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Author |
Trummer, Manuel |
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Title |
Highway to Hell: Das Satanische im Heavy Metal |
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Year |
2024 |
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166 |
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<<Produktbeschreibung: Schwarze Messen, Satanismus, Teufelskult – das Satanische hat im Rock 'n' Roll seit jeher einen festen Platz. Jedenfalls warnen konservative Kräfte bereits seit den 1950er Jahren vor dem teuflischen Einfluss der Rockmusik auf Jugend, Kultur und Gesellschaft. Seit den 1970er Jahren kultivierte der Heavy Metal ganz bewusst sein Image als “Teufelsmusik” und zieht bis heute vielfältige kreative Impulse aus dem Satanischen.
Der Teufel selbst begegnet in Musik, Texten und Artworks als schillerndes, vielschichtig besetztes Symbol. Ob als schauerliche Horrorfigur, als provokanter Trickster oder als Idol in parareligiösen okkulten Systemen – er prägt die Ästhetik und Ideologie des Metal wie kaum eine andere Gestalt. Stets bleibt er dabei zugeich Spiegelbild sich verändernder soziokultureller Werte und Normen.
>>
[Product description: Black masses, Satanism, devil cult – the satanic has always had a firm place in rock 'n' roll. In any case, conservative forces have been warning about the devilish influence of rock music on youth, culture and society since the 1950s. Since the 1970s, heavy metal has consciously cultivated its image as “devil's music” and continues to draw diverse creative impulses from the satanic to this day.
The devil himself appears in music, lyrics and artwork as a shimmering, multi-layered symbol. Whether as a gruesome horror figure, a provocative trickster or an idol in parareligious occult systems – he shapes the aesthetics and ideology of metal like no other figure. It always remains a reflection of changing socio-cultural values and norms.] |
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Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
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German |
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MetalBook (Volume 3) |
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9783170420748 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2533 |
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Author |
Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward |
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Title |
Lost in the field: Lessons from metal music studies fieldwork in the Global South |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
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Volume |
8 |
Issue |
2 |
Pages |
163-182 |
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Keywords |
Non-Western scenes; Global South; Ethno-Journalism; Ethnography |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2315 |
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Author |
Calvo, Manuela Belén |
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Title |
Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Pages |
163-186 |
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Keywords |
Argentina; Gender; Coloniality |
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Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2429 |
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Author |
Wallach, Jeremy |
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Title |
REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist |
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2023 |
Publication |
Sounding Out the State of Indonesian Music |
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Pages |
162-179 |
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Indonesia; Politics |
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Cornell University Press |
Place of Publication |
Ithaca |
Editor |
Miller, Christopher J.; McGraw, Andrew |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2442 |
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Author |
Whalen, Kayley Margarite |
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Title |
Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives |
Type |
Book Chapter |
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Year |
2024 |
Publication |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
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162-178 |
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Disability; Neurodivergence; Goth scene; Narratives |
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Intellect |
Place of Publication |
Bristol |
Editor |
Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2565 |
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Author |
Pichler, Peter |
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Title |
“Breaking the Law...?” On the Role of Law and Legal References in the Cul- tural History of the Heavy Metal Scene in Styria since 1980 |
Type |
Journal Article |
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Year |
2022 |
Publication |
Austrian Law Journal |
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Volume |
2 |
Issue |
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Pages |
159-179 |
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Keywords |
Law; Asutrian scene |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2346 |
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Author |
Janotti Junior, Jeder |
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Title |
Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. |
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Pages |
156 |
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Keywords |
eBook |
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Abstract |
O livro tem origem em um entre-lugar que abriga ao mesmo tempo pesquisa acadêmica sobre música e paixão pelo metal, transitando entre as discussões sobre gosto, gênero musical e afeto através de uma pergunta assombrosa: “o que é, afinal, música?”
Este livro não teria sido possível sem o apoio do Conselho Nacional de Desenvolvimento Científico e Tecnológico, do Programa de Pós-Graduação em Comunicação da Universidade Federal de Pernambuco (UFPE) e dos partipantes do Laboratório de Análise de Música e Audiovisual Audiovisual (L.A.M.A.) |
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https://simplissimo.com.br/ |
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Simplíssimo Livros Ltda |
Place of Publication |
Porto Alegre /RS - Brasil |
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Language |
Portuguese |
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ISBN |
8567125081; 9788567125084 |
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eBOOK |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2293 |
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Author |
Filho, Fábio ALexandre Tardelli; Barbosa, Rafaella Fraga; Rodrigues, Ketelyn Rocha; Lima, Anderson; Fiusa, Marcelo Henrique |
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Title |
Zines e cultura underground: uma análise fanoniana pelo Prolecast |
Type |
Book Chapter |
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Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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Pages |
156-186 |
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Keywords |
Fanzines; Prolecast (podcast); Frantz Fanon; Colonialism |
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Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2361 |
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Author |
Olavarría Ginocchio, Ricardo |
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Title |
Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) |
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Book Whole |
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Year |
2019 |
Publication |
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Pages |
153 |
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Keywords |
Música--Perú--Lima--Historia--1983-1989; Música rock--Perú--Lima--Historia--1983-1989; Música popular--Perú--Lima--Historia--1983-1989 |
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Abstract |
La presente tesis tiene como objetivo analizar las razones que llevaron a un grupo de jóvenes limeños varones, en la década de los ochenta, a tocar metal, tanto en la variante de heavy metal tradicional como en la extrema, a la vez que busca explicar de qué manera las circunstancias de la realidad nacional, tanto económicas como sociales y políticas, influyeron en la constitución de dicho género musical como escena. Para ello, parto de dos hipótesis. Por un lado, en un contexto de globalización y desestructuración, estos jóvenes encuentran, en la oscuridad, pesadez y potencia del metal, un espacio en el que construir lazos sociales entre pares y afianzar estructuras paralelas de autonomía y poder. Por otro lado, la formación de la escena metalera se da primero en una etapa (1983-1985) de convivencia entre las bandas de metal y las de otros subgéneros del rock; y luego, en una segunda etapa (1986-1989), esta adquiere carácter independiente y se perfila en dos vertientes: una que busca la profesionalización, que eventualmente pierde terreno ante la crisis económica, y otra underground, que lograr sortear la crisis a partir de sus propios códigos, los cuales marcan el futuro de la escena.
Con el fin de poner a prueba dichas hipótesis, realicé entrevistas a participantes de la escena de la época, consulté diversos periódicos, revistas y fanzines, además de fuentes secundarias. Además de confirmar las hipótesis de investigación, esta tesis muestra, primero, que los códigos musicales (en este caso del metal) influyeron en la realidad de los jóvenes que adoptaron dicho género como seña identitaria; y, segundo, que las particularidades de la escena metalera limeña respondieron a eventos y tendencias sociales, políticas y económicas propias de la realidad peruana. |
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Address |
Pontificia Universidad Católica del Perú, https://www.pucp.edu.pe/ |
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Pontificia Universidad Católica del Perú |
Thesis |
Master's thesis |
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Publisher |
Pontificia Universidad Católica del Perú |
Place of Publication |
Lima, República del Perú |
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Spanish |
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Magíster en Historia. Creative common license: Atribución-NoComercial-CompartirIgual 2.5 Perú |
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INTech @ brianhickam2019 @ |
Serial |
2280 |
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Author |
Mokrý, Matouš |
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Title |
The conference “Metal and Religion”, 7-8 September 2022, Brno |
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Journal Article |
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Year |
2023 |
Publication |
Religio |
Abbreviated Journal |
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31 |
Issue |
1 |
Pages |
153-156 |
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Report; Conference |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2539 |
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