to review the existing literature relating to popular music analysis to determine if standards of harmonic practice within hard rock and heavy metal music have been considered and established. This led to the review of the analytical methods of Guy Capuzzo, Christopher Doll, Walter Everett, Allen Moore, and Ken Stephenson. For the needs of this study, Everett's work (and to a lesser degree, Stephenson's work) is primary as it best summarizes the harmonic schemes used in the pieces analyzed.
Three songs were selected within different subgenres of hard rock and heavy metal: thrash metal (Metallica, “Master of Puppets”), neo-classical metal (Yngwie Malmsteen, “Far Beyond the Sun”), and commercial hard rock (Guns-N-Roses, “Welcome to the Jungle”). These pieces were analyzed extensively to understand the primary harmonic resources that are at work in each. Additionally, the three pieces were compared with regard to their formal elements, melodic materials, texture, and dynamics to draw conclusions about what similarities they share and also how they differ. Depending on the piece and the section under consideration, these three examples exhibited a reliance on modal structures, blues-based materials, and common-practice influences. |
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Master's thesis |
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Kent State University |
Place of Publication |
Ann Arbor |
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978-1-339-41655-7 |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2224 |
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