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Author |
Carew, Francis |
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Title |
The Guitar Voice of Randy Rhoads |
Type |
Book Whole |
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Year |
2018 |
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Abbreviated Journal |
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Pages |
186 |
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Keywords |
Communication and the arts; Classical guitar; Guitar voice; Heavy metal; Music history; Musonia music; Osbourne, Ozzy; Rhoads, Randy |
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Abstract |
Randy Rhoads was an influential rock guitarist whose synthesis of musical influences had an impact on heavy metal. He developed a classically influenced guitar style that inspired new developments in the guitar’s virtuosic technique and harmonic and melodic language. The sound of heavy metal can be traced directly to his guitar style. Yet no definitive studies have been conducted on his guitar voice, synthesis of musical influences, or contribution to heavy metal music. This thesis is the first study to define the musical influences that make up Rhoads’s innovative guitar voice and playing style. It examines his early childhood, formal training, and influences, honing his skills in Quiet Riot, mastering his skills on Blizzard of Ozz , and mastering his skills on Diary of a Madman . It provides a look at his guitar voice through his adaptation, synthesis, and implementation of musical influences by conducting a detailed musical analysis of the formal, harmonic, rhythmic, and melodic aspects of the songs on Blizzard of Ozz and Diary of a Madman.
The examination of his guitar voice and playing style is provided by the following materials: CDs, DVDs, books, scholarly journals, master’s theses and doctoral dissertations, and transcriptions of songs on Blizzard of Ozz and Diary of a Madman. The aim of this thesis is to demonstrate that Rhoads’s guitar voice and playing style are classically influenced and a synthesis of different musical styles. It advocates that his playing style pushed the hard rock music envelope create a new approach to guitar playing that led to a more refined version of the music. It suggests that Rhoads’s musical approach and mindset in the 1980s: classical-style virtuosity, harmony and melody, and acoustic guitar was important to the development of the heavy metal sound, therefore placing him in the historical annals of popular music. |
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Thesis |
Master's thesis |
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Wayne State University |
Place of Publication |
Ann Arbor |
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978-0-438-01846-4 |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2207 |
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Author |
Hutzel, Alexander Philipp |
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Title |
Homo Festivus: das Summer Breeze Open Air und seine Besucher |
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Book Whole |
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Year |
2018 |
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Keywords |
Sociology; Summer Breeze Open Air (festival) |
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Publisher |
Tectum Verlag |
Place of Publication |
Baden-Baden |
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Language |
ger |
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Thesis (M. A.) |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hutzel_homo_2018 |
Serial |
1684 |
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Author |
Brannigan, Paul; Winwood, Ian |
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Title |
Nacer, crecer, Metallica, morir |
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Book Whole |
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Year |
2018 |
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Keywords |
Metallica; Biography |
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Malpaso |
Place of Publication |
Barcelona |
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Spanish |
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978-84-17081-48-5 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ brannigan_nacer_2018 |
Serial |
1381 |
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Author |
O’Neill, Andrew |
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Title |
La historia del heavy metal |
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Book Whole |
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Year |
2018 |
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Publisher |
Blackie Books |
Place of Publication |
Barcelona |
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978-84-17059-53-8 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ oneill_historia_2018 |
Serial |
1483 |
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Author |
McCarthy, Jim; Olivent, Marc |
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Title |
Guns n’ Roses: reckless life : una novela gráfica |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Keywords |
Comic; Biography; Guns’n’Roses (band) |
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Publisher |
Redbook |
Place of Publication |
Barcelona |
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Language |
Spanish |
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ISBN |
978-84-947917-9-6 |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ mccarthy_guns_2018 |
Serial |
1591 |
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Author |
Grütz, Moritz |
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Title |
Metallisierte Welt: auf den Spuren einer Subkultur |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Keywords |
Non-Western scenes; Global scene |
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Publisher |
Hirnkost KG |
Place of Publication |
Berlin |
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Language |
ger |
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Edition |
1. Auflage |
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ISBN |
978-3-945398-69-2 |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ grutz_metallisierte_2018 |
Serial |
1620 |
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Author |
Zaddach, Wolf-Georg |
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Title |
Heavy Metal in der DDR: Szene, Akteure, Praktiken |
Type |
Book Whole |
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Year |
2018 |
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Keywords |
Sociology; History (metal music); Non-Western scenes; DDR |
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Publisher |
Transcript |
Place of Publication |
Bielefeld |
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Language |
ger |
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ISBN |
978-3-8376-4430-2 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ zaddach_heavy_2018 |
Serial |
272 |
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Author |
Fejes, János |
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Title |
The Reception of Biblical and Mythological Patterns in the Lyrics of Extreme Metal Music |
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Book Whole |
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Year |
2018 |
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Keywords |
Rhetoric; Bible; Reception; Motifs; Extreme Metal; Mythology |
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Thesis |
Ph.D. thesis |
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Publisher |
Pázmány Péter Katolikus Egyetem |
Place of Publication |
Budapest |
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Language |
hu |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ fejes_reception_2018 |
Serial |
742 |
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Author |
Feria del Libro Heavy |
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Title |
Cultura metálica 5: ponencias, debates y exposiciones de la 5a Feria del Libro Heavy de Buenos Aires |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Keywords |
Bibliography; Non-Western scenes; Argentina |
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Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
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Language |
Spanish |
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ISBN |
978-987-41-6713-2 |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ feria_del_libro_heavy_cultura_2018 |
Serial |
1589 |
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Author |
Panzini, Ariel |
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Title |
Heavy metal argentino: la clase del pueblo que no se rindió : análisis y diagnóstico del movimiento metalero argentino para la construcción de un marco teórico de entendimiento |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Keywords |
Sociology; Non-Western scenes; Argentina |
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Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
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Language |
Spanish |
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ISBN |
978-987-41-6710-1 |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ panzini_heavy_2018 |
Serial |
1593 |
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